SKU: HL.14040809
French.
SKU: FZ.5849
ISBN 9790230658492. 22.00 x 31.00 cm inches.
These original publications of Couperin, Corrette, Boismortier, Duphly and Bach are in facsimile on Fac-similes et Enseignement collection. Couperin Francois : L'art de toucher le clavecin. Paris, 1717. Allemande. Couperin Francois : Quatrieme livre de pieces de clavecin. Paris, 1730. Menuets croises. Corrette Michel : Premier livre de pieces de clavecin. Paris, 1734. - Manuscrit, s. d. Les Giboulees de Mars. Boismortier Joseph Bodin de : Quatre suites de pieces de clavecin. Paris, 1736. La Rustique. Duphly Jacques : Pieces de clavecin, quatrieme livre. Paris, 1768. La Du Buq. Bach Carl Philipp Emmanuel : Kurze und leichte clavierstucke. Berlin, c. 1766. Allegro. Fantasia. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Emer buckley for harpsichord. Facsimile of copies from: - National Library of Paris (France). - Inguimbertine Library of Carpentras (France). - Zentralbibliothek of Zurich (Switzerland). - osterreichische Nationalbibliothek of Wien (Austria). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.48188422
UPC: 888680948566. 9.0x12.0x0.787 inches. French.
â??This edition of Harpsichord Music features the three volumes composed by Jean-Philippe Rameau: ?Livre de Piece de clavecin?, ?Pieces de Clavessin? and ?Nouvelle suite de Pieces de clavecin?. The second and third volumes are divided into 2 parts each and the whole book has a total duration of 2 hours and 10 minutes (22 minutes for the first book, 52 and 53 minutes for the following ones). For upper intermediate and above level. Harpsichord Music has a baroque style, as most of the music byJean-Philippe Rameau (1683-1764) who was one of the most famous composers of that era. He replaced Lully' as the main composer of the Opera.â?.
SKU: HL.48188259
UPC: 888680906825. 0.258 inches. French.
Lessons fot the Clavecin (pieces de clavecin) (lp49). Par Jones aux editions Leduc. Partition / Livre de chansons pour Clavecin.
SKU: HL.48188505
UPC: 888680907907. 9.0x12.0x0.329 inches. French.
Pieces de clavecin (lp67). Par Hashimoto aux editions Leduc. Partition / Livre de chansons pour Clavecin.
SKU: BT.ALHE32649
Duphly's Harpsichord Pieces is in two volumes and the compilation remains a favourite in the Harpsichord repertoire. Jacques Duphly (1715-1789) studied the Harpsichord and Organ as a boy, becoming a virtuoso of both instruments.Comprising Gavottes, Menuets, and other works, this second volume of La Pupite's collection of Duphly's Harpsichord Pieces,, exemplifies the composer's skills on the Harpsichord. The second volume of Harpsichord Pieces alsohelpfully contains a table of ornaments, demonstrating how each should be performed. Duphly's Harpsichord Pieces is essential to the repertoire of aspiring players of the instrument.
SKU: BT.ALHE32440
English.
Jean-He nri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore, the collection of his works, Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieveorchestral sonority. Moreover, d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significant composers. The first volume of Pieces for Harpsichord comprises fourHarpsichord Suites composed by d'Anglebert, each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore, the three unmeasured preludes included in Suites one, two and three aretruly remarkable examples of their kind. With a descriptive preface in French, English and German, volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.
SKU: BT.ALHE33874
Richard Siegel won prizes for the Harpsichord and Chamber Music at the Paris Conservatoire before going on the win first prize in the 1977 International Harpsichord Competition. He has since recorded over 30 CDs and his passionfor the instrument has been further apparent in his production of Apprendre Toucher le Clavecin. As stated in the preface, the study of the Harpsichord has long been reserved, frequently dismissed as an 'old-fashioned'instrument . However, a recent rise in the popularity of early music has rekindled interest in the Harpsichord. In Apprendre Toucher le Clavecin, volume 1 being the first of two helpful volumes to aid student's learning andprogression, Siegel enables Harpsichord beginners to learn through repertoire pieces themselves, drawn from the Keyboard masters of the Baroque period. The pupil will be guided towards an understanding of technique and stylesuited to the Harpsichord. Furthermore, Apprendre Toucher le Clavecin, which is accompanied by a CD, enables adults who learnt the instrument as a child to return to the instrument and have the instant feeling of making music.
SKU: BA.BA10845
ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.
‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)Bärenrei ter presents Book II of Couperin’s “Pièces de clavecinâ€, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin†are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48188013
UPC: 888680908263. 9.0x12.0x0.499 inches.
The first volume of Couperin's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. Francois Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his first volume of Pieces for Harpsichord include, Les Papillons (The Butterflies), L'Enchanteresse (The Enchanting) and Les Plaisirs de Saint Germain en Laye (The Pleasures of Saint Germain en Laye). Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument..
