I open and close

SKU: HL.4007655

UPC: 196288075134. 9.0x12.0 inches.

As the Curtain Closes is a ceremonious composition that radiates noblesse and pride, and features challenges for all sections. At the beginning, the main theme is introduced by the flute, accompanied by muted percussion. Soon afterwards, the atmosphere becomes more open, and the music develops with growing optimism on the way to a majestic climax, concluding with a radiant final chord.

SKU: LM.PB764

ISBN 9790231307641.

Wake Up - Magic Game - Our Generation - Every Time - Paint your Face - Baby - Trust me - Mum - Waiting for - Tic Tac - My God - See you again - Close and open - When life.

SKU: KN.61752S

UPC: 822795617528.

Equal ly appropriate as an opener, closer, or anything in between, the solid swing groove will energize your band and its audiences. The melody shifts between swing 8th and triplet rhythms and brass ranges are accessible. The open solo section can be played by anyone, with solo sheets provided in all keys.

SKU: KN.61752

UPC: 822795617528.

Equal ly appropriate as an opener, closer, or anything in between, the solid swing groove will energize your band and its audiences. The melody shifts between swing 8th and triplet rhythms and brass ranges are accessible. The open solo section can be played by anyone, with solo sheets provided in all keys.

SKU: KN.62721S

UPC: 822795627213.

Commi ssioned for the Cardinal Vaughn Memorial School Jazz Band in London, England, this swing shuffle original for proficient bands will energize players and audiences. Equally appropriate as an opener, closer or anything in between, solos are offered to trumpet and trombone, but blues-based changes mean that the solo section can be expanded for other players if desired. Afterward there is a great stop-time sax soli with trumpet lead that yields to another solo section with changes cued in the saxophone parts. An exciting shout chorus follows, ending with an open drum solo before the final chord. Rhythm section parts partially notated with chords cued. Duration 5:15. Available in SmartMusic.

SKU: HL.3712023

UPC: 196288220978. 4.5x8.5x9.0 inches.

The DT 880 PRO combines the strengths of open, transparent headphones with those of the more powerful closed headphones. A special housing and an improved system makes this remake of the DT 880 Studio Classic an ideal studio head-phone with very good analytical properties. The complete sound spectrum is fully reproduced, from the deepest bass, clearly placed and in no way obtrusive, to the most airy treble. The robust spring steel construction gives the headphones a secure fit and the mechanical reliability needed for daily use.

SKU: CF.CAS113

ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

SKU: CF.CAS113F

ISBN 9781491151693. UPC: 680160909193. 9 x 12 inches.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

SKU: MN.56-0049

UPC: 688670220524. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. The “Kyrie” uses Francis Quarles’ “Close now thine eyes and rest secure” as the opposing English text. After the choir begins the requiem text in Latin (“Requiem aeternam” through the “Kyrie eleison,”) the soprano soloist has a 27-measure solo in which the English text appears. Then the solo is repeated over choir accompaniment and the opening Latin text reappears to close the movement. Duration 9:13.

SKU: HL.4007656

UPC: 196288075141.

As the Curtain Closes is a ceremonious composition that radiates noblesse and pride, and features challenges for all sections. At the beginning, the main theme is introduced by the flute, accompanied by muted percussion. Soon afterwards, the atmosphere becomes more open, and the music develops with growing optimism on the way to a majestic climax, concluding with a radiant final chord.