Play the Violin!

Spillerum-Preface / Programme NoteThe title is meant to suggest something playful even childlike but also something challenging and competitive. All these elements are part of sports games and playing and playing music.Even if the mostly straightforward melodic patterns resemble the melos’ of children’s jingles and chants substantial technical and musical demands will be made on the violin player during the six to seven minutes of musical play.PLAYGROUND was commissioned by The 8th Carl Nielsen International Violin Competition taking place in Odense May/June 2008.Per Nørgård

1. Violin 2. Violin (Viola) Violoncello-The Sassmannshaus ?Early Start? string methods cultivate playing together as early as possible initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this.The first songs can all be performed in canon; each piece is notated in violin viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fux. Here the middle part may optionally be performed by a viola or second violin.Firststeps in string ensemble playingFor violin viola and cello or for two violins and celloIncludes many canons

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

Par KEYSER PAUL DE. Violin Playtime Duets - Violin Duet by de Keyser Really easy duets for young violinists, written, selected and edited by Paul de Keyser Violin Playtime Duets is a versatile anthology of duets for young players, suitable either for a pupil to play with a teacher (deal for situations where no piano is available), or for two plays of similar ability. Paul de Keyser's unusual and stimulating selection of material ranges from classics of the 17th and 18th centuries to folk tunes from Eastern and Western Europe. Teachers will welcome this volume as a useful adjunct to Violin Playtime Books 1-3/ Recueil / 2 Violons

Vol. 2 Guide For The Serious Player-This book is a follow-up to 'Irish Fiddle Playing: A Guide for the Serious Player' (MB99402BCD). The student will gain a deeper knowledge of Fiddle playing and improve their overall playing and musical understanding. Subjectsinclude:ImprovisationFingering and bowing techniquesPlaying with other musiciansModesConverting from classical to traditionalImprovising in songsThe player willbecome more aware of the mechanics of playing the Fiddle putting them in a position to:Improve their soundDevelop their own stylePlay more effectively and confidently with othersAs with thefirst book in the series it contains pieces of advice from the author's 25 years of playing music. The format of the book is similar to this first book. Section 1 deals with various aspects of Fiddle playing. Section 2 contains aselection of mostly well-known tunes fully transcribed with variations embellishments/ornaments. These tunes are all included on the accompanying recording. Includes access to online audio.

Now it's easy for violin players to learn cool songs! This book can be used on its own or as a supplement to the Play Violin Today! method book (HL00699748). It contains 10 rock and pop favorites plus a professional-quality CD with full-band backing tracks! The CD is also enhanced so that in addition to working on any CD player Mac and PC users can use it in their computers to adjust the recording to any tempo without changing the pitch!

14 solos or duets for the beginner violinist-A fun book for beginner violinists which concentrates on both aspects of violin playing - pizzicato and bowing. The volume can be used as a solo or a duet book and combines both techniques in an imaginative and enjoyable way.

This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. Suzuki Violin Volume 1 serves as the violin 1 part. The pieces can be played with or without piano accompaniment, which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. A CD is available containing all of the trio arrangements. All of the parts were purposely kept as simple as possible. A table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books.

Discovering Violin Book and CD is a revolutionary approach towards learning how to play the violin by Danielle Cummins. This Complete (96 pg) Method is designed to teach a beginning violinist proper technique in a logically progressive manner. The sole objective is to encourage students to develop a passion for music. We have included an instructional performance CD to make practicing fun, rewarding and productive. Each piece is designed to take a student on an inspirational journey by discovering the beauty of music and its purpose. This adventure in learning will benefit both the student and teacher.IntroductionGet ready to begin an exciting adventure. Experience the incredible satisfaction of learning how to play the violin. Begin to see the world from a whole new perspective, the world of musical sound. Gain new skills which will provide the ability to communicate through both visible and invisible means. This is the joy of musical sound.To follow are a few suggestions to make your musical journey both meaningful and enjoyable:Playing violin is a rewarding process that requires diligence, perseverance, creativity and humility.Music is a mirror of beauty, truth, knowledge and imagination.A gradual step by step process is the best approach towards achieving excellence.Practice sessions must occur on a regular basis and follow a daily disciplined schedule.Practice sessions do not need to be long and tedious - they just need to be consistent with focus.Don't be afraid to leave something for tomorrow. The anticipation towards the next day's workout is as beneficial as the work itself. The ultimate goal is to aim for just a little progress each and every day.Be sensitive towards your physical limitations as everyone's tolerance is a bit different. Pay close attention to your body and know when to take a break, preferably before your muscles become sore.Remain as relaxed as possible whenever playing and remember to always breathe naturally.Be generous when playing for an audience and cherish the ability to share the gift of music to all. / Violon

The Bluegrass Violin-El Violin en el Bluegrass. The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a charming and informative account of the musical phenomenon we call bluegrass. Originally a quirky supercharged folk music played by about ten people, bluegrass music, with its Mozart-like formality and ferocious rhythmic zest, now describes an extended international family of related string band styles. Master fiddler Oriol and bluegrass banjoist Lluís, both acclaimed educators, present both the wide view and crucial details about this music in a clear, personable manner. Bravo! Includes access to online audio. El dúo formado por Oriol Saña y Lluís Gómez, siempre tan activos, se ha puesto manos a la obra una vez más para producir esta brillante obra, amena a la vez que informativa, sobre el fenómeno musical que llamamos bluegrass. En sus inicios, era un estilo folk muy rebuscado y minoritario, pero esa formalidad digna de Mozart y ese ritmo frenético tan característico han conseguido que actualmente abarque una gran familia de estilos musicales en distintos países. El maestro violinista Oriol y el banjista de bluegrass Lluís, ambos reconocidos profesores, presentan una visión amplia y a la vez detallada sobre esta música, aportando tanto claridad como su punto de vista personal. ¡Bravo! Incluye acceso a audio en línea.