Matériel : Conducteur et Parties séparées
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SKU: HL.49007913
ISBN 9790001084659. German.
Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th-20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. * These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion. About 'rules' * Preface * Golden rules for the interpreter * The structure and analysis of melody * Notes on the execution of ornamentation in the 17th and 18th centuries * Ornamentation in the 19th and 20th centuries * Phrasing * Rhythm * Accents * Dynamics * Tempo * Metre * Flexibility of rhythm/rubato * Shaping the musical phrase * Conclusion * Bibliography * Index * Musical examples.
SKU: HL.48183734
First published in 1977, Jean-Claude Veilhan (born in 1940) compiled the enlightening compilation The Music of the Baroque and its Rules towards the beginning of his career. As a prominent Recorder player himself, Veilhan performed much of the Baroque repertoire for the instrument, and therefore was well acquainted with the genre. The Music of the Baroque and its Rules encompasses all rules and styles of Baroque, for every instrument. This Veilhan book is essential to the understanding of Baroque music..
SKU: HL.48187351
UPC: 888680845629. 8.0x11.0x0.422 inches. French.
Precisions on Counterpoint rules is a book written by Charles Koechlin in five chapters. Focusing on the counterpoint, this volume highlights all the rules related to it. It features both lessons and examples with comments, to help with understanding. The chapters are: I. Definition et Regles generales / Definition and general rules II. Contrepoint a deux parties / Counterpoint in two parts III. Contrepoint a trois parties / Counterpoint in three parts IV. Contrepoint a quatre parties / Counterpoint in four parts V. Appendice / Appendix ? focus on Gregorian songs and tunes This theory book is definitely one of the most useful ones for any composition that includes counterpoints or for any composer who would like to use them in future works. Charles Koechlin (1867-1950) was a French composer, professor and writer. He composed numerous symphonies and symphonic poems, some instrument and orchestra, orchestral and chamber works as well as some songs..
SKU: HL.48188913
French.
Musical Game rules - Level 1, year 3 is a theory method for third year beginners by Yves Callier. Really complete, this theory method covers all the necessary basics and contains also 21 applications which will enable the young musician to learn and remember the basics quickly. This third volume follows the lessons of the second one and features the different keys (major & minor), related scales, double-flats and double sharps and intervals, among other basics. Comments and explanations are given throughout the book and at the bottom of each application to remind readers what the music rules are..
SKU: HL.48188912
Musical Game rules - Level 1, year 2 is a theory method for second year beginners by Yves Callier. Really complete, this theory method covers all the necessary basics and also contains 22 applications which will enable the young musician to learn and remember the basics quickly. This second volume follows the lessons of the first one and features the different keys, notes, tempo, scales, intervals and alterations, among other basics. Comments and explanations are given throughout the book and at the bottom of each application to remind what the music rules are..
SKU: HL.49014121
ISBN 9790220103889. 7.0x10.0x0.005 inches.
SKU: HL.14014858
ISBN 9780711923621. UPC: 884088454548. 5.75x8.25x0.059 inches. Lyrics by Jeremy Browne.
A fantastic Cantata by Nigel Hess, based on The Pied Piper Of Hamelin by Robert Browning, Rats! The Musical is a new take on the story with original, memorable music and witty lyrics. The rats who plague Hamelin are scurrilous punks but fortunatly the Pied Piper has the charisma of a rock star! Ideal for both Middle and Secondary schools with a genuine showbiz feel which has guaranteed appeal for audiences of all ages. Including eight parts plus chorus, the vocal score contains a Piano accompaniment with Flute solo, drums ad lib and optional Guitar. There are 15 modern songs including The Rat Race Rules, A Capital Fellow and Sing With the World.
SKU: HL.49014120
ISBN 9790220103865.
SKU: HL.49014122
ISBN 9790220103896. 7.0x10.0x0.015 inches.
SKU: HL.334471
UPC: 840126909869. 5.0x5.0x0.15 inches.
Pentatonix continues to pack stadiums across the world bringing their unique a cappella style to millions. More than 300 million people have now viewed their mash-up/medley version of Daft Punk's greatest hits. Mark Brymer's precise adaptation of the electronic music duo's vocals-only treatment includes Around the World, Get Lucky, Harder, Better, Faster, Stronger, One More Time, Technologic and Television Rules the Nation.
SKU: AP.12-0571538800
ISBN 9780571538805. English.
Zadok Rules---Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G. F. Handel, the text traces all of the English monarchs from William the Conqueror to the present day, as well as interweaving well-known pieces such as Zadok the Priest and the Hallelujah Chorus. A celebratory anthem for unison children's choir, SATB chorus, and chamber orchestra.
SKU: HL.14014856
ISBN 9781847727657. Lyrics by Jeremy Browne.
A fantastic Cantata by Nigel Hess, based on The Pied Piper Of Hamelin by Robert Browning, Rats! is a new take on the story with original, memorable music and witty lyrics. The rats who plague Hamelin are scurrilous punks but fortunatly the Pied Piper has the charisma of a rock star! Ideal for both middle and secondary schools with a genuine showbiz feel which has guaranteed appeal for audiences of all ages. Including eight parts plus chorus, the vocal score contains a Piano accompaniment with Flute solo, drums ad lib and optional Guitar. There are 15 modern songs including The Rat Race Rules, A Capital Fellow and Sing With the World.
SKU: HL.49014138
ISBN 9790220104084. 7.0x10.0x0.338 inches.
Prelude: Spring-Hush,Nightingale-R efrain-Prelude: Summer-Summer has a Heart of Drums-Prelude: Autumn-Victoria Rules an Autumn Land-Prelude: Winter-Hurl of the Wind.
SKU: HL.48183363
UPC: 888680868840. 7.0x11.0x0.32 inches.
First published in 1977, Jean-Claude Veilhan (born in 1940) compiled the enlightening compilation The Rules of Musical Interpretation of the Baroque Era following exhaustive study of the musical period. As a prominent Recorder player himself, Veilhan performed much of the Baroque repertoire for the instrument, and therefore was well-acquainted with the genre. The Rules of Musical Interpretation of the Baroque Era encompasses all rules and styles of Baroque to inform performance and interpretation for every instrument. This Veilhan book is essential to the understanding of Baroque music..
SKU: BT.ALHE29322
Precisio ns on Counterpoint rules is a book written by Charles Koechlin in five chapters. Focusing on the counterpoint, this volume highlights all the rules related to it. It features both lessons and examples with comments, tohelp with understanding. The chapters are: I. Définition et Règles générales / Definition and general rules II. Contrepoint deux parties / Counterpoint in two parts III. Contrepoint trois parties / Counterpoint in threeparts IV. Contrepoint quatre parties / Counterpoint in four parts V. Appendice / Appendix _x001A_ focus on Gregorian songs and tunes This theory book is definitely one of the most useful ones for any composition that includescounterpoints or for any composer who would like to use them in future works. Charles Koechlin (1867-1950) was a French composer, professor and writer. He composed numerous symphonies and symphonic poems, some instrument andorchestra, orchestral and chamber works as well as some songs.
SKU: CF.CAS123F
ISBN 9781491154762. UPC: 680160913312. 9 x 12 inches. Key: D minor.
It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn't believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students. Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set. The beatbox vocal lines are optional - they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don't tell the students any rules about what notes to play or not play - simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities!.It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn’t believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students.Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set.The beatbox vocal lines are optional – they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don’t tell the students any rules about what notes to play or not play – simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities!
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: