Passion Music

Par GOULD ELAINE. Derrière les barreaux est la plus définitive et minutieusement étudié volume à être publié sur le sujet de la notation musicale moderne dans fois. Son auteur, spécialiste éditeur de musique Elaine Gould, a une la compréhension et la passion pour le sujet que les résultats dans un livre qui n'est pas seulement pratique mais aussi convaincante lisible. Un ouvrage de référence indispensable livre pour tout compositeur, arrangeur, éditeur de musique ou de l'étudiant, il s'agit d'un guide séminales et qui englobe tout./ Méthode / Formation Musicale

Troy, le capitaine de l'équipe de basketball, et Gabriella, une jeune fille timide douée en mathématiques, partagent une passion secrète pour le chant. Malgré leurs différences, ils décident d'unir leurs forces pour participer à la comédie musicale de leur lycée, se heurtant à l'ordre social établi. A force de volonté et de détermination, ils réussiront à convaincre les autres étudiants et à aller au bout de leur rêve.

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2006-02-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

C?est la catastrophe pour les habitants de l?Immeuble Musical : le Lapin Sol a disparu ! Et si c?était les loups qui l?avaient capturé, comme le pense leur maman la Clé de Fa '

Peu importe les dangers, il faut partir à sa recherche ! Une incroyable aventure commence pour Monsieur Do, Madame Ré, le Chat Mi, la Souris Fa, le pigeon La, le Serpent Si et le Corbeau Do. Oseront-ils entrer dans les profondeurs du Royaume des Loups '

Cet ouvrage enseigne la lecture de la première octave de Clé de Fa.
Album jeunesse à partir de 4 ans.


LES AUTEURS

- Vanessa Callico / Auteur

Vanessa Callico est écrivain et musicienne classique professionnelle. En hommage à la littérature sud américaine du « réalisme magique » et aux classiques de science-fiction, sa plume la porte naturellement vers des univers proches de la littérature fantastique.

Artiste musicienne et pédagogue diplômée d?état, Vanessa Callico a également réfléchi à une application musicale des méthodes des Écoles Nouvelles ( Montessori, Freinet) sur l?apprentissage des fondamentaux de la musique et la transmission de la culture artistique. Ses albums pédagogiques passent toujours par l?imaginaire comme premier vecteur de l?envie d?apprendre.

Tout en poursuivant l?écriture de ses romans et méthodes d?apprentissage, Vanessa Callico écrit également pour le théâtre. Sa prochaine production artistique combinera la transmission de savoirs musicaux au plaisir d?une intrigue mêlant poésie et imaginaire.

- Senyphine / Illustratrice

Sandrine Replat aka Senyphine, est née à Grenoble en 1978.

Elle se passionne très jeune pour le dessin, elle décroche le diplôme de graphiste de l?École Supérieure de la Création Graphique Supcrea (Grenoble) en 2000.

Au fil des ans, sa technique se singularise par l?utilisation conjointe de médiums traditionnels et de peinture numérique apportant à ses travaux une ambiance toute personnelle.

Ses personnages et décors oniriques ainsi que ses lumières irréelles s?adaptent parfaitement aux contes pour enfants mais aussi aux illustrations fantastiques. / Livre /

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Arrangiert Von Johann Sebastian Bach. Par KEISER REINHARD. Version of a performance at the Weimar court from around 1713 by J. S. Bach; from his library of music. 'It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the ‘Weimar’ version, since the material is almost complete. Keiser’s Passion is well suited for ‘normal’ conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. ” Kirchenmusikalische Mitteilungen 3 / 1999 / Oratorio / Répertoire / Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse