Piu forte Vol. 2

SKU: FZ.5803

ISBN 9790230658034. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Jean-Chretien BACH et Francesco-Pasquale RICCI - Antoine BEMETZRIEDER - Felix-Louis DESPREAUX - C. DREUX - Francois-Guillaume DUCRAY-DUMINIL - Encyclopedie methodique - Joseph NONOT - Francesco-Pasquale RICCI - Jean-Francois TAPRAY - Bernard VIGUERIE - Frederic THIEME. Table of contents: Despreaux Felix-Louis: Cours d'education de clavecin ou pianoforte - 1783. Bach Jean-Chretien et Ricci Francesco-Pasquale: Methode ou recueil de connoissances - 1786. Ricci Francesco-Pasquale: Recueil de connoissances elementaires - s. d. n. l. Ducray-Duminil Francois-Guillaume: Clavier et gamme de clavecin ou pianoforte - 1788. Encyclopedie methodique (edition de Panckouche) - 1788. Tapray Jean-Francois: Premiers elements du clavecin ou du piano - 1789. Bemetzreider Antoine: Nouvelles lecons de clavecin ou pianoforte - c. 1796. Viguerie Bernard: L'art de toucher le piano-forte - c. 1796. Dreux C. : Principe du clavecin ou du piano-forte - 1796. Thieme Frederic: Principes abreges de musique pratique pour le fortepiano - 1796. Nonot Joseph: Lecons methodiques de clavecin ou de forte piano - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the fortepiano.

SKU: FZ.5804

ISBN 9790230658041. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Louis ADAM et Ludwig-Wensel LACHNITZ - Ignace PLEYEL et Johann-Ludwig DUSSEK. Table of contents: Pleyel Ignace et Dussek Johann-Ludwig: Methode pour le pianoforte - 1797. Adam Louis et Lachnitz Ludwig-Wensel: Methode ou principe general du doigte (premiere partie de la reedition de 1801). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the fortepiano.

SKU: LM.PB1232

ISBN 3137990012328.

Aime r - Couleur menthe a l'eau - Elisa - Forteresse - Hijo de la luna - Il y a trop de gens qui t'aiment - La Banana - La Boheme - Ma preference - Marina - Petit bonhomme en mousse - Que reste-t-il de nos amours ? - Sous les ponts de Paris - Un Homme heureux - Une ile.

SKU: BT.MSC5007

Dutch.

Deel 7 van Piano Forte! voert je langs bijzondere composities en arrangementen met een uitdagend niveau. Een ontdekkingsreis vol verrassende technieken en bijzondere maatsoorten. Compositievormen en speeltechnieken als contrapunt en quatre-mains laten je weer een andere muzikale wereld zien. Geen saaie kost. Boogie-woogie, rock, pianoballads en swing zijn een paar stijlen die je kunt verwachten en je ongetwijfeld veel plezier zullen bezorgen. Maar je leert ook begeleidingen die je nodig hebt wanneer je pianocomposities van bijvoorbeeld Einaudi en Tiersen wilt spelen. Piano Forte! is te gebruiken op zowel akoestische als moderne elektronische piano's.

SKU: BT.VOLMB663

ISBN 9788863886634. Italian.

I più famosi brani natalizi da suonare al pianoforte o alla tastiera, a prima vista e... tutto d’un fiato! La facilit d’esecuzione di queste partiture potr offrire stimoli concreti e immediati a coloro che da poco hanno cominciato a studiare ilpianoforte o a chi in breve tempo e senza troppa fatica vuole ricreare alla tastiera delle magiche atmosfere natalizie.

SKU: BT.DHP-1145565-010

English-German-French- Dutch.

High Voltage is an especially energetic composition in the big band style. The blaring brass and the ornate interplay of the woodwinds lend this work great character and conviction. In the second half of the piece two solos are played: firstlythe tenor saxophone (alternatively alto saxophone), followed by a virtuoso variation in the trombone (alternatively baritone euphonium).

Hig h Voltage is een energieke compositie in bigbandstijl. De schittering van het koper en het kunstige spel in het hout geven dit dynamische werk veel karakter en overtuigingskracht. Halverwege het werk worden er twee solo’s gespeeld: eerst isde tenorsaxofoon (of altsaxofoon) aan de beurt, waarna er een virtuoze variatie in de trombone (of bariton/euphonium) volgt.

High Voltage ist eine ganz besonders energiereiche Komposition im Bigband-Stil. Schmetterndes Blech und kunstvolles Spiel der Holzbläser verleihen diesem dynamischen Werk viel Charakter und Überzeugungskraft. Nach der Hälfte des Werkes werdenzwei Soli gespielt: Zuerst ist das Tenorsaxophon (alternativ Altsaxophon) an der Reihe, gefolgt von einer virtuosen Variation in der Posaune (alternativ Bariton-Euphonium).
High Voltage est écrite dans le style jazz la manière dune œuvre pour Big Band. Énergique gr ce son tempo swinguant, on pourra entendre l´éclat des cuivres et l’habileté des bois dans cette pièce dynamique, pleine de caractère et dedétermination. Au centre de la composition, deux chorus écrits sont interprétés par le saxophone ténor puis le trombone, dans une variation exprimant virtuosité et fluidité.

Hi gh Voltage è un brano scritto nello stile jazz, simile alla scrittura che caratterizza un brano per big band. Energico grazie al suo tempo molto swing, si contraddistingue per l’importante ruolo rivestito dagli ottoni e l’abilit dei legni.Un brano dinamico, di forte personalit . Al centro della composizione, due assoli scritti sono interpretati dal sax tenore ed in seguito dal trombone, in una variazione piena di virtuosit .

SKU: BT.EMBZ20004A

English-German-Hungari an.

Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.

SKU: BT.SINF250

ISBN 9788884001641. Italian.

Metodo didattico per i primi anni di studio Percorso didattico piacevole e completo per approfondire la tecnica dello strumento. Studi graduali e caratteristici che spaziano tra stili ed epoche diverse.

SKU: FZ.1279

ISBN 9790230612791. 24.00 x 33.00 cm inches.

This facsimile of an original by Etienne-Nicolas Mehul is part of our Dominantes collection. Three sonatas for harpsichord or fortepiano, Opus I - Edition : Paris, Jouve, s. d. (=1783). Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2 - Editions : Paris, Le Duc, s. d. (=1788). Two volumes: piano part of opus I and II - preface and violin part of opus II. Preface by Joel Pontet: The keyboard sonatas of E. N. Mehul - a precocious talent - remarks on performance (choice of instrument and indications of nuances - articulations - ornaments). The preface sets out the essential points for performance of these youthful works. Editions originales of 1783 and 1788, preserved at the library national of Paris. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: KN.SN70002S

UPC: 822795700022.

The lines of this arrangement are divided contrapuntally into two sections -- trumpets/altos and trombones/tenors. These lines should be played in a relaxed fashion at a mezzo forte volume, with short quarter notes throughout. At the ensemble chorus at measure 69, strive for good balance and a very full, well-supported sound.