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SKU: M7.BRP-477
SKU: HL.49045038
ISBN 9783795772741. UPC: 841886024397. 9.0x6.5x9.5 inches. German - English.
The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background; - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear!
SKU: UT.TME-3
ISBN 9790215319158. 9 x 12 inches.
Cessate, mortis funera. Mottetto a 5 voci (SSATB) con Trombe, Oboi, Cornetti, Archi e Basso Continuo; Benedictus. Cantico a 8 voci (SATB-SATB) con Basso Continuo; Benedictus. Cantico a 5 voci (SSATB) con Archi e Basso Continuo; Canite, cives. Mottetto a 5 voci (SSATB) con Trombe, Cornetto, Archi e Basso Continuo; Alleluia. Mottetto a 8 voci (SATB-SATB) con Oboe, Archi e Basso ContinuoP erformance Material on HireSi x grandiose Motets, with rich appendix, and two solemn Benedictus make the opera omnia of the Bolognese Perti for the court of the Florence Grand Duke: the scores, rendered here in the tricentennial of their composition, in that time impressed the Emilian audience as much as the Tuscan one. The second volume volume includes the 3 Motets Cessate, mortis funera, Canite, cives e Alleluia, and the 2 Benedictus, first performed between 1707 and 1709.
SKU: BA.BA08893
ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques.
Thi s edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins†for performance as a suite in the concert hall.In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades†– the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries†(i.e. “The little dog who shakes silver and stonesâ€). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau†(BA 8870-01). Since “Les Paladins†remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètesâ€, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.The orchestral parts are available on hire.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-CD-766
It is no coincidence that many favorite hymns and songs were written for Communion. For centuries, composers and authors have adorned the communion rite with some of the finest musical works ever created. Selections from this spectacular recording span the centuries. Works by masters like Bach, Duguet, Fauré, and Guilmant are interspersed with more recent titles composed or arranged by Proulx, Friedell, Toolan, Westendorf, and Kreutz. Time-honored Gregorian chant completes the musical spectrum. This recording is a must-have for every sacred library of recorded works and makes a wonderful gift for the people in your faith life. You will enjoy the liner notes that accompany this CD. Masterfully written by Frank Villella, these concise little histories make for some very informative and interesting reading. Many of these titles are currently in print, and selected titles will be published in the future. Many of these beloved treasures appear in numerous hymnals.
SKU: CA.240700
ISBN 9790007165949.
Thro ughout the world Christmas is celebrated - sometimes at the end of December, sometimes at the beginning of January. And everywhere, singing Christmas carols is part of the celebrations. Some carols, such as Adeste fideles - O come, all ye faithful - are sung throughout the world, but many countries have their own particular carols which reflect their own customs and traditions. These Christmas carols from all over the world feature in the latest instalment of the LIEDERPROJEKT which is published in autumn 2015. For the song book the editors have chosen about 72 carols from over 40 countries - from Spain and Poland, from Mexico and Canada, China and Australia, Iceland and the Congo. The spectrum is wide-ranging: indispensible standards (carols, spirituals, noels) are joined by musical treasures which are largely unknown. All the songs are given in their original language and in German translation, with chord symbols above the music for easy instrumental accompaniment. The song book contains an instrumental CD to get to know the pieces and sing along with. For all the songs, one or two verses have been recorded, and different instruments and arrangements give an idea of the wide musical range. Frank Walka, who illustrated the hugely successful Wiegenlieder (Lullabies) and Weihnachtslieder (Christmas Carols) volumes for the LIEDERPROJEKT, has created 17 beautiful double-page illustrations for the song book. Audio versions of the spoken original texts, to help with pronunciation, are available at www.liederprojekt.org under each song title, and help with learning the carols.
SKU: CF.H84
ISBN 9781491165539. UPC: 680160924530.
Marce l Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing.Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back.
SKU: UT.TME-2
ISBN 9790215318380. 9 x 12 inches.
Gaudeamu s omnes. Mottetto a 8 voci (SATB-SATB) con Trombe, Cornetti, Archi e Basso Continuo; Date melos, date honores. Mottetto a 8 voci (SATB-SATB) con Archi e Basso Continuo; Cantate laeta carmina. Mottetto a 5 voci (SSATB) con Trombe, Cornetti, Archi e Basso ContinuoP erformance Material on HireSi x grandiose Motets, with rich appendix, and two solemn Benedictus make the opera omnia of the Bolognese Perti for the court of the Florence Grand Duke: the scores, rendered here in the tricentennial of their composition, in that time impressed the Emilian audience as much as the Tuscan one. The first volume includes the Motets Gaudeamus omnes, Date melos, date honores and Cantate laeta carmina, first performed respectively in 1704, 1705 and 1706.
SKU: CA.221000
ISBN M-007-24681-5.
A compact multi-themed choral collection for unaccompanied mixed chorus - and in the best sense, a best of current song arrangements! With 35 contemporary song arrangements, the choral collection offers the right song for many occasions: for concerts, weddings, and other celebrations, for Christmas time, or even for ending a choir rehearsal with a nocturne. The focus of the collection lies in folk songs, love songs, nocturnes, and Christmas carols. All the song arrangements were composed in the last fifteen years, and were mainly commissioned for Carus choral collections published as part of the LIEDERPROJEKT - the charitable project supporting singing with children. the works of around 30 highly experienced arrangers are brought together in the volume, including Matt hias E. Becker, Ludwig Bohme, Wolfram Buchenberg, Thomas Gabriel, Gunther Martin Gottsche, John Hoybye, Veit Hubner, Burkhard Kinzler, Giacomo Mezzalira, Vytautas Miskinis, Vic Nees, Peter Schindler, Robert Sund, Christoph Schonherr, Jozef Świder and Alan Wilson. Their arrangements reflect the variety of styles - from contemporary arrangements in classic harmonisations to pieces from jazz, pop, folk, and dance music - with which today's composers can breathe new life into traditional melodies and texts. The song repertoire is also distinguished by its wide variety: classics of the German folk song and Christmas carol repertoire (Kein schoner Land, Leise rieselt der Schnee, etc.) are included in the choral collection as well as excursions into the song repertoire of other countries (La vie en rose, Twinkle, twinkle, little star, etc.) All the arrangements are of easy to medium difficulty, so making this new music, with its wide range of styles, accessible to as many choirs as possible. Audio samples of most of the arrangements are available at www.carus-verlag.com/2210 to get to know the works. Complete recordings are available as a separate digital album under the title LIEDER - folksongs for choir on all the popular music platforms. In short, a beautiful-sounding musical treasure trove of outstanding song settings for all sorts of occasions - at an attractive bargain price! 35 song arrangements for unaccompanied mixed choir by leading choral composers well-known tunes in contemporary, fresh styles for concerts, Christmas, weddings and other celebrations, for the end of rehearsals, or as an encore recordings available as a digital album attractive price The many specially commissioned song arrangements underline Carus-Verlag's promotion of new choral music, as impressive an endeavor as the nurturing of the traditional song repertoire. Jan Schumacher.
SKU: BA.BA05822-01
ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan.
To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions â also called Krumau ballets because of their musical transmission â which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.In addition to the detailed introduction by this volumeâs editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.
SKU: HL.51482531
ISBN 9790201825311. UPC: 888680669072. 7x10 inches.
The trio sonata is regarded as one of the core chamber music genres of the 17th and 18th centuries. Corelli remains to this day its best-known exponent, but also before and after him there was a multitude of exceptional works in the genre that remain largely unknown today. This two-volume catalogue raisonné has finally brought these treasures to light. Thanks to support from the Balzan Foundation and the University of Zurich, this catalogue now offers the first-ever bibliography of the genre. It encompasses all the published trio sonatas of the 17th and 18th centuries, and also provides detailed information on sources and works, plus introductory commentaries. This printed catalogue will be complemented by an online database with enhanced search functions that will enable both scholars and practising musicians to explore this fascinating repertoire. GERMAN TEXT.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: GI.G-9344
ISBN 9781622772193. English.
Ray Cramer’s contribution to the distinguished Teaching Music through Performance in Band series is but one of the ways he has advanced the art of band music and performance. Under his leadership as Director of Bands at the Indiana University School of Music, the IU Wind Ensemble earned an international reputation for outstanding musical performances—only one of his many and varied accomplishments. Now, Cramer’s ten chapters on the teaching of music throughout the Teaching Music series are collected in one volume, making this a treasure-trove of practical advice and inspiration. Step by step, he shares the methodology of selecting appropriate literature (Volume 1)— including the importance of performing music of multicultural diversity (Volume 2)—using the director’s personality to successfully engage the band (Volume 3), and the nuts and bolts of developing beautiful ensemble tone (Volume 6), along with practical advice regarding making a difference (Volume 4), the road to inspired teaching (Volume 8), and relentlessly pursuing excellence as a music educator (Volume 10). Cramer’s profound love for music and the students he helps make music has been an inspiration to readers of the Teaching Music through Performance in Band series for 20 years. This collection of essays from one of the preeminent bandmasters of our time will inspire and enlighten you on your journey to become the best music educator you can be.
SKU: HL.48024663
ISBN 9783793142171. UPC: 888680951511. 9.0x12.0x2.92 inches.
Jacques Offenbach's more than 100 stage works are an endless treasure trove of vocal highlights with highly different musical moods and lyrical themes. To mark the 200th birthday of the great composer in 2019, which is at the same time the year of the 20th anniversary of the Offenbach Edition Keck OEK, the editor and Offenbach expert Jean-Christophe Keck has assembled a selection of arias. The four-part collection arranged according to voice category shows a rather unknown, romantic side of Offenbach. Apart from rediscovered works and first editions, however, the collection is not complete without some of his unrivalled hits. Among the characters figuring in the soprano volume are not only title figures like the Beautiful Helen, the Grand Duchess of Gerolstein or the Princess of Trébizonde but also figures from more serious operas: Armgard from Les Fées du Rhin or Elsbeth from Fantasio. The volume presents stage works, including excerpts from Barkouf, Les Bergers or Le Roi Carotte, that are accessible for performances only as of recently. Romantic Offenbach is aimed at fully trained and budding professionals as well as at Offenbach fans of every shade and colour, providing repertoire pieces for recitals, studies or private music-making.
SKU: CA.230500
ISBN 9790007302108.
Swis s up your choir! The choral collection Swiss Choral Music is a real treasure trove of recent choral music from Switzerland. As diverse as the country itself, this volume of 29 choral settings of varying levels of difficulty includes not only a range of musical styles, but all the Swiss national languages (Romansh, French, Swiss/German and Italian) as well as English and Latin. For pure listening pleasure or as an aid to pronunciation, all works have been sung by the Swiss Youth Choir under the direction of Nicolas Fink. Pronunciation aids for the Rhaeto-Romanic and Swiss-German texts can be accessed via a QR code. In creating their musical excursion through this mountainous country, the editors and renowned choral conductors Johannes Meister and Patrick Secchiari have not only selected familiar names such as Beat Furrer or Heinz Holliger but also up-and-coming young composers such as Sara Bucher or Grégoire May. The collection includes a number of previously unpublished pieces. •,28 choral settings of varying levels of difficulty•,for mixed choir a cappella•,As a cost-effective edition for the choir, the choral collection WITHOUT CD is available at an attractive bulk price•,Exciting compilation of contemporary choral music from Switzerland For orders from Switzerland: Members of the SCV (Swiss Choral Association) or the SFEC (Swiss Federation Europa Cantat) please order via Éditions musicales Henry Labatiaz Sà rl, St-Maurice.https: //editions-henry-labatiaz .ch/en/shop.html?id=28698