Matériel : Partition
Par WEBERN ANTON. / Répertoire / Divers
SKU: AP.36-A932301
ISBN 9781638879435. UPC: 735816461621. English.
Similar to Anton Webern's (1883-1945) Bagatelles in it's use of twelve tones and brevity, Fünf Stücke (Five Pieces) is composed of five short pieces for chamber orchestra written between 1911 and 1913. Webern conducted the premiere in Zurich in 1926. Inspired by Mahler, Webern included harmonium, mandolin, guitar, celesta, bells and cowbells to this small orchestration. 1dPicc.1.1(dBcl)+Eb Cl.0: 1.1.1.0: Perc(4).Hrmm.Clst.Mdln.Gt r.Hp: Str(1.0.1.1.1).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A932390
UPC: 735816365882. English.
Similar to Anton Webern's (1883-1945) Bagatelles in it's use of twelve tones and brevity, Funf Stucke (Five Pieces) is composed of five short pieces for chamber orchestra written between 1911 and 1913. Webern conducted the premiere in Zurich in 1926. Inspired by Mahler, Webern included harmonium, mandolin, guitar, celesta, bells and cowbells to this small orchestration. 1dPicc.1.1(dBcl)+Eb Cl.0: 1.1.1.0: Perc(4).Hrmm.Clst.Mdln.Gt r.Hp: Str(1.0.1.1.1).
SKU: TM.13923SET
Soli in set.
SKU: TM.13923SC
SKU: HL.48025021
The piano works by the Swiss composer Erich Schmid (1907-2000), written between 1926 and 1943, are close to the Viennese School of Arnold Schoenberg and Anton Webern, but bring their own special colour to this spectrum. Even where they are twelve-tonal, Schmid's piano pieces do not exhaust themselves in strict constructivism, but often have a playful, motoric side. With their manageable rangeand complexity, they provide a comparatively easy access to a style that was formative in the first half of the 20th century. Splitter (Volume 2), a collection of folk song arrangements and character pieces in a freely tonal style, is particularly easy to play. Schmid's first collection Kleine Musik (Volume 1) can also be mastered by amateurs.
