Organ Works, Volume 1-11 (in slipcase)

Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.

Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue

Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707, this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments, fingerings and a closing cadenza - this version is printed in the Appendix. Similarly, the print of the early version of the Passacaglia BWV 582 is likely to meet with great interest. Online you will find early versions, further ornamented versions, and pieces that can no longer be attributed to Bach as the Kleines harmonisches Labyrinth BWV 591 and the Prelude in G BWV 568./ Recueil / Orgue

[Saemtliche Orgel-und Clavierwerke - Band 1 : Toccaten] / Classique / Editeur : Siegbert Rampe / Partition / Cartonné / Plats de carton /

Instrumentation : Orgue / Descriptif : Magnificat-Fugen. Erster Teil (Nr.1 - 52)

Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an 'insider's tip?, it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles, the cathedral organist from Valencia, now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos, diferencias and versos. In the first two volumes, the editors Gerhard Doderer and Miguel Bernal Ripoll present a total of 22 of his most appealing and most significant tientos.- Urtext edition based on the latest research findings- Preface by the editors (in German, English and Spanish) / Orgue

César Franck's Complete Organ Works Volume 4 - 3 Chorals For Grand Organ contains Choral No. 1 E-Major Choral No. 2 B-Minor and Choral No. 3 A-Minor.

The 'organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ.- Repertoire for brass ensemble and organ- Suitable for amateur ensembles and non-professional church musicians- A variety of instrumental parts allow many performance options / Trombone

6 Short Chorale Preludes; 5 Canonic Variations on `Vom Himmel hoch`; 7 Chorale Preludes; Chorale Variations on: `Christ,der du bist der helle Tag` (7 Partitas),`O Gott,du frommer Gott`(9 Partitas),`Sei gegruesset Jesu guetig`(11 Variations)(Urtext) /

La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la cour de la Reine Isabelle de Toledo à l'âge de 16 ans, a été considéré à juste titre par ses contemporains comme l'organiste espagnole leader et claviériste du 16 ème siècle. Ses hymnes et des versets sont basées sur courte, harmonisations décorée des tonalités psaume. Dans le tientos, la transformation du style motet vocal à un style d'écriture approprié pour les instruments à clavier est parfaitement exécuté.Cette édition Urtext contient une sélection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a été préparé par deux rédacteurs en chef travaillant dans les universités portugaises et espagnoles qui sont tous deux grands spécialistes des oeuvres de Cabezón et reflète les derniers résultats de recherche.- Première édition critique universitaire, des oeuvres sélectionnées par l'organiste leader espagnol- Reflète les derniers résultats de la recherche- Chaque volume avec une préface (Ger / Eng) avec des conseils sur la technique de rédaction, le commentaire critique (Ger / Eng) et l'indice de sources / Orgue, Piano, Clavecin

Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition' This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue

Edition no.: BA 11202ISMN: 9790006526444Volume / Series: organ plus brass, Volume IIEditor: Klomp, Carsten / Petersen, HeikoLanguage(s) of work: GermanLanguage(s) of text: German, EnglishProduct format: Performance score(s), Wind instruments score, AnthologyIncludes the following individual parts: Organ, Wind instrumentsBinding: StapledPages / Format: 17/10 S. - 30,0 x 23,0 cmThe series ?organ plus brass? presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs.The full score comes with an inserted wind score in C, which is also available separately. Wind parts in C and B-flat can also be purchased, enabling the performance by brass ensembles of varying instrumentation.Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year.- Literature for brass ensemble and organ- Suitable for amateur brass ensembles and non-professional organists- Transposed parts allow for flexible instrumentationContentsChristian Fink (1831?1911): ?Wie schön leuchtet der Morgenstern?Emil Dercks (1849?1911): ?Jesus lebt, mit ihm auch ich?Theophil Forchhammer (1847?1923): ?Sollt ich meinem Gott nicht singen?Max Gulbins (1862?1932): ?Nun danket alle Gott?Otto Scherzer (1821?1886): ?Christus, der ist mein Leben?

Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue

The 'organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ.- Repertoire for brass ensemble and organ- Suitable for amateur ensembles and non-professional church musicians- A variety of instrumental parts allow many performance options / Ensemble A Vent