Pathetique

Référence unique par son ISBN 9790043031079 cette partition musique de Gotkovsky Ida n'est autre que VARIATIONS PATHETIQUES qui a été composée pour Saxophone En Mib Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est GB3107. / Saxophone En Mib Et Piano / Partition

Ce recueil contient 15 chefs-d'oeuvre de Beethoven arrangées pour guitare solo en notation standard et tablature.Les modalités de ce livre ont été soigneusement écrit pour les guitaristes de niveau intermédiaire. Chaque solo combine mélodie et l'harmonie dans un agencement fingerpicking superbe. Le livre comprend également une introduction facile à la guitare fingerstyle de base.Parmi les chansons retrouvez: Bagatelle, Op. 119, #1 - Für Elise - Minuet in G Major - Piano Sonata #14 in C# Minor ('Moonlight?) Op. 27 #2 First Movement Theme - Ode to Joy - Piano Sonata #8, Op. 13 ('Pathetique?), 2nd Movement - Symphony #6 in F Major ('Pastoral?), First Movement Excerpt - Turkish March - Violin Concerto in D Major / Guitare

Voici une partition musicale pour Accordéon que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Sonate Op13 (Pathetique) Adagio Cantabile Accordeon Seul. C'est l'éditeur Leduc sous la référence AL23660 qui a les droits pour éditer cette partition. / Accordéon / Partition

Theme from Beethoven's Pathetique-Uses: General Lent Easter Scripture: John 1:29; I Corinthians 5:7 With its inspiration based on Beethoven's Pathetique sonata this worshipful declaration is perfect for the traditional/transitional church. The noble declarationcan also be used as a worship chorus with your congregation or praise team.

Complete orchestral score of Symphony No. 4 in F Minor, Op. 36. Symphony No. 5 in E Minor, Op. 64. Symphony No. 6 in B Minor, Pathetique, Op. 74.

This unique collection features a variety of hymns arranged as piano solos useful for accomplished church pianists performers or students. The infusion of classical styles into hymn arrangements brings a new sparkle to standard hymns which may have lost some of their luster through the years of use. Likewise the introduction of classical music into the worship milieu can infuse freshness into the liturgy. Titles include Abide with Me (in the setting of Beethoven’s Pathetique Sonata No. 8); Alas and Did My Savior Bleed (in the setting of Rachmaninoff’s Rhapsody on a Theme of Paganini 18th Variation); and a rare arrangement of Brightest and Best (in the general style of FranzSchubert).

Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra  and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'täckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory.  The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen  (1968-69) by Danish composer Per Nørgård – a modern classic in which Nørgård presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of Nørgård.  Nørgård in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”).  Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso