Popular Guitar Styles - Latin and Salsa

Par BURKHARD BUCK WOLTERS. Styles populaires de guitare : Latin and Salsa reflètent les styles populaires récents et transférer leur classique ou fingerstyle technique. Les joueurs de guitare qui veulent ajouter de la musique latine et de la salsa à leur répertoire de solo trouveront une collection originale et unique de compositions qui donnera la joie à la fois des joueurs et des auditeurs. Le niveau de jeu est intermédiaire d'avancer. Difficultés de gauche comme barrés et étendues sont minimisés autant que possible pour le rendre plus facile à fabriquer le sillon de la musique. Ecrit en notation standard et l'onglet. / Niveau : Intermédiaire à Avancé / Latin American - Solos / Tablatures / Guitare Tablatures Classique

The Essential Latin Collection for Guitar contains Latin songs and dances which in the main have become international 'standards'.During the 20th century much music from the Latin Americas was re-discovered and often re-produced with newly created titles and lyrics. The arrangements here are all based on the original traditional ideas and have become thereby new music for the guitar. The universal popularity of the pieces allows them to be played in almost any setting. They can serve for both study and solo performance and the different styles and moods of the music make the collection a valuable and enjoyable addition to the guitarrepertoire.

Ultimate Guitar Techniques Series-Learn to play cool rhythm patterns with Steve Trovato and Richard Smith. This groundbreaking DVD teaches you all you need to know to become a one piece rhythm section combining percussive techniques and chord progressions! Stylescovered include Rock Blues Jazz and Latin grooves! Steve Trovato is best known as a world class country guitarist but is equally proficient in a wide range of popular guitar styles. He has written a number of best sellingguitar instruction books and between touring maintains a full time position in the Guitar Department at the University of Southern California. Richard Smith is a leading guitar tutor who has given concerts and masterclassesthroughout the USA and Europe.

Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas Europe and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles from Tokyo to Paris. But despite its increasing popularity many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here another there via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth the need for concise well written and organized materials written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music' and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa and Afro Cuban Montunos for Guitar by Carlos Campos. Finally the first instructional book showing guitarists how to play Salsa styles. Following on from his highly successful Salsa piano/keyboard instructional books Carlos Campos has created a book for guitarists with over 400 examples (60 audio examples recorded) with each example for 2-3 and 3-2 clave. There is both written music and tablature These Salsa patterns can be used for Jazz Latin Jazz and Flamenco musical styles.

Belwin's 21st Century Guitar Method is a complete course that puts lessons in the context of popular styles and classic tunes. It introduces new topics at a progressive speed and uses both music notation and tablature (TAB). Correlating supplemental books integrate more advanced concepts and techniques, while keeping the learning process fun. Audio recordings include full instruction---a great resource for students and teachers alike---with demonstration and play-along tracks that will help students optimize their practice time. Detailed video lessons and fun play-along software are also available. Book 1 Features * Online access to play-along and lesson audio included * Covers rock, pop, folk, blues, and classical styles * Features unique Rock Workshop units that teach improvisation and rock rhythm and lead guitar * Uses standard music notation and tablature to aid with learning new material * Optional teacher accompaniment parts * Duets to play with a teacher or with the included audio recording * Complete lesson videos and fun play-along software available / Guitare

Afro-Cuban rhythms are hot and the bass is the beating heart of the groove! Now you can learn to play slap bass in seven popular Afro-Cuban styles: cha cha son montuno songo timba Afro-Cuban 6/8 Latin jazz and Latin jazzin 7. Whether you read tab or standard notation you will quickly learn all these styles and develop your slap bass techniques to create style-appropriate articulations. The included CD has percussion tracks play-alongtracks and complete songs to help you improve your groove to an Afro-Cuban rhythm.

This book is the latest addition to Carlos Campos? series of Afro-Latin books for keyboard. Mr. Campos? previous books in this genre are Salsa: Afro-Cuban Montunos for Piano, Salsa: Further Adventures in Afro-Cuban Music, Latin Jazz Piano Vol. 1, Ultimate Latin Riffs and Salsa: Afro-Cuban Montunos for Guitar. In Merengue Piano Styles, Mr. Campos delves into an aspect of the music of the Dominican Republic called merengue, known for its intricate rhythms and ultra fast tempos. Mr. Campos divides most of the examples in this book into ?Derecho? and ?Pambiche? styles. Selected examples are included in the accompanying CD, recorded at different tempos. Tracks containing bass and percussion only are also included. The complete set of recordings containing every example in this book are also available in high quality mp3 files (over 300 megabytes of mp3 files) and/or midi files, see below. While living in Boston, Carlos Campos spent many years studying and performing this particular genre with many merengue bands in the New England area. He later arranged, produced and recorded for several merengue artists. In the past, the only way to learn how to play the different styles of Afro-Latin music was to live in an area where that music genre was already very popular, so that one might connect with as many authentic musicians as possible, learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially into the musical style of our choosing is absolutely necessary for our musical growth, the need for concise, well-written and organized materials, written by someone who knows and lives this type of music is also essential. We at ADG believe that Mr. Campos? books have done a great service to the musical community by making Afro-Latin musical styles more accessible to students worldwide. We hope that this book and the rest of Mr. Campos? books find a special place in your musical world and that they become an integral part of your daily musical practice.

Jerry Snyder's TAB Guitar Method is an easy approach to lead and rhythm guitar. It provides the guitarist with a thorough introduction to tablature, chords, standard music notation and music fundamentals. Over 30 original and popular tunes in a wide range of contemporary styles (pop, rock, blues, jazz, Latin and country) are included to help teach lead and rhythm guitar concepts.

100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity

It has been over 20 years since I released the first volume of ?100 Ultimate Blues Riffs for Piano/Keyboards? in 1996 my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone Flute and Guitar. With developments in music software faster internet download speeds for downloading mp3 audio files (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd volume that uses newer software for improved sound quality. Also it is the 50th anniversary since I started to learn to play Blues piano in 1968. Iremember the wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London I still have both books ?Just Blues? a compilation of Blues Jazz and Boogie-Woogie songs and ?How To Play Blues Piano? by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock Funk Country Jazz Boogie-Woogie Gospel and Latin styles. The riffs are in the order that I composed them giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice the 1st time the piano part with a rhythm backing track and the 2nd time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues ?song? through the 12 Bar Blues progression.