SKU: HL.49010889
ISBN 9790001097253. 9.0x12.0x0.084 inches.
SKU: BT.EMBZ8896
Hungarian.
SKU: HL.50489730
ISBN 9790080088968. B/5 (17x24) inches. Hungarian. Mihaly Babits.
SKU: UT.CH-64
ISBN 9790215305649. 9 x 12 inches.
Mauro Bortolotti: Lâ??impervia, pervia viaMauro Cardi: ImpromptuFabrizio Casti: Lâ??Anima VisionariaAgostino Di Scipio: EktoposFausto Razzi: InvenzioneItalo Vescovo: Come la quiete notturnaPerch é un libro sulla musica contemporanea?Spesso capita di sentire allievi che, come ?brano contemporaneo?, suonano La Catedral di Barrios, qualche Estudio Sencillo di Brouwer o un Preludio di Villa-Lobos. Il valore di questi brani è indiscutibile, ma è altrettanto certo che essi appartengono, pur con le dovute differenze, a un linguaggio tradizionale. È convinzione del curatore che non possa più bastare il semplice dato anagrafico («In fondo Barrios è nato nel ?900...» è la tipica motivazione di quegli allievi) per definire contemporaneo un brano: è necessario possedere strumenti adatti a orientarsi nei linguaggi che gli autori elaborano ogni giorno.Il rapporto di diffidente estraneità instaurato da Andrés Segovia con la nuova musica può oggi evolversi in qualcosa di diverso: a distanza di 50 anni i chitarristi sono in grado di porsi in un atteggiamento di maggior ricettività e, non più costretti a procurarsi una ?visibilità? nel mondo musicale, possono rivolgersi più serenamente alla musica dei loro contemporanei.â??Mus ica Incertaâ?? cerca di rendere possibile questo mutamento di prospettiva: Arturo Tallini si è rivolto a Enrico Fubini, al musicologo Filippo Poletti e a sei compositori italiani, progettando il presente volume che è così costituito:? uno scritto di Enrico Fubini sul rapporto fra linguaggio e storici della musica;? un ponderoso scritto di Filippo Poletti che sviscera in profondità tutti gli aspetti grafici della simbologia usata negli ultimi decenni, non solo fornendo spiegazioni sull?esecuzione, ma aiutandoci a scorgere il significato del rapporto fra segno e oggetto musicale, partendo dall?impostazione del filosofo e linguista nordamericano Charles Pierce;? sei brani scritti per questa occasione da Mauro Bortolotti, Mauro Cardi, Fabrizio Casti, Agostino Di Scipio, Fausto Razzi e Italo Vescovo, tra i più rappresentativi compositori italiani dei nostri anni.Ogni brano è corredato da note dell?autore, note del curatore, indicazioni tecniche e diteggiature che aiutano l?esecutore nello studio.
SKU: HL.14022409
8.25x11.75x0.15 inches.
SKU: HL.50489428
ISBN 9790080082409. K/4 (23,5x31) inches.
SKU: HL.50489141
ISBN 9790080073919. K/4 (23,5x31) inches.
Territorial restrictions may apply. Please ask before ordering.The three movements (Serenata, Rondo, Notturno) of the 1966 Musica da camera per 11 reflect in their musical character on the neo-classical works of Stravinsky. Its modernity derives from Maros's instrumentation: the percussion and harp dominate among the eleven instruments, but the soaring lines of the melodic instruments - flute, two clarinets and violin - appear in the score as a signature typical of Maros. (Anna Dalos).
SKU: BT.EMBZ20084
English-Hungarian.
Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a classical piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Imitation and Inversion, Ostinato, and Free Variations, concerning compositional technique, to mood pieces and pieces with programmatic ideas such as Notturno, Boating, From the Diary of a Fly, or the famous Six Dances in Bulgarian Rhythm. Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
SKU: HL.50487546
ISBN 9790080132937. Octavo (19 x27 cm) inches. Hungarian. Istvan Vantus.
SKU: BT.EMBZ14505
English-German-Hungari an.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505A
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ1921
SKU: BT.EMBZ5852
SKU: HL.50488046
ISBN 9790080037157. A/5 (14,2x20) inches.
SKU: BT.EMBZ14465
SKU: HL.50485567
ISBN 9790080019214. UPC: 073999650426. 8.0x11.25x0.069 inches. Gyorgy Balassa.
SKU: BT.MUSMI0286
Italian.
Qualsia si sia il vostro livello, troverete in questa raccolta di che arricchire la vostra cultura musicale e soprattutto divertirvi suonando le più grandi melodie della musica classica con il basso. Tutti i grandi compositori che hanno marcato la storia della musica (Mozart, Bach, Beethoven, Tchaikovsky, Verdi, Brahms, Wagner, Vivaldi…) sono presenti tramite le loro più grandi opere. Si tratta di arie conosciute da tutti, che avete di sicuro sentito da qualche parte (film, pubblicit , radio…) senza conoscerne per forza il titolo. Solamente brani famosi del repertorio classico, splendidi da suonare sul basso. Trascritte su pentagramma ed intavolature, nelle posizioni che siadattano meglio al basso, queste bellissime melodie sono riprese anche sul CD allegato. Le versioni proposte sono varie e moderne, con uno o più effetti: delay, chorus, distorsione… Inoltre un playalong, cioè una base musicale, è a vostra disposizione per suonare ogni melodia in vere condizioni musicali. Divertimento assicurato!
SKU: M7.DOHR-16436
ISBN 9790202034361.
Picc ola musica profonda entstand für die Kontrabassklasse von Jürgen Michel an der Städt. Clara-Schumann-Musikschul e Düsseldorf, insbesondere für den Einsatz bei Jugend musiziert. Der erste Satz Canzonetta profonda kam im Jahre 2016 bei diesem Wettbewerb zur Uraufführung. Laurenz Radig spielte beim Regionalwettbwerb Düsseldorf und beim Landeswettbewerb NRW in Altersgruppe 3. Ihm wurde der Sonderpreis des DTKV Düsseldorf/Mettmann für die beste Interpretation eines zeitgenössischen Stückes zuerkannt. Begleitet wurde er am Klavier von Susanne Ankener-Maczewski. Die maßvollen technischen Anforderungen der drei Sätze schließen neben den traditionellen Bogen- und Grifftechniken auch natürliche Flageoletts ein sowie ein Flageolett-Glissando.
SKU: HL.50497448
SKU: BT.GZ-00599300
SKU: HL.49013212
ISBN 9790200100235. UPC: 884088868918. 9.0x12.0x0.065 inches.
Ich wandere durch diesen alten Ort, einsam, einem Geiste gleich.' Die letzten Worte des Gedichts 'Noche de verano' ('Sommernacht') von Antonio Machado geben die unheimliche Atmosphare wieder, die Luigi Dallapiccola in seinem kurzen, stimmungsvollen Stuck nachempfunden hat. 'Sommernacht' beschreibt einen nachtlich verlassenen Dorfplatz, auf den das Mondlicht schwarze Schatten wirft. Diese Gefuhle von gespenstischer Einsamkeit haben Dallapiccola zu introvertierten, zarten Klangen inspiriert, die ab und zu durch geisterhafte, blitzartig schrille Einwurfe unterbrochen werden.
