Matériel : Partition + CDLangue : Español
Par VELILLA NATALIA. Education / Pédagogie / Recueil / Opéra Théorique ou Didactique
SKU: BU.EBR-516
ISBN 9790560151618. 8.58 x 12.48 inches.
Comme tout professeur de piano, je suis continuellement en quête d’idées pour motiver les jeunes et moins jeunes élèves à la découverte de l’instrument.L e répertoire pour Piano Quatre Mains accessible aux débutants est assez restreint. L’écriture pianistique en ce genre doit prendre en compte une faible technique pianistique et des notions de solfège en cours d’apprentissage, sans que tout cela ne nuise au rendu musical.C’est pourquoi j’ai eu l’idée de créer ce recueil « grands débutants », attentif à ces difficultés, recueil où tout jeune pianiste peut aborder dès son premier cours, avec son professeur ou un autre élève, une pièce à Quatre Mains. L’expérience, appliquée en premier lieu avec mes élèves, est réellement enrichissante : elle révèle l’importance du rythme, renforce la musicalité, la motivation, et surtout, amène le partage de la musique et l’écoute de l’autre.Comme anecdote…j’a i donné à un élève de six ans, qui en était à son deuxième cours, l’étude d’une des premières pièces de ce recueil. Rapidement acquise, je lui ai dit que nous allions la jouer ensemble à quatre mains. Après quelques mesures, étonné du rendu sonore il m’a souri, car à ce moment là il était déjà Pianiste.Musicalement David Neyrolles.
SKU: HL.14046090
ISBN 9788438712160. Spanish.
Este primer curso elemental para GUITARRA de DAVID LEIVA pertenece a la Coleccion Primeros Pasos, donde se propone la iniciacion a la practica instrumental conjuntamente con el aprendizaje del lenguaje musical necesario para ello. Cada libro esta dividido en BLOQUES didacticos que contienen: LENGUAJE MUSICAL (necesario para abordar el estudio de los ejercicios y obras),TECNICA Y REPERTORIO acorde con los objetivosdidacticos planteados, compuesto por canciones populares, estudios, piezas de autores clasicos de diferentes epocas y estilos y piezas de otros generos musicales como el blues y el flamenco. Un ESPACIO CULTURAL (consistente en citas de tipo cultural relacionadas conla guitarra -su origen, historia, compositores, curiosidades...) Las destrezas que se persiguen desarrollar, en este primer volumen, ademas de la lectura y los rudimentos de la tecnica guitarristica, son especialmente el ritmo, el oido, la melodia, la tecnica y la localizacion correcta de los sonidos en el diapason de la guitarra. El CD mp3 que se incluye es una ayuda fundamental y amena para conseguir los objetivos planteados. Algunas de las canciones estan grabadas tres veces cada una: En la primera pista sonaran las dos voces (ALUMNO-PROFESOR). La segunda corresponde a la melodia principal y en la tercera pista, sonara solo el acompanamiento para que el alumno pueda tocar sobre el. De esta forma el alumno tiene una referencia auditiva de como deben sonar las canciones que esta aprendiendo.
SKU: HL.48185760
UPC: 888680832483. 9x12 inches.
“Conc eived for Piano beginners, Le Voyage Magique - Niveau 1, Découvreur, with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. <>br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique 'Alfred Cortot'.&rdquo.
SKU: HL.48185806
Conceived for Piano beginners, Le Voyage Magique - Niveau 1, Decouvreur, with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stephane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. <>br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stephane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the Ecole Normale de Musique ?Alfred Cortot?..
SKU: BA.BVK02301
ISBN 9783761823019. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.
Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European cultureAs one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.The edition of the complete lettersThis scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.(The 12 volumes as well as the CD-ROM can only be purchased complete).- German text onlyThe EditorsHelmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
SKU: GF.JPTB
Milwaukee AvenueOgden AvenueNarragans ett AvenueBelden AvenueChicago AvenueQuincy StreetRockwell StreetDearborn StreetFranklin StreetPearson Street
SKU: GI.G-527
Text by Noel Goemanne.
Conversat ional Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5 John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.
