SKU: LM.29475
ISBN 9790230994750.
SKU: LM.27201
ISBN 9790230972017.
SKU: CF.HPB16
ISBN 9780825847233. UPC: 798408047238. 4.5 X 11 inches. Text: Robert B. Walls; M. Irving Smith; Archie Jones. M. Smith, Archie Jones, Robert Walls.
Each of these useful guides is a comprehensive and easy to use tool for achieving accurate pronunciation of the language in question. Each guide includes: Phonetic Symbols – an intuitive way to get a real “feel†for the sounds in the language - Pronunciations of letters – each letter or group of letters is covered and related to the phonetic symbols - Common Terminations and, in the German Guide, prefixes and how they relate to standard elements of tense and gender. - Vocabulary – covering the essentials needed for conversation and musical context.These concise guides will be a great boon for all students and teachers of singing.
SKU: HL.49000738
ISBN 9783795715779. English - German - Italian - French.
SKU: MN.56-0022
UPC: 688670220272. Latin. Luke 10:33; Isaiah 66:13.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44
SKU: MN.56-0032
UPC: 688670220371. Latin. Isaiah 4:6; Psalms 31:7.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25
SKU: HL.49045939
7.5x10.75x0.047 inches.
Solemn, spherical, downright uplifting - these attributes apply in a special way to Rolf Rudin's Würzburg hallelujah. The polyphoniccoda composition for the hallelujah song GL 175.4 by Heinrich Rohr was created in 2006 as a commissioned composition for the girls' choir at Würzburg Cathedral. The prefixed unanimous intonation of Rohrsche Halleluja is followed by the award-winning composer's four- to five-part female choir (SSSAA). The praise of God finds its solemn conclusion with enchanting “otherworldly†sounds. A church music miniature with a gooseflesh character, which is suitable for liturgical use as well as being detached from the liturgical context.
SKU: MN.56-0031
UPC: 688670220364. Latin. Genesis 20:13; Numbers 11:17.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For Solo and SS divisi, a cappella, the music has a light, ethereal feeling. ââ¬ÅBeatiâ⠬ can be taken as a sort of ââ¬ÅBlessed are theyââ¬Â prefix for the movements which are not direct quotes from the Beatitudes. This movement is a unison, chant-like setting of the Latin texts for Genesis 20:13 (ââ¬ÅThou shalt do me this kindnessââ¬Â¦Ã â¬Â) and Numbers 11:17 (ââ¬ÅAnd I will take of thy spiritââ¬Â). The soloist begins and sometimes takes over from the choral voices. Mostly unison except for about ten measures (out of the 69) in two-part texture and four measures in three parts. Duration 4:39
SKU: MN.56-0021
UPC: 688670220265. Latin. Lamentations 1:2; John 14:18.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women’s chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 (“Weeping, she hath wept in the nightâ€) and John 14:18 (“I will not leave you orphansâ€). Duration 7:12
