Partita G-Dur

Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano

[Sechs Partiten BWV 825-830 (Erster Teil der Klavierübung)] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Relié toilé / Edition Urtext

Instrumentation : Clavecin / Pianoforte / Piano / Descriptif : Ausgabe für den Unterricht (ohne BWV 812 und 813 (Partitas) und BWV 827 und 830 (Französische Suites) / Edition complète (exceptés BWV 812 et 813 (Partitas) et BWV 827 et 830 (Suites françaises)

About 6 PartitasBy Johann Sebastian Bach (1685-1750) edited by Alfred Durr Richard Jones. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition.  With introductory text (does not include words to the songs). Baroque. 9x12 inches. First part of the Clavier Ubung.SMP Level 10 (Advanced)Very advanced level very difficult note reading frequent time signature changes virtuosic level technical facility needed. (Learn more about SMP levels)Contents:Partita 4 In D Major BWV 828Partita 1 In Bb Major BWV 825Partita 2 In C Minor BWV 826Partita 3 In A Minor BWV 827Partita 5 In G Major BWV 829Partita 6 In E Minor BWV 830

Austria ?s imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .

This volume consists entirely of première publications from the ?uvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.

Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.

- Easy to moderately difficult organ music for church or concert use
- Previously unpublished music from the heyday of Austria ?s imperial court chapel
- Contains the première publication of a piece by Froberger / Classique / Partition /

[Suiten, Sonaten, Capriccios und Variationen] / Classique / Editeur : Georg von Dadelsen / Doigtés : Hans-Mart / Partition / Broché / Edition Urtext