Matériel : Conducteur et Parties séparées
SKU: HL.269148
UPC: 888680737658. 5.0x5.0x0.151 inches. Isaiah 60:1, Romans 12:1.
Exploding from the page with a clarion call to service, this epic song is something to be experienced. Written in a timeless poetic style, the significant text covers the spiritual journey of the church with respect and lofty aspirations. The resolute hymn-like theme is tastefully harmonized, interspersed with unison and two-part writing for power and clarity. A new bridge recently added by the songwriters and artist Chris Tomlin proclaims a glorious call to the church to Arise, shine, for your light has come. A luxurious orchestration is also available bringing a cinematic scope to a song that has already become a modern-day sacred classic. Highly recommended! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.14030017
ISBN 9788759851562. 8.25x11.75x0.047 inches.
The Piano music of Jean Sibelius ranks among the greatest of Finnish music, and his 1924 set Five Charactereistic Impressions demonstrates his importance. The first of this set, The Village Church is a ceremonial theme bringing to mind the oaccasions and events that surround a small place of worship and that is perfect for ushering in the start of a programme. An impressionist piece that captures the imagery of reality with tonality, colour and a solemn pace.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: WD.080689647178
UPC: 080689647178.
Songs have forever been at the heart of God’s Church. They help build our faith, tell of the rich, full, grace of our Savior, and speak of our devotion and allegiance to Him; songs express our thoughts and feelings and needs in a way that mere words never can. Songs allow us to lift our voice to declare that He alone is worthy of our praise, He alone is the one true God and King, and He alone has provided a way to salvation for a lost and dying world. The songs included in this new Word Music & Church Resources Choral Collection are Songs the Church Loves to Sing! Across decades, styles and sounds have changed, but the impact songs have on God’s people is undeniable and unmistakable. Through the 70s, 80s, and 90s, a lexicon of Christian songs took their place beside the time-honored hymns of the church, songs that became the voice of new generations of believers, songs that the church still loves to sing. This Choral Collection, arranged and orchestrated by Marty Parks, is a tribute to those songs. We hope and believe this church music resource will find its place in your church music library and will be used as a tool of outreach and ministry to proclaim your love and adoration for the Lord, giving voice to people everywhere; a voice with which to keep singing these Songs the Church Loves to Sing!