Musical Impressions 2

SKU: FP.FDC10

ISBN 979-0-57050-053-6.

An unusual album containing fourteen musical impressions of clocks, watches and other devices for telling the time. Teachers will find this book particularly useful for developing a pupil's sense of rhythm and an even pulse. Suggested grade 0-1.

SKU: BT.DHP-0900159-030

In this composition, Dizzy Stratford gives a musical impression of Wolfgang Amadeus Mozart’s beautiful hometown. The theme of the work has been derived from the middle movement of one of Mozart’s piano sonatas and provides the concert band with a glimpse into the creative genius of this great composer.

Das Andante in G-Dur KV 501 wurde von Wolfgang Amadeus Mozart ursprünglich für Klavier zu vier Händen geschrieben. Dizzy Stratford nahm die bezaubernde, leichte Melodie und setzte sie in ein etwas moderneres, aber ebenso leichtes und reizvolles Stück für Brass Band um, in dem tiefe und hohe Register gleichermaßen zum Zug kommen.

C’est de Salzbourg l’enchanteresse, ville natale du grand Mozart, que Dizzy Stratford s’est laissé inspirer pour rendre hommage au génie musical autrichien. La courbe mélodique basée sur le célèbre Andante en Sol Majeur de Mozart est superbe, et fl ne travers plusieurs pupitres de la formation. Le fond orchestral est éthéré et délicat.

SKU: PR.114423500

ISBN 9781491137758. UPC: 680160691531.

Commi ssioned by The Juilliard School’s Music Advancement Program, IMPRESSIONS FROM THE CHINESE ZODIAC is a suite of three characteristic pieces within reach of advanced pre-college saxophonists, and introducing advanced techniques. The work is equally satisfying and impressive for top-level performers. The movements are titled:1. Rooster Singing Out in the Morning2. Monkey Jumping Around in the Forest3. Tiger Walking Down from the Mountain.
Commissioned by The Juilliard School for Juilliard’s Music Advancement Program, Impressions from the Chinese Zodiac was composed for any size saxophone in 2022. It consists of three independent movements featuring different musical characteristics with various performing techniques. The inspiration for the music came from impressions of three animal signs (rooster, monkey, and tiger), from the twelve in the Chinese Zodiac.The first piece begins with a repeated phrase imitating a rooster’s loud singing in the morning; the pitch with fluttertongue sounds like the noise from the rooster’s throat), followed by phrases of a pentatonic melody drawn from The Sun Is Rising With Our Joy, a Chinese folk song from Sichuan province. There are descending passages, simulating the dropping-down sound of the singing. Each passage is different from others, each of which should be played accurately and smoothly. The melody is moved up a step with variation, followed by an echo of the rooster singing at the end of the piece. Now the sky is bright, so the rooster call returns up four scale steps!The second piece includes two Chinese folk songs: Thinking of My Darling (from Shanxi province) and Guessing (from Yunnan province). Both songs have large interval skips spanning different registers, as well as microtonal intervals in their original singing, which show the characteristics of the regional musical languages respectively. The tone colors should be matched when registers are changed. The microtonal pitches (quarter-tone flat or three-quarter-tone flat) may be done by bending the tone with one’s lips. The image is the monkey jumping around lively, and the music is played humorously. The high and long pitch with a yelling-down effect at the end of the piece brings the music to an exciting peak.The third piece features the strong and brave tiger, with accented tones in the lowest register. The first 3-pitch motive is developed throughout the piece, while peristaltic chromatic material is formed in various shapes and directions, to show the gestures of a mighty and fierce image.Getting accustomed to special fingerings for the chromatic passages and trills, along with precisely notated articulations, and the techniques of tongue slap and key clicks, are the basic goals to achieve in this piece.

SKU: MN.10-960

UPC: 688670109607.

This work's four movements were inspired by the four Ariel poems of T.S. Eliot. The poems are entitled Journey of the Magi, A Song for Simeon, Animula, and Marina. Colorful organ registrations, late twentieth-century musical language and references to other organ works and chant melodies are employed in this musical representation of Eliot's poetry. The poems mark, in part, Eliot's conversion experience to orthodox Christianity. The spiritual theme of T.S. Eliot Impressions is that of a journey from darkness to light and from despair to hope. A tour-de-force concert calibre work of some twenty minutes in length. Detailed notes by the composer are included in the publication and are critical to the understanding and appreciation of this extended work.

SKU: BT.DHP-0890145-140

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l’année de composition est connue, les origines de l’œuvre Huntingtower (1931) restent néanmoins très floues. Cette ballade pour Orchestre d’Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l’Association des Chefs d’Orchestres Vent américains (American Bandmaster Association). Huntingtower a été créé Washington, le 17 avril 1932, dans le cadre d’un concert en hommage John Philip Sousa. On ignore si Respighi a personnellement orchestré cette œuvre ou s’il en a confié la réalisation une tierce personne. Huntingtower est le nom d’un ch teau écossais dans lequelRespighi a séjourné pendant quelque temps. Il est donc probable que l’œuvre livre des impressions musicales sur le ch teau et son environnement. Franco Cesarini a réalisé cette transcription en accord avec les exigences de l’Orchestre d’Harmonie moderne.

SKU: HL.44001492

UPC: 073999014921.

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l'annee de composition est connue, les origines de l'œuvre Huntingtower (1931) restent neanmoins tres floues. Cette ballade pour Orchestre d'Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l'Association des Chefs d'Orchestres a Vent americains (American Bandmaster Association). Huntingtower a ete cree a Washington, le 17 avril 1932, dans le cadre d'un concert en hommage a John Philip Sousa. On ignore si Respighi a personnellement orchestre cette œuvre ou s'il en a confie la realisation a une tierce personne. Huntingtower est le nom d'un chateau ecossais dans lequelRespighi a sejourne pendant quelque temps. Il est donc probable que l'œuvre livre des impressions musicales sur le chateau et son environnement. Franco Cesarini a realise cette transcription en accord avec les exigences de l'Orchestre d'Harmonie moderne.

SKU: BT.DHP-0890145-010

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l’année de composition est connue, les origines de l’œuvre Huntingtower (1931) restent néanmoins très floues. Cette ballade pour Orchestre d’Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l’Association des Chefs d’Orchestres Vent américains (American Bandmaster Association). Huntingtower a été créé Washington, le 17 avril 1932, dans le cadre d’un concert en hommage John Philip Sousa. On ignore si Respighi a personnellement orchestré cette œuvre ou s’il en a confié la réalisation une tierce personne. Huntingtower est le nom d’un ch teau écossais dans lequelRespighi a séjourné pendant quelque temps. Il est donc probable que l’œuvre livre des impressions musicales sur le ch teau et son environnement. Franco Cesarini a réalisé cette transcription en accord avec les exigences de l’Orchestre d’Harmonie moderne.