5 Pieces A Quatre

SKU: HL.48181341

UPC: 888680867775. 9.0x12.0x0.075 inches.

“Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer, Bitsch has composed orchestral works, chamber works and numerous pieces and studies for wind instruments. Four Variations on a Theme by Domenico Scarlatti is a significant addition to the Trumpet and Cornet repertoire. Suited to advanced level trumpeters and cornetists, Bitsch's Four Variations on a Theme by Domenico Scarlatti includes a variety of technical aspects as well as sublime musicality. In his latter years, Bitsch dedicated himself to the analysis of music by the Baroque masters. It is clear that his inspiration for Four Variations on a Theme by Domenico Scarlatti comes from his passion for and interest in the era. The variety of this exciting Bitsch piece is outstanding, creating a necessary, inspiring addition to the Trumpet and Cornet repertoire.”.

SKU: HL.48183224

UPC: 888680876876. 9.0x12.0x0.125 inches.

Michel Cals (b. 1951) composed his Four Inventions for Percussion and Piano to be played in a competition at Paris Conservatoire. As an unusual, contemporary addition to the Percussion repertoire, this Cals piece is a must-play for percussionists wishing to broaden their style. The four pieces bear the name of their instrumentation; 1. Accessories and Vibraphone, 2. Xylo-Marimba, 3. Snare Drum and Drum Kit, and 4. Five Timpani. Exploiting Percussion to its full potential, Cals' Four Inventions is essential to the repertoire of advanced percussionists..

SKU: AP.36-M291191

UPC: 660355183751. English.

Clara Schumann (1819-1896), then Clara Wieck, wrote this collection of Four Characteristic Pieces (Qautre Pièces Caractéristiques), Op. 5 in 1835-1836, when she 16 or 17 years old. Op. 5 was performed frequently by the young Clara in concert, along with Op. 6 and Op. 7. Frederic Chopin particularly was enchanted and enthusiastic about Op. 5, prompting him to leave with a score after hearing it. Movements: 1. Impromptu: Le Sabbat, 2. Caprice à la Boléro, 3. Romance, 4. Scene Fantastique: Le Ballet des Revenants.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.48184244

UPC: 888680859824. 9.0x12.0x0.106 inches.

1.Cot, cot, cot; 2.Gymnopedie; 3.Dialogue champetre; 4.Pendant l'Angelus; 5.Melancolie; 6.Phrygienne; 7.Tritons; 8.La Belle au Rossignol; 9.Promenade; 10.Complainte; 11.Marche des quatre Mandarines; 12.Hora Lunga.

SKU: HL.48182029

UPC: 888680847050. 9.0x12.0x0.18 inches.

For 4 trombones.

SKU: AP.36-M390091

UPC: 660355086731. English.

Written in 1840 shortly after Clara Schumann's (1819-1896) marriage to Robert Schumann, Quatre pièces fugitives (Four Fugitive Pieces) are short character works, each with its own distinct mood. Called fugitive, Schumann makes clear that this introspective music is freer, with fewer conventional restrictions found in earlier eras. Movements: I. Larghetto, II. Un poco agitato, III. Andante espressivo, and IV. Scherzo.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: FZ.5849

ISBN 9790230658492. 22.00 x 31.00 cm inches.

These original publications of Couperin, Corrette, Boismortier, Duphly and Bach are in facsimile on Fac-similes et Enseignement collection. Couperin Francois : L'art de toucher le clavecin. Paris, 1717. Allemande. Couperin Francois : Quatrieme livre de pieces de clavecin. Paris, 1730. Menuets croises. Corrette Michel : Premier livre de pieces de clavecin. Paris, 1734. - Manuscrit, s. d. Les Giboulees de Mars. Boismortier Joseph Bodin de : Quatre suites de pieces de clavecin. Paris, 1736. La Rustique. Duphly Jacques : Pieces de clavecin, quatrieme livre. Paris, 1768. La Du Buq. Bach Carl Philipp Emmanuel : Kurze und leichte clavierstucke. Berlin, c. 1766. Allegro. Fantasia. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Emer buckley for harpsichord. Facsimile of copies from: - National Library of Paris (France). - Inguimbertine Library of Carpentras (France). - Zentralbibliothek of Zurich (Switzerland). - osterreichische Nationalbibliothek of Wien (Austria). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: AY.PN3099PM

ISBN 9790543573550.

This four pieces group can be considered as a study of style. Somehow, one wonders the capacity to assimilate some musical languages that that appeared at the beginning of the XX century, in a very permissive tone concept. The music in each of them is explicit enough to expose this purpose. Stravinski should be, then, understood as an approach to the personal features of Stavinski and polytonality from an ironic and portrait perspective. The Nocturne is inspired on the spirit of the pieces of the Mikrokosmos of Bartok, at the same time that counts on the poetical contributions of the composer John Field for his contributions to the nocturne pianist genre. The Song for Anna seeks protection in the bright and transparent harmonies of Ravel, and the popular song Au claire de la lune is developed in a pentatonical scale and reminds of the harmonical treatment.

SKU: HL.48183361

UPC: 888680868796. 6.0x8.0x0.08 inches.

1.Choral pour Quatre; 2.Gay; 3.Air; 4.Imprevu; 5.Dodoremi; 6.Final.

SKU: BT.EMBZ14499

English-German-Hungari an.

Of this series of twenty-four études planned by Liszt only twelve were actually written, but the contemporary printed editions of the completed pieces (in the hope of a continuation) appeared with the series title '24 grandes études'. By publishing these 12 concert studies it makes the earlier and technically more difficult version of the Transcendental Studies available for the first time since 1911 for study by performers and those engaged in music research. Contrary to the 1911 edition among the volumes of the first complete Liszt edition, NLE will publish also the text variants of some studies, an album leaf in F sharp major in facsimile and in transcription considered asthe 13th study planned by Liszt for the series, and the earlier versions of so-called Mazeppa and Ab irato studies. In the volume will be published the puzzling album leaf, the so-called 'Prélude omnitonique' and some similar album leaves, too.

Von den 24 Etüden dieser Serie, die Liszt ursprünglich geplant hatte, wurden tatsächlich nur 12 fertig, die zeitgenössischen gedruckten Ausgaben erschienen in der Hoffnung auf eine Fortsetzung dennoch unter dem Serientitel ‚24 große Etüden'. Mit der Veröffentlichung dieser zwölf Konzertetüden wird die frühere und technisch schwierigere Version der Transzendenten Etüden seit 1911 erstmalig für die Interpreten und Forscher zugänglich. Im Gegensatz zur 1911 als Band der ersten Liszt-Gesamtausgabe erschienenen Ausgabe werden in der NLA auch die Textversionen mancher Etüden publiziert, ebenso wie das Fis-Dur Albumblatt (als Faksimile und moderne Transkription), welches auch alsSkizze der geplanten dreizehnten Etüde angesehen werden kann, außerdem die früheren Versionen der sog. Mazeppa- und Ab irato-Etüden. Auch das geheimnisvolle Albumblatt, das sog. ‚Prélude omnitonique' wurde, ebenso wie weitere ähnliche Albumblätter in diesen Band aufgenommen.

Des 24 études prévues initialement, seules 12 furent terminées, mais elles furent toutefois éditées sous le nom initial de 24 Grandes Études. Cette édition contient également des textes et de nombreuses autres pièces tels que des esquisses, des études de perfectionnement et des versions antérieures de la Mazeppa.