Poul Ruders: Concerto For Clarinet And Twin Orchestra: Clarinet: Part

SKU: HL.14027975

ISBN 9788759864371.

Solo Clarinet part available: KP00083.

SKU: HL.14027974

English.

The B flat Solo Clarinet Part for Danish composer, Poul Ruders' fabulous concerto. Written between 1984 and 1985, this mysterious, majestic and expressive work for Clarinet and Twin Orchestra is quite a challenge but certainly an impressive and rewarding one! The full score is also available(KP00077).

SKU: BT.WHKP00083

English.

The B flat Solo Clarinet Part for Danish composer, Poul Ruders' fabulous concerto. Written between 1984 and 1985, this mysterious, majestic and expressive work for Clarinet and Twin Orchestra is quite a challenge but certainly an impressive and rewarding one! The full score is also available(KP00077).

SKU: HL.14027970

ISBN 9788759859353. 16.75x11.75x0.425 inches. English.

Break-Danc e is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.

SKU: HL.14027971

ISBN 9788759859360. English.

Break-Danc e is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.