Piano Sonatas 3Rd Sequence

Wissenschaftliche Gesamtausgabe, Kritischer Bericht, Reihe XVIII, Band 2. Par HAYDN JOSEPH. Critical Report / Friesenhagen, Andreas / Feder, Georg / Leisinger, / Répertoire / Piano (Edition Critique)

Facilement identifiable par son ISBN 9790201854823 cette pièce Piano Sonatas 2nd sequence appartient à la collection désormais incontournable Feder, Georg .Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / Edition Complète

Facilement identifiable par son ISBN 9790201854922 cette pièce Piano Sonatas 3rd sequence appartient à la collection désormais incontournable Feder, Georg .Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / 70 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Between the composition of the second and third piano sonatas (1912-1917), Prokofieff wrote a variety of works for a great diversity of instruments. Besides 'Visions Fugitives' these include the ballets 'Chout' and 'The Gambler', the Classical Symphony, the first Violin Concerto, the second Piano Concerto and various songs. This was an immensely productive period during which his obsession with percussive sounds coloured by polytonality was at its height (although the Classical Symphony is an obvious exception). 'Visions Fugitives' is generally less diatonically based than any of the piano sonatas although the style is perhaps closet to the harmonic quirkiness of the Fifth Sonata (1923).
Prokofieff's compositional process habitually involved the jotting down of musical ideas as they occured to him, to be combined later. The composer's form of spontaneous inspiration seems to have enabled him to produce, in 'Visions Fugitives', a set of self-contained miniatures, perfectly shaped and coherent, yet comprising a logical sequence when played as a whole.
The simplicity and transparency of the writing gives us an insight into the interpretation of Prokofieff's music generally. The study of his shorter works enables us to understand the importance of clarity and rhythmic discipline in the performance of the later ones. The necessity for these qualities is immediately apparent in 'Visions Fugitives'. / Arrangement : F.H. Schneider / Partition /

Le nouveau recueil de sonatines Vol. 1. Keep the old, but be generous with new. Fundamentally the editor of the New Sonatina Book has followed this principle. Therefore in the book are found sonatas for children which are almost 'classical', as well as other works which have long been used successfully in teaching the piano but which are not found in previous collections such as, for example, the Vienna Sonatinas of Mozart which acquired fame so quickly in the new Schott edition, the charming Spring Sonatina by Handrock, some melodious compositions of Theodor Kirchner, and as a contemporary work Gretchaninoff's Sonatina which has proved itself as a splendid display pieces for pupils' concerts. The collection is as far as possible arranged in order of difficulty, but as frequently different movements of a work demand different levels of technique, a completely logical sequence was not possible, particularly as the individual talent of the pupil plays an important part. In order to acquaint pupils with polyphonic music some easy pieces by Handel, Telemann, Krebs and Max Reger (Canons) have been included. / Répertoire d'Examen / Recueil / Piano