Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
☰ MENU LIBRAIRIE
☰ MENU LIBRAIRIE
Achat en ligne & livraison
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHA…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERS…
FORMATION MUS…
GUITARE
GUITARE LAP S…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
INSTRUMENTATIONS
NOUVEAUTÉS
MEILLEURES VENTES
EDITEURS
PLAY ALONG
PARTITIONS + CD
PARTITIONS + AUDIO
ARTISTES A-Z
ARTISTES FRANÇAIS
FORMATION MUSICALE
LIVRES SUR LA MUSIQUE
PARTITIONS DE NOËL
IDÉES CADEAUX
Vous avez sélectionné:
Artistes 1
1 - John Williams
2 - The Beatles
3 - Scott Joplin
4 - George Gershwin
5 - Sergei Rachmaninoff
6 - Andrew Lloyd Webber
7 - Maurice Ravel
8 - Camille Saint-Saens
9 - Bela Bartok
10 - Astor Piazzolla
11 - Mark Hayes
12 - Christopher Norton
13 - John Rutter
14 - Francis Poulenc
15 - Irving Berlin
16 - Jérôme Naulais
17 - Pamela Wedgwood
18 - Leonard Bernstein
19 - Erik Satie
20 - Lloyd Larson
21 - Alan Menken
22 - Taylor Swift
23 - Colette Mourey
24 - Ralph Vaughan Williams
25 - Gustav Holst
Liste complète Internationale
Achat de partitions et méthodes musicales (livres)
Expédition postale
Téléchargement
Plus d'options
Moins d'options
En français
Instrument
Tous
ACCORDEON
ALTO
AUTOHARPE
BAJO SEXTO - QUINTO
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHORALE - CHANT
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
CORNEMUSE
CORNET
DIDGERIDOO
DOBRO - RESONATEUR
DULCIMER
EUPHONIUM
FANFARE - BANDA
FLUTE A BEC
FLUTE DE PAN
FLUTE IRLANDAISE
FLUTE TRAVERSIERE
FORMATION MUSICALE
GUITARE
GUITARE LAP STEEL
HARMONICA
HARPE
HAUTBOIS
INSTRUMENTS TRADITIONNELS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
OUD
PERCU. ORCHESTRE
PERCUSSION
PIANO
SAXHORN
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIDEOS DE MUSIQUE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
XYLOPHONE
Reset
Genre
Tous
Acteurs - Théatres - Scènes
AFRICAIN
AMERICANA
Analyse musicale
ASIE
Bande dessinée sur la musique
BARBERSHOP
Biographies : Artistes frança…
Biographies : Classiques
Biographies : Internationaux
BLUEGRASS
BLUES
CELEBRATIONS
CELTIQUE - IRISH - SCOTTISH
CHANSON ALLEMANDE
CHANSON ESPAGNOLE
CHANSON FRANÇAISE
CHANSON ITALIENNE
CHRISTIAN (contemporain)
CLASSIQUE - BAROQUE - ROMANTIQ…
COMEDIES MUSICALES - CABARETS
CONTEMPORAIN - 20-21EME SIECLE
CONTEMPORAIN - 21EME SIECLE
CONTEMPORAIN - NEW AGE
COUNTRY
DEBUTANT - FACILE
Dictionnaires de la musique
Ecriture musicale
EGLISE - SACRE
ENFANTS : COMEDIES MUSICALES -…
ENFANTS : EVEIL - INITIATION M…
Enseigement
EUROPE DE L'EST
EXAMENS
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGERPICKING
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITIONNEL
Formation Musicale : Jazz - Im…
FUNK
GOSPEL - SPIRITUEL - INSPIRANT
Guides Internet de la musique
HALLOWEEN
Histoire de la musique
JAZZ
JAZZ MANOUCHE - SWING
Jeux sur la musique - Quiz - T…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORLD
LATIN POP ROCK
Maintenance de votre instrumen…
MAMBO
MARCHE
Marché de la musique - Réfé…
MARIAGE - AMOUR - BALLADES
Matériel Pédagogique (Papier…
MEDIEVAL - RENAISSANCE
METAL - HARD
METHODE : ACCORDS ET GAMMES
METHODE : ETUDES
METHODE : TECHNIQUES
MUSETTE
Musicologie
NOËL
OFFRES SPECIALES
OLD TIME - EARLY ROCK
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLASSIQUE
POP ROCK - ROCK MODERNE - ALTE…
PROFANE
PUNK
RAGTIME
REGGAE
Revues
SOUL - R&B - HIP HOP - URBAIN
SPORT
STYLES MIXTES, DIVERS, INCLASS…
TANGO
THANKSGIVING
Instrumentation
Aucune valeur
+ Critères étendus
Tri et Filtres :
Pertinence
Meilleures ventes
Prix - cher au + cher
Nouveautes
Plus commentées (USA)
Alphabetique A-Z
Niveau facile à difficile
Niveau difficile à facile
Médias (tous)
Avec CD & accès
Avec CD
Avec accès audio
Avec DVD
Partition seule
Extraits (Tous)
Couverture
Ecoute audio
Extrait de partition
Ecoute + partition
Langues
Allemand
Anglais
Espagnol
Français
Italien
Japonais
Russe
Neerlandais
>Suedois
Portugais
En Stock
Résultats livres
Librairies EUROPE
(23 partitions)
Librairie USA
(2 partitions)
Numériques
Affiner par instrumentation
TOUTES LES INSTRUMENTATIONS
Orchestre de chambre (8)
Orgue (6)
Concert Band/Harmonie (4)
Orchestre d'harmonie (4)
Chorale SATB (1)
1
Détails
Détails
Couverture
Sechter: Zwei Psalmen (SECHTER SIMON)
5.20
Sechter: Zwei Psalmen (SECHTER SIMON)
Chorale SATB
[Partition]
Carus Verlag
Par SECHTER SIMON. Verwendung / Anlässe: Psalmvertonungen - / Psaumes / Réper...
(+)
Par SECHTER SIMON. Verwendung / Anlässe: Psalmvertonungen - / Psaumes / Répertoire / Choeur Mixte
5.20 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Couverture
3 Letzte Motetten
195.80
3 Letzte Motetten
Concert Band/Harmonie
[Conducteur et Parties séparées]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
195.80 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Couverture
5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
152.60
5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Orchestre d'harmonie
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
152.60 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Couverture
14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
406.80
14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Orchestre d'harmonie
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
406.80 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Couverture
3 Letzte Motetten
50.90
3 Letzte Motetten
Concert Band/Harmonie
[Conducteur]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
50.90 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
18 Choralvorspiele Op. 90 Op. 90
Orgue
Doblinger
/ Orgue
32.71 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Streichquartett G-Dur
Orchestre de chambre
Doblinger
/ Musique De Chambre
24.20 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Streichquartett G-Dur
Orchestre de chambre
Doblinger
/ Musique De Chambre
15.40 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Orgelfugen
Orgue
Doblinger
/ Orgue
30.70 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
20 Fugen Heft 2 Op. 50
Orgue
Doblinger
/ Orgue
21.30 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
Variationen Über Gott Erhalte
Orgue
Doblinger
/ Orgue
25.90 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
3 Fugen
Orgue
Doblinger
/ Orgue
19.90 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
Détails
Détails
20 Fugen Heft 1 Op. 50
Orgue
Doblinger
/ Orgue
21.30 EUR - vendu par LMI-partitions
Délais:
Sur commande
Articles Similaires
1