Mysterioso

Mid Intermediate Essential Elements Guitar Repertoire-Hal Leonard's Essential Elements Guitar Repertoire Series features great original guitar music that is carefully graded and leveled for easy selection. The songs are presented in standard notation and tablature and are fully demonstrated on the accompanying CD. Mysterioso features 10 original songs with spooky melodies and riffs.

Filled with rhythmic and harmonic interest as well as memorable melodies MISSOURI RIVER FESTIVAL is an energetic and enjoyable piece that gives every section in the band an opportunity to shine. Moods of the river are artistically represented in the interplay between Maestoso Allegro spiritoso and Andante mysterioso sections. Artistic exploration of thematic material is a hallmark of David W. Moore?s writing and you?ll find plenty of it here.There is an added practical advantage too. All brass parts are dynamic interesting and fun to play but there is plenty of brass ?resting time? carefully interspersed throughout the piece. You can use MISSOURI RIVERFESTIVAL at virtually any time during in your program without fear of over-taxing the brasses.Outstanding!

The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume comprises the eminent Austrian theorist's main writings from the mid-1920s to 1930. In addition to essays on music theory in cultural context, the book is dominated by one of Schenker's most celebrated studies of a single work: the analysis of Beethoven's 'Eroica' Symphony, which discusses all four movements in painstaking detail. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Two contains a major essay on Mozart's Symphony #40 in G minor and shorter studies of works by Bach, Haydn, and Reger.Reprint of The Masterwork in Music, A Yearbook, Volume III, Cambridge University Press, 1997, with a new Introduction by William Drabkin.- See more at: http://store.doverpublications.com/048678004x.html#sthash.eWy8wFW3.dpuf / Divers

The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume features a major essay on Mozart's Symphony #40 in G minor- studies of Bach keyboard and solo cello pieces- works by Haydn and Reger- theoretical writings on sonata form and fugue- and many examples of Schenkerian theory. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Three's contents include Schenker's celebrated analysis of Beethoven's 'Eroica' Symphony and other works.Reprint of The Masterwork in Music, A Yearbook, Volume II, Cambridge University Press, 1996, with a new Introduction by William Drabkin.- See more at: http://store.doverpublications.com/0486780031.html#sthash.Wzwx6KIG.dpuf / Divers

This is a simple attractive folk-song setting of Shakespeare's 'O mistress mine' from Twelfth Night. Each of the two verses begins with double counterpoint between tenor and bass and soprano and alto and builds chromatically to a resounding cadence. The optional humorous ending provides a fitting conclusion to this delightful paean to love.