Piano, Le (Francese)

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence DF01576400, cette partition de Ravel Maurice a pour titre DON QUICHOTTE A DULCINEE POUR BARYTON ET PIANO. A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Musical Category : canto (o voce recit) e pianoforte per voce e pianoforte (mezzosoprano/baritono) testo cantato italiano, francese

This book contains nine pieces from ABRSM's Grade 7 Piano syllabus for 2019 and 2020 three pieces chosen from each of Lists A B and C. The pieces have been carefully selected to offer and attractive and varied range of styles creating a collection that provides an excellent source of repertoire to suite every performer. The book also contains helpful footnotes and for those preparing for exams useful syllabus information. Those preparing for exams will also require the ABRSM Piano Grade 7 Scales andArpeggios  book and may be interested in Specimen Sight-Reading Tests and Specimen Aural Tests to help with these practical tests in the exam. Piano Teachers will find ABRSM Teaching Notes a helpful resource with advice and ideas from ABRSM Examiners and experienced teachers covering repertoire from the whole syllabus.

Par PASQUINI BERNARDO. Langue: International (more than one language)/ Répertoire / Piano

Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad