Pick Up & Play

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitar-a.k.a., plectrum or flatpicking guitar-in both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitar's capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding.This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare Fingerpicking

It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse

Hot electric country Guitar licks bluegrass runs and lightning-quick acoustic flatpicking all require strong right-hand technique.In this thirty-minute DVD designed for acoustic and electric guitarists country Guitarmaster Joe Carr reveals his method for developing super fast and strong picking. Play-along exercises concentrate on alternating combination and consecutive down picking. Also featured are Chicken-Picking andCrosspicking.Long after you have learned the basic techniques of flatpicking presented here you will use this DVD as a great workout warm-up or exercise tool for developing right-hand power and control.

Alfred's Basic 5-String Banjo continues the Alfred Music tradition of easy-to-use, thorough, and enjoyable instruction for the absolute beginner. The basics of left- and right-hand picking are covered, including pinches, different kinds of rolls, and backup patterns. Basic left-hand techniques are introduced, including hammer-ons and slides, and chord diagrams are provided for both G-tuning and C-tuning. Important topics such as setting up the banjo, tuning, banjo heads, fingerpicks, strings, and capos are taught as well. Illustrations, diagrams, and photographs throughout the book make learning easy and fun. The accompanying CD includes 60 minutes of recordings performed by Dick Weissman that demonstrate all the exercises and songs in the book. Learning to play has never been more fun than with Alfred-s Basic 5-String Banjo -- the best choice for today's beginning banjo students. / Banjo

Par PENNANEN KEIJO. This book contains 21 original, melodic, song-like solo-guitar etudes which will infuse your playing with lyricism. The compositions are very approachable, containing highly melodic song forms with emotional and narrative content. All the material is written for the plectrum guitar but can also be played fingerstyle. In addition to the solo arrangements, ten of the compositions include a lead-sheet version (for duo or ensemble playing). The etudes are perfect for performance situations such as auditions, recitals, concerts and for enjoyment. Written in standard notation only. Includes access to online audio. The Mel Bay Achieving Guitar Artistry series is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed. / Niveau : Intermédiaire à Avancé / Jazz / Date parution : 2019-05-27/ Etude / Guitare Flatpicking et Fingerpicking

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking

Includes Ukulele-This beginning kit contains everything you need to get started playing everyone's favorite fun folk instrument ? the ukulele!? A high-quality four-string 12-fret ukulele made of linden with a birch fingerboard? Play Ukulele Today! method book/CD ? Play Ukulele Today! DVD The Play Ukulele Today! Level One method book includes over 75 songs and examples common chords and expressions picking andstrumming techniques and playing tips in standard notation and tablature. The CD includes 99 demonstration tracks to help you along the way. The DVD makes sure you're getting it all just right. Pick this pack up and you'll beplaying the uke in no time!

You are beginning to play the bass and would like to make progress while having fun and without delay' Then you are holding the right method in your hands! On the menu no less than 50 simple bass lines accessible to beginners and inspired by the greatest artists past and present: The Beatles AC/DC Bob Marley Deep Purple Eric Clapton Elvis Presley Police ZZ Top James Brown Jimi Hendrix Otis Redding U2 Led Zeppelin The Rolling Stones... In order to help you each bass line is preceded by an explanatory text detailing its technical rhythmical and theoretical aspects. Difficulty increases progressively throughout the pages. The Video DVD allows you to hear andmoreover to watch these 50 bass lines as they should be played giving you the opportunity to see the correct moves to pick the right fingers and to be rhythmically accurate! The mp3 CD contains as many tracks as bass lines that is 50 play-along tracks featuring two different tempos: the objective tempo (normal) and the practice tempo (slow). On the normal tempo track the bass plays over the first cycle and is mute hereafter to let you take the place! Lastly these tracks have a deliberately long duration (3 to 4 minutes each more than 7 hours of music then!) to give you time to practise in the best possible conditions. You are beginning to play the bass and would like to make progress while having fun and without delay' Then you are holding the right method in your hands! On the menu no less than 50 simple bass lines accessible to beginners and inspired by the greatest artists past and present: The Beatles AC/DC Bob Marley Deep Purple Eric Clapton Elvis Presley Police ZZ Top James Brown Jimi Hendrix Otis Redding U2 Led Zeppelin The Rolling Stones... In order to help you each bass line is preceded by an explanatory text detailing its technical rhythmical and theoretical aspects. Difficulty increases progressively throughout the pages.The Video DVD allows you to hear andmoreover to watch these 50 bass lines as they should be played giving you the opportunity to see the correct moves to pick the right fingers and to be rhythmically accurate! The mp3 CD contains as many tracks as bass lines that is 50 play-along tracks featuring two different tempos: the objective tempo (normal) and the practice tempo (slow).On the normal tempo track the bass plays over the first cycle and is mute hereafter to let you take the place! Lastly these tracks have a deliberately long duration (3 to 4 minutes each more than 7 hours of music then!) to give you time to practise in the best possible conditions.

Take control of your picking technique with this powerful series of exercises and practice regimens that will help all flatpick guitarists play with greater speed expressiveness and authority.Paul Mehling starts with the basics showing you how to hold your pick and maintain proper hand and arm positions for fluid playing whilst avoiding tension and fatigue. He then guides you through a series of chord and single string exercises to get your mind and hand working together. The exercises include:Strumming ad dampingScalesChromatic exercises'Speed blasts'ArpeggiosSweep pickingThis universal set of lessons has something to offer anyplectrum guitarist whatever your taste or style!

Over 190 licks and picking patterns at your fingertips for the 5-string banjo! Quickly and easily select picking patterns by chord to substitute in songs you already play or combine patterns of your choice to create your ownarrangements. The licks are organized and grouped by type use and by chord for on the spot improvising arranging and for changing a song you already know to make it 'yours!' This easy to follow Picking Patterns Chartincludes: traditional bluegrass licks and popular variations roll patterns and variations melodic style patterns common up the neck licks back up licks and moveable patterns for any chord 'famous' patterns by chord licksidentified from songs moveable patterns by shape licks for specific chords pick up notes to begin a song and popular endings. This easy to follow layout is organized for study as well. Students who follow this chart inorder from the first lick to the last will find that it also teaches 'lick' theory as it pertains to the identification development and applications of licks in a brief easy to understand method. A suggested exercise on howto improvise completes the chart. This chart fills a gap in understanding and applying banjo licks for all level players. It builds on the knowledge base of 5-string banjo students with an easy to follow layout by patterntype and technique. . . AND is fun and easy to use! For all levels especially the intermediate player Standard G tuning Key of G.

Près de 60 classiques du jazz dans la notation EZ Play célèbre. / Ligne De Mélodie

Par CARR JOE. This book helps guitarists who are currently stuck playing simple melodies develop fiddle-tune-like solos to bluegrass songs and tunes. Thirteen songs are presented in both a simple 'Carter-style' melody-based arrangement followed by a more 'fleshed out' fiddle-style arrangement. Using the licks and concepts presented here, guitarists can develop their own unique solos to popular songs. 'Angeline the Baker' is presented in a special four-part arrangement that details how to take a simple quarter-note-type melody and develop it into a full eighth-note-based flatpicking solo. Includes access to online audio. / Niveau : Facile / Etude / Guitare Fingerpicking