Matériel : Conducteur et Parties séparées
SKU: BT.DHP-1094804-030
9x12 inches.
Klaas van der Woude has based his arrangement An Old Swedish Hymn on an old pastoral hymn from Dalarna. This beautiful melody even attracted ABBA as they used it as the opening music for some of their concerts. Van der Woude’s arrangement is in classical style making it suitable for any occasion. Voor deze titel bewerkte Klaas van der Woude de oude Zweedse psalm Gammal fäbodpsalm från Dalarna (Oude pastorale hymne uit Dalarna). Maar dit is niet zomaar een deuntje... Hij koos hiermee een bekende melodie die ook ABBAbij enkele concerten als openingstune gebruikte! De bewerking van Klaas van der Woude is in klassieke stijl, geschikt voor welke gelegenheid dan ook.Klaas van der Woude bearbeitete einen alten schwedischen Psalm namens Gammal fäbodpsalm från Dalarna (Alte Pastoralhymne aus Dalarna“) in diesem Stück für Brass Band. Damit wählte er nicht irgendeine Melodie, war doch dieses Lied immerhin schon in einigen Konzerten von ABBA als Eröffnungsmelodie erklungen! Klaas van der Woudes Bearbeitung ist im klassischen Stil gehalten und somit für jeden Anlass geeignet. Gammal Fäbodpsalm Från Dalarna d’Oskar Lindberg (1887-1955) est un hymne pastoral basé sur une vieille mélodie de Dalécarlie, province historique de la Suède. La Dalécarlie présente de magnifiques paysages où dominent forêts, petites montagnes, et lacs scintillants. L’arrangement de Klaas van der Woude conserve l’authenticité de la mélodie originale.
SKU: SU.91480305
Text: William Blake.
Soprano, Piano Duration: 12' Text: I.The Lamb (William Blake; II. A Pastoral Hymn (Hall, from Divine Hall, 1646); III. Hymn (Carey, 1651) Composed: 1976 Published by: Subito Music Publishing.
SKU: HL.48186484
UPC: 888680828844. 9x12 inches.
“Engl ish Horn (or flute or clarinet or alto), Violin & Cello Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri's Lyric Interlude: 'A Study in Pastoral Style'. When, in 2008, the composer received the commission for a piece with English horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the 'Scène aux champs', making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 at one of the Scarab Club Concerts in Detroit, the Lyric Interlude for English horn, violin and cello (Op.110a) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer's Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English horn (or flute, clarinet, or viola) and piano, Op.110b (AL 30 750)&rdquo.
SKU: HL.14023345
ISBN 9788759810620. UPC: 884088444105. 11.75x16.75x0.098 inches. International (more than one language).
Version for string orchestra(the original version from 1997 is for string trio)Duration: ca. 6 min.Parts are for hire: hire@ewh.dkPreface l Programme N o teMy PASTORALE is melodicallyutterly simple, almost ear-catching. The simplicity stems frommy hymn-tune JERUSALEM, the theme ofwhich permeates my ineideutal music for Oscarwinningfilm (Best F oreign Film.1987), BABETTE' S FEAST, by Danish director GabrielAxeLThe film is based on a shortstory by another reknown Dane, Karen Blixen, i t is the story o f twosisters who aremernhers o f a very Puritan congregation, but deeide to have a hig feast of earthly(gastronomic) delights, the PASTORALE is heard during the sumptuousmeal.Bel o w the song-like surface of my PASTORALE the metrical implications arerather ambiguous,the changes between marked and un-marked beats forces the ear to perceive a phrase to beo nthe beat at one moment, and offthe beat at the next moment. In this w a y, the simple lines o flyrical pastoral serenity conjure the listener to be lulled into an artificial Paradise, which is exactlythe mood ofthe guests at the banquet, the feast, in the central scene ofthe movie.The original PASTORALE is scored for string trio, the present version for string orchestra camealong in 1988 and was premieredin New York City that year.Per Norgard, 1999.
SKU: ST.B944
ISBN 9780852499443.
A creative spirituality is the essence of Andrew Pratt's continuing affirmation of the role of hymnody in contemporary faith, through a corpus of lyrics for public worship that are amongst the most relevant of recent contributions to the form. No less than with his very first texts, dating from the late 1970s, the goal in this fourth and latest collection is to make sense of language, living and worshipping in a way that also acknowledges the shifting and often contextual nature of our words and of our world. One important influence in More than Hymns has been the discipline of writing hymns for three years of the readings of the Revised Common Lectionary. Another has been his response to the problem of evil as manifest in the crises and conflicts of the last decade. There are challenging insights into familiar Biblical themes, and a number of refreshing items, each a piece d'occasion arising from the author's varied pastoral work.
SKU: BT.DHP-1094848-120
Klaas van der Woude has based his arrangement An Old Swedish Hymn on an old pastoral hymn from Dalarna. This beautiful melody even attracted ABBA as they used it as the opening music for some of their concerts. Van der Woude’s arrangement is in classical style making it suitable for any occasion. Een veertigjarig jubileum? Dat is een smaragden jubileum! En zo ontstond de titel voor Emerald Jubilee, refererend aan het veertigjarige jubileum van Wil van der Beek als dirigent bij de Duitse muziekvereniging Haaren. Jande Haan componeerde deze kleurrijke mars. Als voormalig uitgever van de klassieke transcripties van Wil van der Beek kan Jan de Haan terugblikken op vele jaren van succesvolle samenwerking met deze componist. De ongewone toonsoortvan het hoofdthema in mineur en het melodische middendeel in majeur zorgen voor een fraai contrast, het relatief langzame thema verschaft de mars zijn grootse maar tevens behouden karakter.Ein emerald jubilee“ - ein smaragdenes Jubiläum - wird zum Vierzigjährigen gefeiert. In diesem Falle komponierte Jan de Haan diesen klangfarbenreich orchestrierten Marsch zu Wil van der Beeks 40. Dirigenten-Jubiläum beim deutschen Musikverein Haaren. Als Herausgeber von Wil van der Beeks Transkriptionen klassischer Werke kann Jan de Haan auf viele Jahre erfolgreicher Zusammenarbeit mit ihm zurückblicken. Aus der Moll-Tonart in f-Moll des Hauptthemas und dem melodischen mittleren Satz in Dur ergibt sich ein schöner Kontrast; das relativ langsame Thema verleiht dem Marsch seinen erhabenen und gedämpften Charakter.Pour célébrer les quarante ans de carrière (jubilé d’émeraude) de son confrère, Wil van der Beek, Jan de Haan a composé cette marche de concert l’orchestration colorée. Si, traditionnellement, les marches festives sont écrites dans une tonalité majeure, Jan de Haan s’est affranchi de cette logique pour installer son thème principal dans la tonalité de Fa mineur. Ce faisant, il obtient un charmant contraste avec le passage central mélodique, écrit dans une tonalité majeure. En choisissant un tempo relativement lent, l’œuvre prend une tournure majestueuse, parfois retenue.
SKU: BT.DHP-1094848-020
SKU: BT.DHP-1094848-140
SKU: BT.DHP-1094848-010
SKU: GI.G-006507
The ultimate resource for presiders and planners. This quarterly publication gives sample texts for many ritual moments, including Introduction to the Liturgy of the Day, Penitential Act Invocations, Introduction to the Liturgy of the Word, Dismissal of Catechumens (and Candidates), complete Prayers of the Faithful, Introduction to the Eucharistic Prayer, weddings, funerals, and occasional other liturgies. Also included are liturgical reminders and suggestions, a calendar listing, a Question of the Week, and a “Homily Helps†section based on the Sunday readings. WLP worship resource subscribers get one Pastoral Patterns subscription free when they subscribe to 50 or more missals/hymnals!  Call customer service to receive the following quantity pricing: 5+ subscriptions: 12.00 each, plus shipping (Overseas subscriptions: $24.95 each, plus shipping).
SKU: ST.B949
ISBN 9780852499498.
I am grateful for the opportunity to introduce this new collection. The one-word title, Onward! is a call anyone can respond to, at any age. To quote Scottish singer Sir Harry Lauder, we can all 'keep right on to the end of the road'. Most of the hymns were written between 2012 and 2015, some of which are hymn-style versions of biblical psalms or significant portions of a psalm, or in response to a verse of scripture. Some older texts have also been included, paired here for the first time with recently crafted tunes.
This collection also includes a previously unpublished song I co-wrote with my wife, Susan Heafield, a United Methodist pastor and musician. Praise Partners, our joint musical venture, has released two collections: We Can Be Messengers (Ref PP001) and Tell the Good News! (Ref PP003), both distributed by Stainer & Bell.
Brian Wren
