SKU: LO.99-3108L
UPC: 000308133554.
In this powerful offering from Mark Hayes, we journey with Christ through Holy Week, experiencing momentous events that changed history for all of humankind. Mark's distinctive compositional voice adds to the drama of the work. Masterful arrangements of Twila Paris's Lamb of God and Keith Getty and Stuart Townend's The Power of the Cross, along with an unforgettable mezzo soprano solo inspired by Michelangelo's Pieta, contribute to a truly compelling work for Easter worship. This work may be performed during Holy Week by excluding the final movement or in its entirety for Easter and Eastertide. The beautiful piano accompaniment reflects Mark's keyboard artistry, and his masterful orchestration offers an added dimension to the drama. The Power of the Cross provides an artful and poignant reminder of Christ's sacrifice of love, His triumph over death, and His promise of redemption for us all.
SKU: CA.323620
ISBN 9790007178307. Key: D minor. Language: German. Text: Rilke, Rainer Maria. Text: Rainer Maria Rilke.
SKU: LO.99-3106L
UPC: 000308133547.
SKU: BT.SCHBB5000757
High Voice, Piano (Italian, German). Haendel, Gf.
SKU: CF.O5675
ISBN 9781491149010. UPC: 680160906512. 9 x 12 inches.
Martin Bresnick's Si del cammino e si della pietate (Of the Journey and of the Pity) for Large Carillon was commissioned by the Yale University Guild of Carillonneurs for the 50th Anniversary of the Yale Memorial Carillon. The piece gets its name from Dante's Inferno, Canto II which reads: The day was departing, and the darkening air relieved the spirits of the earth from their labors; and I, myself, alone prepared to undergo the struggle of the journey and of the pity involved, that my memory, unerring, will retrace. Oh Muse, oh high genius, help now.
SKU: TM.14741SET
Act I No. 8. Scene and Duet. Sc pg Vol II 353-411. Also includes: S'ei t'abborre; Ah, per pieta. 360 measures.
SKU: TM.03036SET
Key of C. Aria = Per pieta, non dirmi addio.
SKU: FV.FUE-10339
ISBN 9790501826391.
The piece was composed for Stefan Barcsay’s project On the Way to Pietà.
SKU: TM.03206SET
No. 25. Recit: Ei parte senti. Rondo: Per piera. Sung by Fiordilligi. Sc pg 300-311.
SKU: TM.14403SC
Act IV (Part I). This is the Original opera edition (with Eboli and Elsabetta). See #02089 for arrangement for Eboli (Mezzo) only. First words: Pieta! Perdon! per la rea che si pente.
SKU: CA.4000405
ISBN 9790007057374. Key: E minor. Language: Latin/English.
The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score available separately - see item CA.4000400.
SKU: HL.50603330
ISBN 9788881920501. UPC: 840126918977. 8.0x10.75x0.266 inches.
This volume presents the vocal score of Vivaldis Magnificat RV 610/611 for soloists, choir, winds, strings and continuo, based on the critical edition by Michael Talbot. Probably meant for a performance at the Pieta, Vivaldi, after its first 1715 version, returned on it in two occasions at least: at the end of the 1720s and of the 1730s. The Magnificat, in its time, was considered as Vivaldi's most celebrated piece.
