Piano Literature - Book 4: Piano: Instrumental Album

Developing Artist Original Keyboard Classics-The Developing Artist: Piano Literature - Book 4 is a collection of authentic Keyboard literature for the late-intermediate level pianist.This book contains carefully selected repertoire from the Baroque Classical Romantic and Contemporary periods. Historical text on the major periods of music history is presented at the beginning of the book. The Developing Artist: Piano Literature - Book 4 offers a wealth of pieces to enrich Piano or Keyboard students' repertoire with works spanning all periods and styles. The pieces presented in this fabulous book have been compiled and edited by Nancy and Randall Faber.

The Contemporary Piano Literature series includes a selection of music written for children by Bartók Gretchaninov Kabalevsky Prokofiev Scott Shostakovich and Stravinsky. In addition the books contain pieces composed specifically for this series by Ross Lee Finney David Kraehenbuehl Douglas Moore Elie Siegmeister Alexandre Tansman and Alexander Tcherepnin. Short biographies and portraits help make composers come alive for the student. None of the music is so far in the vanguard that it is difficult to enjoy or understand.

Par SMITH GAIL. Cette collection pour piano comprend des arrangements moyennement difficiles. Morceaux de fonctionnalités de J.S. Bach, C.P.E. Bach, Pachelbel, Scarlatti, Grieg et autres. Une inclusion spécial dans ce volume est la deuxième section souvent omis de Solfeggietto de C.P.E. Bach, ' di Allegro molto. ' / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Piano

55 Selections from Symphonies Ballets Operas and Piano Literature for Piano Solo-Features 55 selections drawn from the rich 19th century Romantic literature. Composers included are Berlioz Brahms Bruckner Chopin Grieg Mahler Mendelssohn J. Strauss R. Strauss Schubert Schumann Tchaikovsky Wagner andothers. Great Romantic melodies are excerpted from symphonies ballets operas piano pieces and other concert works and presented as faithful transcriptions in new clean engravings. Includes capsule biographies of all of thecomposers represented.

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Supplementary repertoire compiled and edited by Jane Bastien to compliment the Bastien teaching books and give a broader knowledge of the piano through the ages.

Consists of carefully selected repertoire from the Baroque, Classical, Romantic, and Modern periods. Contents include: Sonatina in C Major, Op. 36, #1, by Clementi · Rondo for Four Hands, by Diabelli · Ballade, by Burgmuller · Spinning Song, by Ellmenreich · Avalanche, by Heller · Wild Rider, by Schumann · and many other selections. / Piano

Developing Artist Original Keyboard Classics. Par FABER NANCY. Sightread in style... classical style! Recommended for students at Level 3A-3B of Piano Adventures, the Developing Artist Piano Sightreading Book 1 features vignettes to develop patterns, rhythms, and styles based on the corresponding Literature Book 1 pieces. Play the sets before, during, or after learning the original keyboard classic piece, providing confidence, clarity, and connection. This title is also suitable as a stand-alone sightreading book at the appropriate level. / Date parution : 2023-07-31/ Etude / Piano

Keys for the Kingdom is a fully-graded piano pieces series designed especially for the Christian student. While learning the basic concepts of piano playing, the student is introduced to many styles of sacred music: the wealth of great hymnody, songs and psalms of the church, as well as great classics in piano literature that every student needs to excel in musical study. The multi-key, stylistically diverse series introduces basic concepts of rhythm, intervals, scales, chords, music theory, artistry and improvisation. Each method book establishes a gradual, steady pace for the developing student. Calling on decades of teaching experience, the authors have fashioned new ways of reaching proven concepts. Performance Book Level B includes 22 songs: Alleluia! Alleluia! · Blest Be the Tie That Binds · The Donkey · Jubilate Deo · O for a Thousand Tongues to Sing · Rise and Shine · Tears of David · Wedding at Cana · and more.