Piano Trio In G (First Edition)

Piano Trios-Mozart’s Piano Trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. Inparticular the autograph scores from the Library of the Jagiellonian University of Cracow which were not accessible for many years form the basis of this revision with its extensive commentary. On the occasion of this newedition Henle is proud to present a study edition of the Piano trios for the first time.

Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.

The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.

? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /

These Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of the Wind Divertimentos K 439b which Mozart wrote in 1783. The Divertimentos are notable for their conciseness of form and their melodic richness. They therefore make an excellent introduction to Mozart's piano music even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover some of the Trios have been exchanged and recapitulations have been shortenedin some instances. The original voice leading has been replaced by voice leading suitable to the piano. The 2oth_century editions by Rehberg (Schott) Rowley (Peters) and the old edition by Kapral (originally published by Universal Edition) are based on a Ricordi reprint edited by Muggelini in 1907; its musical text is unreliable and there are many arbitrary alterations. The present edition is therefore based on the first edition of the arrangement published by Artaria of Vienna in 1803. By comparing it with the score of the Divertimentos (Mozart Complete Edition Series XXIV No. 62 1905) and with the first edition of the parts it was possible to establish the precise articulation and dynamic markings and to add them where needed. For piano pupils simpler versions are suggested in footnotes as are possible executions of ornaments. Metronome markings have been provided by the editor; like the footnotes they should be taken only as suggestions.

Par MENDELSSOHN-BARTHOLDY FELIX. Full score for Violin, Cello and Piano of Felix Mendelssohn's Piano Trio No. 1 In D minor Op. 49 and Piano Trio No. 2 in C minor Op. 66. Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century ! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach, Mozart, and Beethoven. Like the other German composers of his generation, Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works, with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words./ Répertoire / 3 Pianos