Oboe School Band 2

Oboe-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice “loops” on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome3. Scale arpeggio and articulation studies in all keysAlso available in the Essential Musicianship curriculum: • Ensemble Concepts (HL00960059 – 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice.• Ensemble Concepts - Fundamental Level (HL00960110 – 00960127)• Ensemble Concepts – Intermediate Level (HL00960129 – 00960146)

60 Progressive Duets for Oboes. Par SPARKE PHILIP. L’acquisition de nouvelles compétences, au sein d’une démarche structurelle, est indispensable dans l’apprentissage d’un instrument à vent. Un bon professeur est un élément-clé mais il est essentiel de posséder, en complément de la méthode utilisée, des outils pédagogiques motivants offrant une présentation structurelle des techniques de jeu et d’apprentissage. Chaque recueil d‘études, de solos et de duos fournissent un evironnement adéquat à l’introduction de nouveaux éléments musicaux en suivant une démarche logique qui facilite le développement rapide d’un “musicien complet”. Jouer en duo (professeur/élève et deux élèves) est un travail d’équipe dans sa forme laplus simple. Quelle que soit la forme choisie (étude, solo ou duo), chaque recueil est enrichissant et procure beaucoup de satisfaction. / Niveau : Très Facile à Facile / Pédagogie / Recueil / Hautbois

9 Points pour cette école de hautbois: - convenant à tous les âges d'environ 10 ans - assouplis par les illustrations et les étapes gérables photos - nombreuses mélodies bien connus et chansons-- progressivement mise en place de la lumière Mittell / Hautbois (Avec Partie De Piano) Ou 2 A 3 Hautbois

Mark Jeanbourquin wrote Musicavenir (Music of the Future), on leaving the eponymous music school whose band he had conducted for some years. For every farewell there?s a new beginning, and this piece opens with ?Ausblick in die Zukunft? (Outlook on the Future) an explosive first section in ABA form. This is then followed by a calmer, lyrical passage before Musicavenir finally closes as the powerful opening theme is sounded again.

Par ANDRE ARNESEN KIM. Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748). This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued. A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available. The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

This dramatic work for young players is intended to portray a noble mystical pursuit of some great conquest or accomplishment. Full of driving percussion resolving tone clusters dramatic brass writing and spectacular tutti musical statements it also features easy passages for solo oboe bassoon and piccolo. This piece is a great choice for excellent middle school or smaller high school bands. It is generously cross cued to be performed with limited instrumentation.

Four-part flexible chamber music arrangements featuring a soloist. The Centre Stage series bringing well-known classics to early-level players has become so popular with schools and music centres that further titles have been requested! The rousing Joy to the World and gentle Silent Night are undoubtedly Christmas favourites and would make an excellent choice for your Christmas concert.The scoring is flexible (the ‘soloist’ in Part 1 as an example could be for flute oboe violin clarinet or alto saxophone) and whilst written for a chamber group larger ensembles can also use Centre Stage with more players joining each part. An optional piano part has beenincluded for rehearsal or to support the performance.

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Official theme song for 'Music In Our Schools Month' March 1989. This soprano/alto arrangement would be a great addition to any music library.2. Also sold with voicings of SATB - HMC1021 SAB - HMC10233. Instrumentation Sold As Follows:A. Band HMC1025a B. Orchestra HMC1025bC. Full Score HMC1025fs4. Instrumentation Sold Separately:HMC1025e01 Violin I HMC 025e02 Violin II HMC Viola HMC 1025e04 Cello HMC 1025e05 String Bass HMC 1025e06 Flute HMC 1025e07 Oboe HMC 1025e08 Clarinet I HMC 1025e09 Clarinet II HMC 1025e10 Clarinet III HMC 1025e11 Alto Clarinet HMC 1025e12 Bass Clarinet HMC 1025e13 Bassoon HMC 1025e14 F Horn I HMC 1025e15 F Horn II HMC 1025e16 Trombone I HMC 1025e17 Trombone II HMC 1025e18 Trombone III HMC 1025e19 Alto Saxophone I HMC 1025e20 Alto Saxophone II HMC 1025e21 Tenor Saxophone HMC 1025e22 Baritone SaxophoneHMC 1025e23 Coronet/Trumpet I HMC 1025e24 Coronet/Trumpet II HMC 1025e25 Coronet/Trumpet III HMC 1025e26 Baritone Treble Clef HMC 1025e27 Baritone Bass Clef HMC 1025e28 Basses HMC 1025e29 Timpani HMC 1025e30 Drums HMC 1025e31 Mallets (Bells)