Nocturne in F Sharp Min

Les nocturnes (pièces de nuit) sont parmi les plus introspective et personnelle des oeuvres de Chopin. Cette collection comprend des nocturnes notes citant les différences entre les manuscrits et les premières éditions. On y trouve aussi un enregistrement exceptionnel de l'étiquette Naxos. / Piano

Arrangeur: Wilhelm Ohmen. Par CHOPIN FREDERIC. Drawn from the 21 Nocturnes composed by Chopin, this selection represents the better-known and more accessible pieces. With fingerings, tempo suggestions and articulation tips from the editor, this collection is ideal for teaching and for enjoying at home. / Niveau : 3-5 / Recueil / Piano

Recueil pour piano incluant les 20 nocturnes Op. 9, 15, 27, 32, 37, 48, 55, 62, 72, et le nocturne posthume en C-sharp Minor. Ainsi que les 11 polonaises Op. 26, 40, 44, 53, 61, 71, et la polonaise posthume en G-sharp Minor. Contenu :
Nocturne in B-flat Minor, Op. 9, No. 1
Nocturne in E-flat Major, Op. 9, No. 2
Nocturne in B Major, Op. 9, No. 3
Nocturne in F Major, Op. 15, No. 1
Nocturne in F-sharp Major, Op. 15, No. 2
Nocturne in G minor, Op. 15, No. 3
Nocturne in C-sharp Minor, Op. 27, No. 1
Nocturne in D-flat Major, Op. 27, No. 2
Nocturne in B Major, Op. 32, No. 1
Nocturne in A-flat Major, Op. 32, No. 2
Nocturne in G Minor, Op. 37, No. 1
Nocturne in G Major, Op.37, No. 2
Nocturne in C Minor, Op. 48, No. 1
Nocturne in F-sharp Minor, Op. 48, No.2
Nocturne in F Minor, Op. 55, No. 1
Nocturne in E-flat Major, Op. 55, No. 2
Nocturne in B Major, Op. 62, No. 1
Nocturne in E Major, Op. 62, No. 2
Nocturne in E Minor, Op. 72, No. 1
Nocturne in C-sharp Minor, Op. posthumous
The Eleven Polonaises
Polonaise in C-sharp Minor, Op. 26, No. 1
Polonaise in E-flat Minor, Op. 26, No. 2
Polonaise in A Major, Op. 40, No. 1 ( Militaire )
Polonaise in C Minor, Op. 40, No. 2
Polonaise in F-sharp Minor, Op. 44
Polonaise in A-flat Major, Op. 53 ( Heroic )
Polonaise-Fantaisie in A-flat Major, Op. 61
Polonaise in D Minor, Op. 71, No. 1
Polonaise in B-flat Major, Op. 71, No. 2
Polonaise in F Minor, Op 71, No. 3
Polonaise in G-sharp Minor, Op. posthumous

For the Beginning Pianist with Downloadable MP3s-Now even the often-challenging works of the last of Russia's Romantic composers are accessible to beginning pianists. Rachmaninoff's music can be daunting to those just starting out but these simple arrangements focus on the composer's melodies and style. The more abstract works are excerpted and presented in manageable samples and the keys are simplified. Suggested fingerings are also provided.The collection features easy-to-play versions of 'Vocalise'; Prelude in C-sharp Minor Op. 3 No. 2 ('Bells of Moscow'); the second movement of the Piano Concerto No. 2 in C Minor Op. 18 (Theme); Nocturne No. 1 in F-sharp Minor and Nocturne No. 3 in C Minor; Morceaux de Salon No. 3 Op. 10; Variations of a Theme of Corelli; and other selections.In addition to the piano arrangements the compilation includes a free MP3 download for every piece which will help students develop an ear for the melodies. The MP3s may be downloaded individually or collectively.

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

[Nocturne cis-moll Opus post. KK IVa, 16] / Classique / Editeur : Ewald Zimmermann / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

Une sélection de magnifiques mouvements à partir des plus grandes oeuvres pour piano au monde.Retrouvez les plus belles musiques pour piano au monde dans des mouvements lents introspectifs, des nocturnes, des élégies, etc. Cette collection rassemble une sélection de musiques originales pour piano parmi les plus romantiques au monde.Convient aux musiciens de niveau intermédiaire. / Piano

28 pieces by JS Bach, Bartók, Chopin, Debussy, Grieg, Liszt, Mendelssohn, Satie, Schubert, Schumann, Scriabin, and Tchaikovsky. All are at the upper intermediate level in a slim, affordable volume. Includes - JS BACH: Prelude in D minor, BWV 935 - BARTÓK: Bear Dance from Ten Easy Pieces - CHOPIN: Prélude in D-flat Major Raindrop, Op. 28, #15 - Waltz in B minor, Op. 69, #2 (Posthumous) - DEBUSSY: Doctor Gradus ad Parnassum from Children's Corner - Rèverie - GRIEG: March of the Trolls from Lyric Pieces, Op. 54, #3 - LISZT: Consolation #3 from Consolations, MENDELSSOHN: Song Without Words in F-sharp minor, Venetian Boat-Song #2, Op. 30, #6 - SATIE: Three Gymnopédies - SCHUBERT: Moment musical in A-flat Major from Six moments musicaux, Op. 94, #2 / Piano

Par SUZUKI SHINICHI. The New International Edition of Suzuki Piano School, Volume 7, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include J. S. Bach's 'Prelude and Fugue in D Major, ' Chopin's 'Nocturne in C-sharp Minor, ' Debussy's 'La fille aux cheveux de lin, ' and Bartók's 6 Romanian Folk Dances. Handel's 'Prelude' and Paderewski's 'Minuet' have been permanently removed. Titles: Sonata in A Major (Andante grazioso; Minuetto and Trio; Alla turca), K. 331 (300i) (W. A. Mozart) * Prelude & Fugue inD Major, BWV 850, from The Well-Tempered Clavier, Book 1 (J. S. Bach) * Nocturne in C-sharp Minor, Op. posthumous (Chopin) * The Harmonious Blacksmith, from Suite No. 5 in E Major (Handel) * La fille aux cheveux de lin, from Préludes, Book 1, L. 117:8 (Debussy) * Romanian Folk Dances, Sz. 56 (1. Joc cu Bâta; 2. Brâul; 3. Pe loc; 4. Buciumeana; 5. Poarga Româneasca; 6. Maruntelul) (Bartók). / Pédagogie / Méthode / Piano

The New International Edition of Suzuki Piano School, Volume 7, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include J. S. Bach's 'Prelude and Fugue in D Major,' Chopin's 'Nocturne in C-sharp Minor,' Debussy's 'La fille aux cheveux de lin,' and Bartók's 6 Romanian Folk Dances. Handel's 'Prelude' and Paderewski's 'Minuet' have been permanently removed. / Piano

Description Ten short and popular encores for Flute and Piano, edited by James Galway with Piano transcriptions for accompaniments by Phillip Moll. Includes Bach/Gounod's 'Ave Maria' and Mozart's 'Rondo Alla Turca' . Suitable for players around Grade 4-5 standard. Songlist Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Gavotte [Gossec, Francois Joseph] Irish Tune From County Derry Minuet In G [Beethoven, Ludwig Van] Nocturne In C Sharp Minor [Chopin, Frederic] Rondo Alla Turca (Sonata In A K.331) [Mozart, Wolfgang Amadeus] Salut D'amour [Elgar, Edward] Serenade [Haydn, Franz Joseph] Spring Song (Song Without Words) Op.62 No.6 [Mendelssohn, Felix]

This collection contains 46 pieces: Ballade No. 1 in G Minor, Berceuse, 3 ecossaises, 5 etudes, Fantaisie-Impromptu, Marche Funèbre from Sonata No. 2, 8 mazurkas, 7 nocturnes, 3 polonaises (including the enormously popular Militaire ), 9 preludes, Scherzo No. 2 in B-flat Minor, and 6 waltzes (including the Minute Waltz ). Content :
Ballade No. 1 in G Minor, Op. 23
Berceuse in D-flat Major, Op. 57
Three Ecossaises, Op. 72, No. 3
1. D Major
2. G Major
3. D-flat Major
Five Etudes
C Minor, Op. 10, No. 12 ( Revolutionary )
E Major, Op. 10, No. 3
G-flat Major, Op. 10, No. 5 ( Black Key )
G-flat Major, Op. 25, No. 9 ( Butterfly )
A-flat Major, Op. 25, No. 1 ( Harp )
Fantasie-Impromptu in C-sharp Minor, Op. 66
Eight Mazurkas
B-flat Major, Op. 7, No. 1
A Minor, Op. 7, No. 2
A Minor, Op. 17, No. 4
B Minor, Op. 33, No. 4
G Minor, Op. 67, No. 2
C Major, Op. 67, No. 3
A Minor, Op. 68, No. 2
F Major, Op. 68, No. 3
Marche Funèbre from Sonata No. 2 in B-flat Minor, Op. 35
Seven Nocturnes
B-flat Minor, Op. 9, No. 1
E-flat Major, Op. 9, No. 2
D-flat Major, Op. 27, No. 2
G Minor, Op. 37, No. 1
C Minor, Op. 48, No. 1
F Minor, Op. 55, No. 1
E Minor, Op. 72, No. 1
Three Polonaises
A Major, Op. 40, No. 1 ( Militaire )
F-sharp Minor, Op. 44
A-flat Major, Op. 53 ( Heroic )
Nine Preludes, Op. 28
No. 1 in C Major
No. 2 in A Minor
No. 4 in E Minor
No. 6 in B Minor
No. 7 in A Major
No. 15 in D-flat Major
No. 20 in C Minor
No. 22 in G Minor
No. 24 in D Minor
Scherzo No. 2 in B-flat Minor, Op. 31
Six Waltzes
E-flat Major, Op. 18 (Grande Valse brillante)
A Minor, Op. 34, No. 2 (Grande Valse brillante)
D-flat Major, Op. 64, No. 1 ( Minute Waltz )
C-sharp Minor, Op. 64, No. 2
A-flat Major, Op. 69, No. 1
E Minor, Op. Posthumous

Chopin's waltzes caused controversies. They reached a peak of popularity and were treated by many as masterpieces, by others as gravitating towards drawing-room music. Along with the nocturnes and impromptus, they are regarded as part of a ''female'' trend in Chopin's output. The ''Complete Works'' is the best known and most popular series of editions of Fryderyk Chopin's works, prepared by Ignacy Jan Paderewski, Ludwik Bronarski and Józef Turczyński. The aim of the editorial committee was as faithful a rendition of the composer's intention as possible by firmly basing the publication on manuscripts, copies approved by Chopin himself as well as the forst editions. The whole consists of 21 volumes. The content of edition: Chopin Fryderyk - Grande Valse Brillante in E flat major Op. 18 Chopin Fryderyk - Grande Valse Brillante in A flat major Op. 34 No. 1 Chopin Fryderyk - Grande Valse Brillante in A minor Op. 34 No. 2 Chopin Fryderyk - Grande Valse Brillante in F major Op. 34 No. 3 Chopin Fryderyk - Grande Valse in A flat major Op. 42 Chopin Fryderyk - Waltz in D flat major Op. 34 No. 1 Chopin Fryderyk - Waltz in C sharp minor Op. 64 No. 2 Chopin Fryderyk - Waltz in A flat major Op. 64 No. 3 Chopin Fryderyk - Waltz in A flat major Op. 69 No. 1 Chopin Fryderyk - Waltz in A flat major Op. 69 No. 1 Chopin Fryderyk - Waltz in B minor Op. 69 No. 2 Chopin Fryderyk - Waltz in B minor Op. 69 No. 2 Chopin Fryderyk - Waltz in G flat major Op. 70 No. 1 Chopin Fryderyk - Waltz in F minor - A flat major Op. 70 No. 2 Chopin Fryderyk - Waltz in F minor - A flat major Op. 70 No. 2 Chopin Fryderyk - Waltz in D flat major Op. 70 No. 3 Chopin Fryderyk - Waltz in E minor Chopin Fryderyk - Waltz in E major Chopin Fryderyk - Waltz in A flat major Chopin Fryderyk - Waltz in E flat major

Retrouvez près de 52 oeuvres pour piano de Frédéric Chopin, de niveau intermédiaire à avancé. / Piano