Plenty Good Room

The energy and excitement of two favorite spirituals fill the pages of this toe-tapping new offering from the creative mind of Craig Curry. 'Welcome Table' is blended with 'Plenty Good Room' resulting in a pull-out-the-stops gospel celebration! / Choeur Mixte (SATB)

Thirty musical arrangements by noted African-American tenor recall biblical events in such well-known tunes as Deep River Dry Bones Steal Away and Were You There' Perceptively written introduction to each song includes background history. Rich collection will appeal to lovers of great spirituals and the rich legacy of African-American song.Reprint of My Songs: Aframerican Religious Folk Songs Arranged and Interpreted by Roland Hayes Little Brown and Company Boston 1948.

Moses Hogan's arrangement of a traditional spiritual song commissioned by The Phi Mu Alpha Sinfonia Fraternity Of America for men's voices a cappella.

Newly arranged for SSAA choirs! Using jazz articulation in an exuberant spiritual style this original provides an exciting dimension to choral programming! Performance Time: Approx. 2:30.

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Buzzard Banjo - Clawhammer Style. Provides the intermediate clawhammer (5-string) banjo player with a fresh repertoire of 21 traditional and 5 original tunes as played by the author with the Boiled Buzzards Old Time String Band. The book briefly addresses clawhammer basics with a few pages of exercises and scales before presenting the tunes. The banjo tunings in this book are: double C tuning (gCGCD), modified double C tuning (eCGCD), G tuning (GDGBD), A tuning (aEAC#E), D tuning (aDADE), and Double-D tuning drop 5th (f#DADE). Written in banjo tablature only with suggested backup chords. Voted one of the top 10 clawhammer banjo players by "Banjo Newsletter" readers, Levenson advises the reader that the tablature in this book is to be used only as a guide and to "play the tune as you hear it, not slavishly as written". This approach allows the reader to play within his/her style and level of ability. Includes access to online audio.