Matériel : Partition + CD
With Your Own Concert Band on CD-This book contains the lead wind and brass parts for 16 popular pieces from the concert band repertoire. The play-along CD contains concertband performances with the clarinet part missing from the recording.Includes: Earth Song (Michael Jackson) The Second Waltz(Shostakovich) Gabriel s Oboe (Ennio Morricone). Abba Gold CanYou Feel the Love Tonight (Elton John) and many more.
SKU: IS.FP7396EM
ISBN 9790365073962.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: HL.48182268
UPC: 888680839277. 9.0x12.25x0.099 inches.
â€Smal l Suite for Flute and Piano is a piece written for the Paris Conservatoire contest by Pierre Petit. Really melodious, it lasts eight minutes and is divided into three distinct movements. The first part, ?Gai et allant? is quite fast and has to be played joyfully. It uses the whole range of the instrument with some really high notes and includes a Cadenza. The second part, ?Lent et très chanté?, is slower, slightly lower in range and really melodious. It is quite short compared to the other parts. The third and final movement has the same kind of range as the first one. Fast, it features a part to be played at Marzuka tempo and one to be played at the same tempo than the beginning. The piece ends on a really high trill. Small Suite is really enjoyable to play and to listen to. It however requires some strong skills in terms of technique and sonority that would be acquired by advanced players: the difficulty is therefore rated at 7.“.
SKU: BA.BA04598-74
ISBN 9790006451500. 32.5 x 25.5 cm inches. Key: C major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through