Piano Concerto [No. 9] in E flat major K. 271

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Classique / Partition / Wiro /

'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

This volume contains two of Beethoven's most loved and widely performed piano concertos printed in the traditional format for two pianos: Piano I is the solo part; Piano II a piano reduction of the orchestral score. Edited by Franz Kullak.

Les recueils de la collection Legendary Piano Series sont un véritable trésor, en édition limitée à 3000 exemplaires et numérotée !

Présentés dans une boîte d'un grand raffinement, leur couverture luxueuse est brodée en suèdine, aspect et toucher velours, tandis que le papier et la gravure sont eux-aussi d'une qualité remarquable.

Legendary Classical Solos est un ouvrage qui trouvera sa place dans les meilleures bibliothèques, invitant son possesseur à être joué, lu et relu pendant des années. / Variétés / Coffret Partition /

Relaxez-vous avec cette suite incroyable de notre meilleure vente "Classical Chillout", contenant 29 superbes morceaux légers au piano à jouer et à apprécier. / Classique / Partition /

Collection de 47 ?uvres de Tchaikovsky. Une sélection de symphonies, concertos, opéras, ballets et ?uvres pour piano. Partitions pour piano solo du niveau intermédiaire à celui d'avancé. / Classique / Partition /

24 ?uvres Classique spécialement arrangées pour piano facile. Inclus des indications et des conseils de jeu. / Classique / Partition /

Collection de 45 ?uvres de W.A.Mozart des symphonies aux concertos, en passant par les opéras et ?uvres pour piano. Partitions pour piano solo de niveau internmédiaire à avancé. / Classique / Partition /

Une superbe collection en trois volumes de plus de 100 classiques arrangés pour piano solo de niveau intermédiaire. Contient des musiques de film et des ballades de la collection Tunes You've Always Wanted To Play rassemblés ici dans une édition spéciale. / Partition /

Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the

Alfie Andante (Piano Concerto No.21 in C) [Mozart, Wolfgang Amadeus] Another Suitcase in another Hall (Evita) Anthem (From Chess) Barcarolle (The Tales Of Hoffmann) [Offenbach, Jacques] Big Spender (From Sweet Charity) Bring Him Home (Les Miserables) Can You Feel The Love Tonight (The Lion King) Can't Help Lovin' Dat Man (From Showboat) Desafinado Do You Know The Way To San Jose ? Fever From Here To Eternity Georgia On My Mind I Don't Know How To Love Him (From Jesus Christ Superstar) I Dreamed A Dream (From Les Miserables) Intermezzo In B Flat Minor Op.117 No.2 [Brahms, Johannes] Largo (Xerxes) [Handel, George Frideric] Let's Call The Whole Thing Off Love Changes Everything (From Aspects Of Love) Love Letters Lover Man (Oh Where Can You Be) March (Aida) [Verdi, Guiseppe] Monk's Mood More Than You Know Nessun Dorma (Turandot) [Puccini, Giacomo] Perdido Round Midnight Satin Doll Schindler's List (Theme) Second Movement ('pathetique' Sonata In C Minor Op.13) [Beethoven, Ludwig Van] Send In The Clowns (A Little Night Music) Smile Smoke Gets In Your Eyes Somewhere In Time Speak Softly Love Stormy Weather Strangers In The Night Summertime The Girl From Ipanema (Garota De Ipanema) The Music Of The Night (From The Phantom Of The Opera) The Nearness Of You The Young Prince And The Young Princess (Sheherazade) [Rimsky-korsakov, Nikolay] Theme (E.T.) Theme (Lawrence Of Arabia) Waltz (The Sleeping Beauty) [Tchaikovsky, Pyotr Ilyich] Where Do I Begin (From Love Story)