| Music Time:Intermediate:
Mixed Choir a Cappella:
Classroom Musical Hal Leonard
More Quick-Start Lessons for the Elementary Class-Expand on the basics presented...(+)
More Quick-Start Lessons for the Elementary Class-Expand on the basics presented in Music Time: Primary with quick-start lessons and songs for upper elementary age groups. Whether you are a veteran teacher or beginner a teacher in training an elementary classroom teacher oreven a band choir or orchestra director who is now teaching general music for the first time you'll find quality learning material to take you through the year! Pick and choose what works best for your needs from a wide varietyof opening activities music reading songs with accompanying classroom instrument parts partner songs active listening lessons and assessment activities. This all-in-one resource comes with an Enhanced CD of the highest qualityrecordings 2 orchestral masterworks and PDFs of songsheets piano accompaniments instrument parts listening maps and activities that you can project or print. Quick-start your lessons with Music Time! Songs include: MusicRocks Fanga Alafia Yankee Doodle Rock and Roll Rhythms C. C. Rider Follow the Drinkin' Gourd Makin' Music All Day Long This Little Light of Mine Zum Gali Gali Walkin' Down the Street and more! Suggested for Grades 3-6.
27.99 GBP - vendu par Musicroom GB | |
| A New Heaven Voix Mixtes et Orgue [Partition] Peters
A New Heaven is a collaboration between Peters Edition and Faber Music. It conta...(+)
A New Heaven is a collaboration between Peters Edition and Faber Music. It contains 16 exciting new choral works by some of the most highly regarded British choral composers of our time – from Jonathan Dove and Howard Goodall to Judith Bingham and Jonathan Harvey. Includes an introduction and commentary with valuable rehearsal and performance tips by internationally acclaimed British choral conductor Simon Halsey. A New Heaven features contemporary settings of key sacred texts such as Agnus Dei, Gloria and The Lord is my shepherd, for use in concerts, church services and choral evensongs throughout the year and includes accompanied and unaccompanied works for mixed-voice choirs (four to eight parts), from intermediate to more advanced level. / Choral Music / Recueil / Voix Mixtes et Orgue
17.88 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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| Live Long and Prosper Chorale SATB SATB, Piano - Facile Walton Music
SATB choir, piano accompaniment - Early intermediate SKU: GI.WW1790 Compo...(+)
SATB choir, piano
accompaniment - Early
intermediate SKU:
GI.WW1790 Composed by
Jeffery L. Ames. Concert,
Church. Walton Choral.
Classical. Octavo. 12
pages. Walton Music
#WW1790. Published by
Walton Music (GI.WW1790).
UPC: 785147023463.
English. Text Source:
Jeffery Ames. Text by
Jeffery L.
Ames. The sentiment
of this work reminds us
to look all around for
examples of love and
beauty. Acting as a
benediction or prayer,
Live Long and Prosper
will make a thoughtful
concert or service closer
for mixed choirs of
varying abilities. $2.80 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sicut Locutus Est - Intermédiaire Hampton Roads Music Group
SSATB chorus, SATB chorus - intermediate SKU: XC.HRMG1940 Composed by Mic...(+)
SSATB chorus, SATB chorus
- intermediate SKU:
XC.HRMG1940 Composed
by Michael John Trotta.
Arranged by Michael John
Trotta. Michael John
Trotta. Music Education.
Octavo. 8 pages. Hampton
Roads Music Group LLC
#HRMG1940. Published by
Hampton Roads Music Group
LLC (XC.HRMG1940).
UPC: 785147103554.
Latin. Text source:
Traditional. The
eleventh movement from
Bach's Magnificat is a
wonderful introduction to
polyphonic singing for
mixed choirs. This
updated edition of the
masterwork may be
performed with the
notated keyboard
reduction as it
originally appeared, or
as an a cappella concert
piece appropriate for any
time of year. Â . $2.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Vier Choralsatze SAB Choral - Intermédiaire Schott
Choral (SAB Choir) - intermediate SKU: HL.49018904 Composed by Paul Hinde...(+)
Choral (SAB Choir) -
intermediate SKU:
HL.49018904 Composed
by Paul Hindemith. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1912-1914. 12
pages. Schott Music
#C53442. Published by
Schott Music
(HL.49018904). ISBN
9790001168281.
7.5x11.0x0.048 inches.
German. Singing,
especially singing in
small groups, is a
valuable and even the
most natural musical
activity - that is what
Paul Hindemith
(1895-1963) firmly
believed: 'Everybody has
got a voice ... A choir
is the least demanding
and at the same time best
educational tool.' And
that is why singing had
always been part of his
teaching activities, be
it while trying and
practising
musical-theoretical
tasks, be it while
rehearsing old and modern
choral settings. No
wonder that the composer
had dealt with choral
music all his life,
addressing himself to all
different kinds of vocal
ensembles: to mixed
choirs, male-voice and
children's choirs,
professional choirs and
trained singers. He
developed his a-cappella
style during his training
with Arnold Mendelssohn
and Bernhard Sekles at
the Hoch Conservatoire in
Frankfurt. As a
consequence, the sketch
books from his student
days also contain
three-part vocal settings
on cantus firmi. The
sacred choral works
presented here (1.
Christus, der ist mein
Leben, 2. Erhalt uns,
Herr, bei deinem Wort, 3.
Nun komm, der Heiden
Heiland, 4. Gott des
Himmels) are not only
interesting as
compositional studies,
but also as sonorous and
catchy choral music which
can be easily performed
by any good church
choir. $5.99 - Voir plus => Acheter | | |
| Reasons (w/CD) Chorale SATB SATB, Piano [Partition + CD] - Intermédiaire Zebe Publishing
By The Angels featuring Deborah Woodson and James Smith. By Niko Schlenker. Edit...(+)
By The Angels featuring
Deborah Woodson and James
Smith. By Niko Schlenker.
Edited by Stephan Zebe.
For Mixed Voices (SATB),
Soloist ad lib, Piano
(SATB). This edition:
Full score. Gospel Music,
Sacred music, Vocal
music. Contemporary
Gospel Music by Niko
Schlenker. For some time,
the gospel songs by Niko
Schlenker have been an
insidersa tip for choirs
who like to deal with
modern gospel music in a
serious and passionate
way. Gospel, Spiritual,
contemporary choir music.
Intermediate. Book with
CD. Standard. 62 pages.
Published by Zebe
Publishing
$35.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Reasons Chorale SATB SATB, Piano - Intermédiaire Zebe Publishing
By Niko Schlenker. Edited by Stephan Zebe. For Mixed Voices (SATB), Soloist ad l...(+)
By Niko Schlenker. Edited
by Stephan Zebe. For
Mixed Voices (SATB),
Soloist ad lib, Piano
(SATB). This edition:
Full score. Gospel Music,
Sacred music, Vocal
music. Contemporary
Gospel Music by Niko
Schlenker. For some time,
the gospel songs by Niko
Schlenker have been an
insidersa tip for choirs
who like to deal with
modern gospel music in a
serious and passionate
way. Gospel, Spiritual,
contemporary choir music.
Intermediate. Book.
Standard. 62 pages.
Published by Zebe
$19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tollite Iugum Meum: Motet For The Feast Of The Sacred Heart Satb A Cappella, Latin Chorale SATB SATB A Cappella - Intermédiaire Schott
Mixed choir (SATB) a cappella - intermediate SKU: HL.49043990 Motet fo...(+)
Mixed choir (SATB) a
cappella - intermediate
SKU: HL.49043990
Motet for the Feast of
the Sacred Heart.
Composed by Andreas
Pieper. This edition:
Saddle stitching. Sheet
music. Choral. Octavo.
Composed 2012. 8 pages.
Schott Music #C55791.
Published by Schott Music
(HL.49043990). ISBN
9790001194525.
Latin. Andreas
Pieper's overall artistic
aim to 'build a bridge of
confidence to the world
behind things' with his
music can be heard
clearly in his setting of
Tollite iugum meum. The
Latin-language motet for
mixed a cappella choir
(SATB) for the Feast of
the Sacred Heart (Friday
after Corpus Christi) is
based on verses from the
Gospel according to
Matthew (Mt. 11,29).
Permeated by changes of
time and key, yet easy to
master by amateur choirs,
the piece is ideal for
use in the church's
liturgy. The devotion of
the Sacred Heart of Jesus
centres on the sin and
thus also on the
sinfulness of man, which
is musically realized
here through a steady and
moderate tempo, with the
sinful man standing
before God without any
instrumental means,
completely naked so to
speak. $4.50 - Voir plus => Acheter | | |
| New Carol For Her Majesty The Queen Satb And Organ Ad Lib Chorale SATB - Intermédiaire Schott
Mixed choir (SATB); organ ad libitum - intermediate SKU: HL.49018273 Comp...(+)
Mixed choir (SATB); organ
ad libitum - intermediate
SKU: HL.49018273
Composed by Sir Peter
Maxwell Davies. This
edition: Saddle
stitching. Sheet music.
Choral. Choral score.
Composed 2009. 6 pages.
Duration 2'. Schott Music
#ED13295. Published by
Schott Music
(HL.49018273). ISBN
9790220131721.
8.25x11.75x0.052 inches.
Latin. During his
time as Master of the
Queen's Music, Sir Peter
Maxwell Davies wrote a
new carol for Her Majesty
the Queen each Christmas.
Ave, Plena Gracia ,
written for Christmas
2009, was the fifth in
this series after An
Heavenly Song, Wonder
Tidings, The Yule-tide
Bell and Kings and
Shepherds all of which
are published in the
Schott Royal
Collection.First
performed in St. James's
Palace by the choir of
the Chapel Royal on the
Epiphany at the end of
the 2009/2010 Christmas
period, Ave, Plena Gracia
is a short and
traditional Latin setting
that would be perfect for
amateur choirs looking
for new repertoire. $4.99 - Voir plus => Acheter | | |
| Choral Classics - Choral Book Word Music
Intermediate SKU: WD.080689541179 Choral, cantatas. Book. Word Music #080...(+)
Intermediate SKU:
WD.080689541179
Choral, cantatas. Book.
Word Music #080689541179.
Published by Word Music
(WD.080689541179).
UPC:
080689541179. Choral Classics
is a new choral
collection featuring 14
all-time favorite songs
and arrangements by
today’s most
gifted arrangers for the
Church. These songs are
14 all-time winners,
embraced by thousands of
singers across the world,
ready to be re-introduced
to a new generation of
choirs eager to be a
relevant voice without
leaving behind songs that
have helped build the
platforms on which they
stand.
Newly
mixed and re-mastered,
and now available for the
first time with
Accompaniment Split-Trax
CDs and Practice Trax,
Choral
Classics from The
Word Choral Club is
poised to reconnect these
powerful songs in a fresh
new way with those who
already love and cherish
them, while proudly
introducing them to a new
audience to enjoy for
many years to come. $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Agnus Dei Chorale SATB SATB, Orgue - Facile MorningStar Music Publishers
SATB choir, congregation, organ - Early Intermediate SKU: MN.80-304 Compo...(+)
SATB choir, congregation,
organ - Early
Intermediate SKU:
MN.80-304 Composed by
Paul Gibson. Lent, 21st
Century,
Confession/Forgiveness.
Octavo. MorningStar Music
Publishers #80-304.
Published by MorningStar
Music Publishers
(MN.80-304). UPC:
688670803048.
English. Reflective
, ethereal. Any size
choir, any time of year.
This quiet, prayerful
English setting for choir
with congregational
response uses mixed
meters to create a
timeless flow.
Commissioned by Dr. Phil
Steinhaus for St.
Margaret Mary's, Lomita,
CA. $2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Am Anfang War Das Wort Satb/children's Voice/percussion/organ Score - Intermédiaire Schott
Mixed choir (SSATBarB), children's voice, percussion and organ (Schlagzeug (4 Sp...(+)
Mixed choir (SSATBarB),
children's voice,
percussion and organ
(Schlagzeug (4 Spieler):
I gr. Tr. * Trgl. *
Amboss - II Kieselsteine
in 3 Sackchen * Crot. (ad
lib. Glsp.) - III
Donnerblech * Tamt. *
Glassplitter - IV
Rohrengl.) - intermediate
SKU: HL.49044344
Fur gemischten Chor
(SSATBarB), Kinderstimme,
Schlagzeug und Orgel.
Composed by Harald Weiss.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Als Kind
schloss ich manchmal fur
langere Zeit meine Augen,
um mir vorzustellen, wie
es wohl ware, wenn man
die Welt vorwiegend durch
seine Ohren an sich
heranliesse. Bei dieser
Ubung machte ich immer
wieder und zunehmend
intensiver die
Feststellung, dass.
Softcover. Composed 2012.
48 pages. Duration 14'.
Schott Music #ED21663.
Published by Schott Music
(HL.49044344). ISBN
9790001194143.
9.0x12.0x0.196 inches.
German. As a child,
I sometimes closed my
eyes for an extended
period of time and
imagined what it would be
like to experience the
world exclusively through
my ears. In doing this
exercise, I found over
and over, with increasing
intensity, that my sense
of hearing enabled a far
denser differentiation of
images and information to
penetrate my soul. It is
my wish that audiences
listen to my composition
with their eyes closed,
at least partially.
Perhaps this would permit
a few particles of light
to appear in their mind's
eye. Harald Weiss. $35.00 - Voir plus => Acheter | | |
| Poly-Phonics II - Facile GIA Publications
Unison choir/voices, 2-part equal voices, 2-part mixed - Early intermediate S...(+)
Unison choir/voices,
2-part equal voices,
2-part mixed - Early
intermediate SKU:
GI.G-4651S Unison
and Two-Part Vocal
Etudes. Composed by
Joseph Reiser. Children.
Music Education. Book. 32
pages. GIA Publications
#4651S. Published by GIA
Publications
(GI.G-4651S). English.
Text by Joseph
Reiser. Fresh on
the heels of Poly-Phonics
is this new collection of
vocal etudes, especially
suited to the younger
student. These 15
delightful and creative
pieces will help you
teach concepts of meter,
rhythm, solfege,
syncopation, and more.
Songs such as “I
Just Want to Tell
You,â€
“I’m Gonna
Sing a Lotta Do,â€
“How Many Times Can
You Sing One Note?â€
and “Sail with
Me†provide a
context for music
learning and fun at the
same time. These etudes
can be an integral part
of early musical training
and lead to a lifetime of
musical enjoyment. $4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hansel and Gretel Choral Suite II Chorale 2 parties SA, Piano - Intermédiaire GIA Publications
SA choir, piano accompaniment - Intermediate SKU: GI.G-9928 Sandman an...(+)
SA choir, piano
accompaniment -
Intermediate SKU:
GI.G-9928 Sandman
and Evening Prayer / We
Praise and Thank You /
Evening Prayer
Reprise. Composed by
Engelbert Humperdinck.
Edited by Doreen Rao.
Arranged by Doreen Rao.
Children. Global
Encounters for Young
Choirs. Music Education.
Octavo. 12 pages. GIA
Publications #9928.
Published by GIA
Publications (GI.G-9928).
UPC: 785147992806.
English. Text Source:
Eng. tr. Constance Bache,
1846-1903, adapt. and
additional text Doreen
Rao; Translation:
Constance Bache. Text by
Adelheid
Wette. Taken from a
collection of medieval
folktales, the Hansel and
Gretel libretto was based
on an adaptation of the
Brothers Grimm fairy
tale. The story features
two quick-witted and
capable children—a
brother and sister who
face many difficult
times, including hunger
and abandonment. Looking
for food to eat, the
children get lost in the
forest and wake up only
to meet more danger in
disguise. In the happy
ending, Hansel and Gretel
are found in the forest
by their parents. All
together, they sing
thanks and praise,
expressing joy and
gratitude for their good
fortune. The ancient
story of Hansel and
Gretel is a fairy tale
with true relevance in
the world today. About
the Series: Doreen
Rao, 2019 Robert Shaw
Award recipient, launches
her culturally inclusive
choral series, Global
Encounters for Young
Voices, featuring
accessible treble- and
mixed-voice works for
developing choirs. $2.80 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hansel and Gretel Choral Suite I Chorale 2 parties SA, Piano - Intermédiaire GIA Publications
SA choir, piano accompaniment - Intermediate SKU: GI.G-9927 Prelude / ...(+)
SA choir, piano
accompaniment -
Intermediate SKU:
GI.G-9927 Prelude
/ Suzy, Little Suzy /
Brother, Come and Dance
with Me. Composed by
Engelbert Humperdinck.
Edited by Doreen Rao.
Arranged by Doreen Rao.
Children. Global
Encounters for Young
Choirs. Music Education.
Octavo. 16 pages. GIA
Publications #9927.
Published by GIA
Publications (GI.G-9927).
UPC: 785147992707.
English. Text Source:
Eng. tr. Constance Bache,
1846-1903, adapt. and
additional text Doreen
Rao; Translation:
Constance Bache. Text by
Adelheid
Wette. Taken from a
collection of medieval
folktales, the Hansel and
Gretel libretto was based
on an adaptation of the
Brothers Grimm fairy
tale. The story features
two quick-witted and
capable children—a
brother and sister who
face many difficult
times, including hunger
and abandonment. Looking
for food to eat, the
children get lost in the
forest and wake up only
to meet more danger in
disguise. In the happy
ending, Hansel and Gretel
are found in the forest
by their parents. All
together, they sing
thanks and praise,
expressing joy and
gratitude for their good
fortune. The ancient
story of Hansel and
Gretel is a fairy tale
with true relevance in
the world today. About
the Series: Doreen
Rao, 2019 Robert Shaw
Award recipient, launches
her culturally inclusive
choral series, Global
Encounters for Young
Voices, featuring
accessible treble- and
mixed-voice works for
developing choirs. $2.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Day of Rest and Gladness - Facile Concordia Publishing House
Piano (2-part mixed) - early intermediate SKU: CR.984331 Composed by Davi...(+)
Piano (2-part mixed) -
early intermediate
SKU: CR.984331
Composed by David von
Kampen. Choral. Octavo.
With music. Concordia
Publishing House #984331.
Published by Concordia
Publishing House
(CR.984331). ISBN
9780758666185. 7 X 10.25
inches. David
von Kampen brings his
imaginative style to this
anthem for two-part mixed
voices and piano. Two
stanzas are featured of
unison singing by women
and then men, and the
final stanza brings both
forces together in an
accessible two-part
arrangement. Useable
anytime, this piece is
perfect for summer choirs
looking to learn
something
quickly. $1.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Encounters Chorale 2 parties - Facile GIA Publications
2-part equal voices, 2-part mixed voices, piano accompaniment - Early intermedia...(+)
2-part equal voices,
2-part mixed voices,
piano accompaniment -
Early intermediate
SKU: GI.G-9957
Composed by Wayland
Rogers. Children. Global
Encounters for Young
Choirs. Music Education.
8 pages. GIA Publications
#9957. Published by GIA
Publications (GI.G-9957).
UPC: 785147995708.
English. Text by Kazuaki
Tanahashi. In my
opinion our world is
currently in great need
of reestablishing strong
connections one to
another, be it with
family and friends,
neighbors and strangers,
nations and nations, or
with those of different
cultures and religions.
In his important book, I
and Thou,
philosopher-theologian
Martin Buber says that
the most meaningful life
is centered on
relationship. As a
musician, I felt
compelled to express the
I-THOU thesis through the
human voice. In searching
for the right words to
express this sentiment, I
was fortunate to find
Kazuaki
Tanahashi’s
eloquent poem,
“Encounter.â€
Mr. Tanahashi is a poet,
Zen artist, scholar and
peace activist. This
combined-voices version
has been adapted from an
SATB scoring that
features prominently in
the original song cycle,
I-THOU, written for vocal
quartet, commissioned and
premiered in 2018 by
Fourth Coast Ensemble in
Chicago. —Wayland
Rogers About the Series:
Doreen Rao, 2019
Robert Shaw Award
recipient, launches her
culturally inclusive
choral series, Global
Encounters for Young
Voices, featuring
accessible treble- and
mixed-voice works for
developing choirs. $2.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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