One at the Feast

SKU: GI.G-5125

Text Source: O beata beatorum, 12th C., alt. Faber, Frederick W. Text by Frederick W. Faber.

A concertato on in babilone with two quite varied texts. the second is the well-known “There's a wideness in God's mercy,” while the first is a lesser-know text for the feast of a martyr. It's a rather big setting for SATB, assembly, organ and brass, but if your parish patron is a martyr, this may be just the piece for a parish dedication, anniversary or feast day celebration. .

SKU: GI.G-6621

UPC: 785147662105. English, Spanish. Text Source: Spanish refrain by Ronald Krisman. Text by Juan Bautista Cabrera.

Painting a picture of the omnipresence of God the Creator, this lovely tune with active keyboard accompaniment invites contemplation by the believer and the one who longs to believe.The gentle syncopations in the melody will highlight the talents of a singer who is more at home in a “contemporary� � style. For cantor or soloist.

SKU: GI.G-4954

This collection is second to none: masterfully crafted compositions resplendent with interesting harmonies married to texts selected from the works of the finest hymn writers of our time. Lovers of serious choral music are going to be thrilled with this new offering. Musical styles are varied, from gospel to a distinctly classical sound, sprinkled with a wide variety of instruments. Selected works include All Glory Is Yours-rich and melodic, with a memorable and singable refrain, Build Your City on the Hill-rousing, with an early American flavor, Christ Is the Day-mysterious, for Advent, Cleanse the Thoughts of Our Hearts-choral music at its finest, Before the Song Was Done-majestic and lilting, for Christmas, This Our Joy and This Our Feast-Joyful, for Easter, with trumpets and alleluia! Just consider this roster of text writers: Brian Wren, Delores Dufner, OSB, Sylvia Dunstan, Richard Leach, and Timothy Dudley-Smith. In addition, traditional texts include The Prayer of St. Patrick, a selection from Piae Cantiones, and one from The Book of Common Prayer. There are also a selection from ICEL and adaptations by Bob Moore. Includes one each of the following octavos: I COME WITH JOY (G-4933) • ALL GLORY IS YOURS (G-4934) • SLOWLY TURNING, EVER TURNING (G-4935) • BUILD YOUR CITY ON THE HILL (G-4936) • SWEET REFRESHMENT (G-4937) • CHRIST IS THE DAY (G-4938) • CHILD OF MARY (G-4939) • CLEANSE THE THOUGHTS OF OUR HEARTS (G-4940) • HOW HOLY THIS FEAST (G-4941) • CHRIST THE WAY OF LIFE (G-4942) • WE BRING,  YOU TAKE (G-4943) • WE BLONG TO CHRIST (G-3874) • BEFORE THE SONG WAS DONE (G-4944) • THIS OUR JOY AND THIS OUR FEAST (G-4945) • CHRIST BE WITH ME (G-3855) The instrumental meditation “Air” is found in G-4289, Five Liturgical Meditations.

SKU: GI.G-002716

English.

A must for liturgists, preachers, and Scripture study groups! Includes commentary Lectionary readings for Sundays and feasts, with reflections, prayers, and homilies written by the late Lucien Deiss, CSSp. God's Word Is Our Joy Holy Days and Feast Days quotes the readings for the day, including the psalm. Following them is an introductory prayer, a homily, and a concluding prayer.

SKU: CA.5507549

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

SKU: CA.5507505

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

SKU: HL.14002813

ISBN 9788759856451. 10.25x14.5x0.537 inches. Danish.

Based on a story by Isak Dinesen (Karen Blixen), who also wrote Out of Africa, the inspiration for the 1985 Academy Award winning film. Babette's Feast tells the story of Babette Hertsard (Stephane Audran), a 19th century Parisian political refugee who flees on a boat to Frederikshavn in Denmark with the help of her nephew, and her relationship with two elderly and religious sisters. The sisters Martina (named for Martin Luther) and Philippa (named for Luther's friend and biographer Philip Melanchthon) were the daughters of a pastor who had founded his own religious sect.

SKU: CA.5507519

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

SKU: CA.5507509

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

SKU: HL.14023457

ISBN 9788759855805. 8.25x11.75x0.05 inches. English.

Per Norgard's The Dunes and The Homecoming are two Short Piano Pieces from the Film Babette's Feast dating from 1987.

SKU: GI.G-5691

English.

It's been some time since we've heard from the composer of the beloved Taste and See, but Come to the Feast is certainly worth the wait. A resident of Vienna, Austria, James Moore has made a special return visit to the United States to produce this lively new collection. Known for simple refrains perfect for assembly singing, this collection offers Let Us Go Rejoicing, featuring a delightful refrain in canon, Love Endures, a wedding song with a simple congregation response, and Praise Ye the Lord, a wonderful new hymn. I Am Special was written for use with children's choirs and may also be used with a combined choir of adults and children. Alive! is a lively song written especially for youth, while Be Still is a meditative tune ideal for after Communion. Includes one of each of the following octavos: I Will Be with You - Touch Somebody’s Life - Do You Know Me - Let Us Go to the House of the Lord - An Irish Blessing - Taste and See - Hail Mary, Gentle Woman - Come to the Feast - Welcome In - Spirit of God - Be Still - Love Endures - Litany of Thanksgiving - I Am Special - Alive - Praise Ye the Lord - Sing to the Glory of God.

SKU: CA.5507500

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

SKU: ST.B824

ISBN 9790220202995.

In addition to the propers and antiphons appropriate to the respective festivals of the church year, the second part of the 1607 Gradualia contains, it is thought, a hidden tribute: a set of Propers for the Feast of St. Peter's Chains, perhaps celebrated on 1 August 1603 to commemorate, on 21 July of that year, the elevation to the peerage of Byrd's longstanding patron Sir John Petre.

SKU: HL.14011152

8.25x11.75x0.052 inches.

SKU: JK.01442

Doctrine and Covenants 19:23.

Arranged for two-part young women chorus (SA) and piano, this anthem reminds us to feast, savor, search, and ultimately walk the path our Savior walked--an excellent arrangement for the 2018 LDS Mutual theme of Peace in Christ.
Composer: Lynn S. Lund
Lyricist: Mabel Jones Gabbott
Performance time: 2:45
Reference: Doctrine and Covenants 19:23.

SKU: CL.024-3846-01

Get out the dishes & silverware and set the table for this delicious medley of Christmas favorites! David Shaffer has crafted this clever collection of seasonal music into a delightful arrangement with one special twist; all of the auxiliary percussion instruments are kitchen utensils such as silverware, trash cans and drinking glasses. There are several stylistic changes within the piece, making it a perfect teaching tool. There is no doubt that Christmas Feast will be the appetizing hit of your holiday concert.