Overture G minor

SKU: BR.PB-5397

ISBN 9790004211311. 10 x 12.5 inches.

The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.The copies made by Christian Friedrich Penzel (parts 1755c, score 1760c), which are also located there, were consulted for purposes to use these sources for this edition.When the concertante flute and the first violin play in unison, the performance instructions and expression marks are often not identical in the score. In this edition, the markings missing in one instrument were borrowed from the other, albeit designated as additions so that performers are free to adjust their parts at will.In his arrangement for flute and harpsichord (piano), Werner Breig has consistently opted for the elegance and lightness of the original version for flute, strings and continuo. Wherever it was difficult to adapt the string part of the famous B minor Suite to the piano, he followed the precept that less is more and showed his true mastery as an arranger by leaving things out. The flute part, however, has remained unchanged, which allows this new edition for flute and harpsichord (piano) to be used for studying and rehearsing the piece in its original setting.

The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.

SKU: HL.50148750

UPC: 073999779769. 9.25x12.25x0.123 inches.

Contents: Allegro Moderato • Aria (Willst Du Dein Herz Mir Schenken) • Bourrée • Chorale • Double • Entree (Overture in F) • Gavotte • Gavotte • Gigue • Giguetta (Partita in C) • Kleiner Kanon • March in D Major • Menuett • Moderato • Polonaise in A Minor • Prelude in A Minor • Prelude in C • Prelude in C Minor • Sarabande • Scherzo.

SKU: BR.OB-3208-16

ISBN 9790004300589. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

SKU: BR.OB-3208-15

ISBN 9790004300572. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

SKU: BR.OB-3208-27

ISBN 9790004300619. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

SKU: BR.OB-3208-19

ISBN 9790004300596. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

SKU: BR.MR-32069

ISBN 9790004489499. 9 x 12 inches.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer. The present arrangement for string quartet by Christian Beyer compliments the already available overtures by Mozart, which Beyer also arranged for this instrumentation.

SKU: CL.012-3279-00

A bold, forceful and solid overture with lots of appeal! The strong outer sections in D minor contrast very nicely with the lyrical center section in Bb Major, providing you with a composition which will show off your band at its best!! Individual parts are very accessible and playable, giving the illusion of being more difficult than it really is.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: HL.14007346

ISBN 9780711912885.

S imple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.

SKU: KN.17429

UPC: 822795174298.

These grade 2-3 additions to the Fun For Two series contain simplified themes, rhythms and textures that are fun to play and provide educationally interesting tunes for sight reading and small ensemble programs.

Contents :
Allegro Con Spirito (From Serenade In C); Vivace (Mazurka); Allegro (From 1812 Overture); Lento (From Symphony In E Minor); Andante (From March Slave).

SKU: HL.14022877

ISBN 9788759867280. 9.0x12.0x0.122 inches. English.

Throughout the years there have been many misprints, minor and major, found in Carl Nielsen's work. They range from missing staccato dots, accents, tempo markings and dynamic markings to missing notes and wrong notes. It has been the editor's desire to collect as many of these misprints as possible in these excerpts for trombone and tuba. Editorial corrections have been referred to in the text as well as having been written out or corrected in brackets.

SKU: BT.DHP-1033409-010

As the title suggests, Spanish Overture has a strong Spanish character. The music in this overture is full of quintessential Spanish colours. Following a fluid and spontaneous development which moves between major and minor keys, a slow passage with a calm and peaceful melodic line is presented. The finale of this passionate work recalls the initial theme now presented in all its splendour.

Der Name verrät bereits, dass in dieser Ouvertüre vom ersten Takt an spanisches Temperament vorherrscht. Auf eine spontane Entwicklung, in der sich Dur- und Molltonarten abwechseln, folgt ein langsamer Abschnitt, in welchem das melodische Thema in den Vordergrund treten und dem Stück so eine Atempause lassen kann. Zum Abschluss dieses bezaubernden Werkes erscheinen die Themen des Anfangs erneut in all ihrem Glanz. Holen Sie mit leicht spielbarer Musik Spanien in Ihre Aufführung!

SKU: HL.49001811

ISBN 9790001024136. UPC: 073999276060. 9.0x12.0x0.129 inches.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'harlequinade' often appearing in Telemann's overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The 'Espagniol' whose title prom-ises a bit of urbanity turns out to be a saraband, the 'Bourree en Trompette' justifies its name by the tone repetitions typical of trumpet music.In the context of the whole, the 'Sommeille', a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.