Matériel : Partition
Par HENSEL FANNY. Although best known as the sister of Felix Mendelssohn, Fanny Mendelssohn Hensel (1805-47) was a virtuoso pianist and a composer of considerable merit in her own right. Her oeuvre of more than 400 compositions remained largely unknown for more than a century after her untimely death, and her newly rediscovered reputation as a composer rests chiefly with her Piano music. This volume is the first American publication of her important early works. Reproduced directly from rare first editions, its contents include Vier Lieder für das Pianoforte, Op. 2, Op. 6, and Op. 8, in addition to two selections from Six Mélodies pour lePiano, Op. 4 and Op. 5./ Répertoire / Piano
SKU: CY.CC3046
ISBN 9790530110218. 8.5 x 11 in inches.
Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert. The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.
SKU: BR.CHB-5234-02
ISBN 9790004411537. 7.5 x 10.5 inches. German.
Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).
SKU: HL.394346
ISBN 9781705157688. UPC: 196288032410. 6.75x9.0x0.121 inches.
During her lifetime, Fanny Hensel was overshadowed by her brother Felix Mendelssohn Bartholdy, who was three years her junior, and for a long time she was regarded merely as an occasional composer. It was only when the Mendelssohn Bartholdy family's extensive collection of sheet music came into the possession of the Berlin State Library that the diversity of her compositional output became apparent: all together, Fanny Hensel wrote over 400 compositions, including piano pieces and especially songs, mostly for solo voice with piano accompaniment, but also many choral works, chamber music and some orchestral works. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
SKU: BR.CHB-5327-00
Choral music for all occasions in the original notational image, sorted by genres and themes
ISBN 9790004412572. 7.5 x 10.5 inches.
The enormous range of publications for mixed choir is published in the Choir Library in separate volumes for secular and sacred repertoire. The secular repertoire is divided into two volumes of unaccompanied choral music and one volume of works with instrumental accompaniment, mostly piano. The focus of the publishing house's program is on the Romantic era here. The majority of works was therefore composed by the great choral composers of this period: Johannes Brahms, Felix Mendelssohn Bartholdy and Robert Schumann. Later composers include Max Reger, Johann Nepomuk David and Kurt Thomas, but also Einojuhani Rautavaara and Siegfried Thiele. As female composers, Fanny Hensel and Clara Schumann are represented.We wish you lots of joy at discovering and singing!Volume 1 A cappellaI. Love SongsII. Seasonal SongsIII. Nature SongsIV. Songs of Jest and DancingV. Serious and Patriotic SongsVolume 2 A cappellaI. Morning SongsII. Evening SongsIII. Songs with a Sacred ContextIV. Tales and BalladsVolume 3 With accompanimentI. Love and Dancing SongsII. Nature SongsIII. Tales and Festive MusicIV. Evening SongsChoral music for all occasions in the original notational image, sorted by genres and themes. Let yourself be inspired by more of our Choir Libraries as well.
SKU: BR.CHB-5328-00
ISBN 9790004412589. 7.5 x 10.5 inches.
