SKU: GI.G-10321
UPC: 785147032113. English, Portuguese, Spanish. Text Source: Based on Deuteronomy 28:6, words by Nilceia Protásio, Span. tr. Gerardo Oberman, Eng. tr. Mary Louise Bringle; Translation: Mary Louise Bringle. Text by Nilceia Protásio. Scripture: Deuteronomy 28:6.
An audio pronunciation guide is available for this piece. Click here to listen. The assembly part is optional. .
SKU: GI.G-10321G
UPC: 785147032175. English, Portuguese, Spanish. Text Source: Based on Deuteronomy 28:6, words by Nilceia Protásio, Span. tr. Gerardo Oberman, Eng. tr. Mary Louise Bringle; Translation: Mary Louise Bringle. Text by Nilceia Protásio.
UPC: 785147032113. English, Portuguese, Spanish. Text Source: Based on Deuteronomy 28:6, words by Nilceia Protásio, Span. tr. Gerardo Oberman, Eng. tr. Mary Louise Bringle; Translation: Mary Louise Bringle. Text by Nilceia Protásio. Scripture: Deuteronomy 28:6.
An audio pronunciation guide is available for this piece. Click here to listen. Â The assembly part is optional. Â .
SKU: GI.G-10321INST
UPC: 785147032199.
SKU: BT.EMM121-034
French.
Destinà © aux élèves partir de sept ans environ, Le Monde de l'Alto peut être utilisé pour les leçons individuelles et en groupe. Le présent ouvrage s’accompagne d’un site web où se trouvent de nombreux fichiers MP3 et PDF ainsi que des vidéos.
Tous les exercices de cette méthode sont expliqués en détail et sont augmentés de photos et de vidéos très clairs, particulièrement utiles pour assurer la bonne compréhension des élèves (et des parents) pour le travail la maison. Avec Le Monde de l'Alto, les leçons peuvent être personnalisées, car presque toutes les méthodes didactiques sont employées. Chaque élève peut donc bénéficier d’un enseignement « sur mesure ».
Cet ouvrage comprend : • Des exercices d’imitation (« Jeu du perroquet » en cours et la maison).
• Des exercices techniques d’abord expliqués par un texte et des images (photos et vidéos) et, plus tard, en notation musicale.
• Des morceaux jouer l’oreille.
• Des morceaux en notation musicale ( partir du milieu du volume 1 environ).
• Des morceaux en notation musicale (le volume 2 contient un plus grand nombre de pièces du répertoire).
• Des exercices d’improvisation pour stimuler l’imagination en matière de sons et de créativité.
• Des explications sur le solfège en général et les techniques de jeu.
• Des morceaux notés en tablature.
• Des jeux de questions-réponses portant sur les éléments déj appris.
• Des « bons points » sous forme d’autocollants apposer aux exercices correctement exécutés.
Cette méthode offre de nombreuses possibilités pour jouer plusieurs. Pour toutes les pièces, des partitions pour deux altos et accompagnement au piano sont téléchargeables sur le site web.
Le Monde de l'Alto est attrayant, contemporain et complet un must pour l’enseignement de l'alto au XXIe siècle !
SKU: BT.EMM121-033
SKU: BT.EMM121-031
Destinà © aux élèves partir de sept ans environ, Le Monde du Violon peut être utilisé pour les leçons individuelles et en groupe. Le présent ouvrage s’accompagne d’un site web où se trouvent de nombreux fichiers MP3 et PDF ainsi que des vidéos.
Tous les exercices de cette méthode sont expliqués en détail et sont augmentés de photos et de vidéos très clairs, particulièrement utiles pour assurer la bonne compréhension des élèves (et des parents) pour le travail la maison. Avec Le Monde du Violon, les leçons peuvent être personnalisées, car presque toutes les méthodes didactiques sont employées. Chaque élève peut donc bénéficier d’un enseignement « sur mesure ».
Cette méthode offre de nombreuses possibilités pour jouer plusieurs. Pour toutes les pièces, des partitions pour deux violons et accompagnement au piano sont téléchargeables sur le site web.
Le Monde du Violon est attrayant, contemporain et complet un must pour l’enseignement du violon au XXIe siècle !
SKU: BT.MUSMS0301
Spanish.
¿Cà ³mo tocar acompañamientos y solos de guitarra en el estilo Slow Blues? Con nuestro libro por supuesto... Con unas r tmicas, mayores o menores, esencialmente en 12/8, pero no sólo, a tocar con púa o con los dedos y que evocan los grandes estándares de este estilo as como el Blues “rootsâ€, el de las ra ces. Y con unos maravillosos solos elaborados en aire lento, a partir de las principales progresiones armónicas t picas del estilo, que abren las puertas del virtuosismo dominado y del feeling a ultranza. Y todo eso a la manera de B.B. King, Stevie Ray Vaughan, Eric Clapton, ZZ Top, Buddy Guy, Eric Rogers, Popa Chubby, Lightnin’ Hopkins... y otros muchos adeptos de este estilo.Para cada acompañamiento y solo tenemos 5 grabaciones diferentes en el CD MP3 adjunto, repartidos de la manera siguiente: la guitarra sola, en aire normal, y luego más lento, la misma parte de guitarra tocada ahora en su playback, y por último el playback solo, en aire normal y luego más lento... para que cada uno pueda aprender a tocar a su ritmo, según su nivel y sus capacidades. ¡O sea 4 horas de música en total!
SKU: PE.EP14445
ISBN 9790014135041. 297 x 420 mm inches. German.
ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.
Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.
Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.
In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).
Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.
In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!
Bernd Franke. Leipzig, 11.10.2019
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano.
AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:
Every flame, every fire, every light, every warmth is AGNI.
AGNI is omnipresent, establishing everything and ending everything.
AGNI is often depicted with seven tongues which represent different aspects of his being.
These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.
Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.
This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.
Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.
The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.
Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.
Score and horn part.
Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.
Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.
to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.
Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.
This product consists of score and parts.
A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano.
for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.
for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.
Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.
Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.
But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.
I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.
The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.
The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.
It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.
Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.
The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.
The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.
Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.
First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.
Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times
SKU: GI.G-10297
UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.
SKU: GI.G-10297FS
UPC: 785147029793.
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages.  At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions.  “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope.   Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas.  En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes.  Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza.
SKU: HL.282480
ISBN 9781540034373. UPC: 888680789244. 9.0x12.0x0.868 inches.
Over 80 songs from the decade of excess where Generation X came of age. This collection features arrangements for easy piano with lyrics. Songs include: Another Brick in the Wall * Billie Jean * Caribbean Queen (No More Love on the Run) * Chariots of Fire * Don't Stop Believin' * Endless Love * Eye of the Tiger * Flashdance...What a Feeling * Girls Just Want to Have Fun * How Will I Know * I Love Rock 'N Roll * Jump * Karma Chameleon * Let's Hear It for the Boy * Like a Virgin * Missing You * Nothing's Gonna Stop Us Now * One More Night * Pour Some Sugar on Me * Right Here Waiting * Sweet Child O' Mine * Sweet Dreams (Are Made of This) * Take on Me * Time After Time * Up Where We Belong * What's Love Got to Do with It * When Doves Cry * With or Without You * and more.
SKU: PR.114422610
ISBN 9781491134351. UPC: 680160684724. 9 x 12 inches.
Combining his graceful charm with occasional surprises, Gary Schocker has added 12 more Christmas favorites to flute players’ repertoire for Christmas concerts and church services. Two duet scores are provided in the publication.The 12 DUETS OF CHRISTMAS contents are:1. Il est né, le divin enfant2. Tu scendi dalle stelle (O Bambino)3. See, Amid the Winter’s Snow4. We Three Kings5. Wexford Carol6. ‘Twas in the Moon of Wintertime7. O Come, O Come, Emmanuel8. Baloo, Lammy9. In the Bleak Midwinter10. Cand Iisus sa nascut11. Entre le bœuf et l’âne gris12. Angelus ad Virginem.
