Prelude, Opus 28, No. 4

SKU: CL.012-3539-75

SKU: CL.012-1715-00

An exquisite setting of the 4th Prelude from The Well-Tempered Clavichord. It is the first of the Bach Keyboard works to be transcribed in terms of the modern wind ensemble/concert band, and represents another high point in making available to wind players some of the greatest of Bach’s music originally conveived for other media.

About Bach Series arranged by Alfred Reed

Maste rful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!

SKU: CL.012-1715-01

An exquisite setting of the 4th Prelude from The Well-Tempered Clavichord. It is the first of the Bach Keyboard works to be transcribed in terms of the modern wind ensemble/concert band, and represents another high point in making available to wind players some of the greatest of Bach’s music originally conveived for other media.

SKU: CL.012-3539-01

One of Frederic Chopin's best known works, Prelude, Op. 28, No. 4, presents emotion-packed performance opportunities for bands at all levels. This new Ed Huckeby transcription for band provides an almost literal translation of Chopin's original work with tremendous musical challenges in both the interpretive and dynamic realms, providing the ensemble an opportunity to explore musical possibilities which might be less attainable in a more technical piece. The recognizable melodic and harmonic structures will make this piece a real hit with concert audiences and provides an opportunity to teach the musical styles of the greatest 19th century composer of piano music. Great music!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-1383-00

A true band classic! This engaging piece is on many state contest lists and is a popular concert selection as well. Beginning with a delicate 3/4 prelude, the mood shifts to an allegro section and builds in tempo and intensity all the way to the finish!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4690-75

SKU: CL.012-1715-75

SKU: CL.012-2604-00

Journey back several centuries with this unique and exciting composition that is an excellent choice for either concert or contest presentations. Includes a number of percussion parts that will keep even the largest percussion section involved.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: BT.AMP-034-130

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.

Tijdens zijn korte leven was Max Reger (1873-1916) een productief componist; veel van zijn beste werken zijn geschreven voor orgel. De tien koraalpreludes in deze selectie zijn afkomstig uit zijn set van dertig kleine koraalpreludes, opus 135a, die werden gecomponeerd als tussenspelen voor liturgisch gebruik, en niet zozeer voor recitals. Philip Sparke heeft hier rekening mee gehouden zodat elke prelude kan worden uitgevoerd met een minimale instrumentatie bij gelegenheden die een klein ensemble vereisen. De preludes zijn ook heel geschikt als warming-ups of oefeningen in intonatie, sound en klankbalans.

Max Reger komponierte während seines recht kurzen Lebens eine Fülle an Werken vieler Genres. Diese zehn Präludien stammen aus 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel. Sie waren ursprünglich eher als Voluntaries im liturgischen Rahmen, denn als Vortragsstücke gedacht. In seinem Arrangement für Brass Band berücksichtigte Philip Sparke diesen Verwendungszweck und machte sie für eine minimale Besetzung spielbar. Die Präludien eignen sich auch hervorragend als Aufwärmstücke oder als Stimm-, Klang- oder Balanceübungen und sie können in verschiedenen Zusammenstellungen als kleine Suiten aufgeführt werden.

Pendant sa courte vie, Max Reger (1873-1916) était un compositeur prolifique dont la plupart des œuvres les plus célèbres furent composées pour orgue. Les dix préludes de choral de cette sélection sortent de ses Trente petits Préludes-Choral op.135a, composés comme morceaux d’orgue pour usage liturgique plutôt qu’ des récitals. Dans ses arrangements, Philip Sparke a gardé cela l’esprit et chaque prélude peut être interprété avec une instrumentation minimale lors d’évènements où un petit ensemble est nécessaire. Ils conviennent aussi comme pièces d’échauffement ou études en intonation, son et balance.

SKU: BT.AMP-034-030

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.

Tijdens zijn korte leven was Max Reger (1873-1916) een productief componist; veel van zijn beste werken zijn geschreven voor orgel. De tien koraalpreludes in deze selectie zijn afkomstig uit zijn set van dertig kleine koraalpreludes, opus 135a, die werden gecomponeerd als tussenspelen voor liturgisch gebruik, en niet zozeer voor recitals. Philip Sparke heeft hier rekening mee gehouden zodat elke prelude kan worden uitgevoerd met een minimale instrumentatie bij gelegenheden die een klein ensemble vereisen. De preludes zijn ook heel geschikt als warming-ups of oefeningen in intonatie, sound en klankbalans.

Max Reger komponierte während seines recht kurzen Lebens eine Fülle an Werken vieler Genres. Diese zehn Präludien stammen aus 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel. Sie waren ursprünglich eher als Voluntaries im liturgischen Rahmen, denn als Vortragsstücke gedacht. In seinem Arrangement für Brass Band berücksichtigte Philip Sparke diesen Verwendungszweck und machte sie für eine minimale Besetzung spielbar. Die Präludien eignen sich auch hervorragend als Aufwärmstücke oder als Stimm-, Klang- oder Balanceübungen und sie können in verschiedenen Zusammenstellungen als kleine Suiten aufgeführt werden.

Pendant sa courte vie, Max Reger (1873-1916) était un compositeur prolifique dont la plupart des œuvres les plus célèbres furent composées pour orgue. Les dix préludes de choral de cette sélection sortent de ses Trente petits Préludes-Choral op.135a, composés comme morceaux d’orgue pour usage liturgique plutôt qu’ des récitals. Dans ses arrangements, Philip Sparke a gardé cela l’esprit et chaque prélude peut être interprété avec une instrumentation minimale lors d’évènements où un petit ensemble est nécessaire. Ils conviennent aussi comme pièces d’échauffement ou études en intonation, son et balance.

SKU: LM.26316D

ISBN 9790231701654.

BACH : Bourree en La mineur - Petit Prelude en Mi Majeur BWV 937 - Petit Prelude en Mi mineur BWV 938 - BARTOK : Danse paysanne - For Children Vol.1 n. 32 - BEETHOVEN : Sonate Op.49 n. 2 - Bagatelle Op.119 n. 1 - CHOPIN : Valse posthume en La mineur - CIMAROSA : Sonate en Si b - CLEMENTI : Sonatine Op.36 n. 6 (1e mvt) - DAQUIN : Le Coucou - DEBUSSY : Le Petit berger - GRANADOS : Danse de la rose - HAYDN : Presto (Sonate en Mi Majeur Hob. XVI 13) - JANACEK : Une Feuille s'envole - LUTOSLAWSKI : Etude a quatre voix - MARTINU : Danse de Colombine - Valse d'une marionnette sentimentale - MENDELSSOHN : Chanson du gondolier Op.30 n. 6 - Romance sans paroles Op.85 n. 2 - MOZART : Rondo de la Sonate KV 545 - PROKOFIEV : Tarentelle - RAMEAU : La Joyeuse - SCHONBERG : Opus 19 n. 2 - SCHUBERT : 3 Landler - SCHUMANN : Fantaisie-danse - Petite Romance - Premiere Scene d'enfant - SMETANA : Lied - VILLA-LOBOS : Allegro (2e Suite enfantine) - WEBERN : Kinderstuck.

SKU: LM.28443D

ISBN 9790231701609.

CLAR KE : King William's Mora - MAYKAPAR : Petit Conte - SCHUMANN : En fredonnant - PAPP : Valse - PAPP : Sauterelle - PASTERWITZ : Piece - BARTOK : Chanson d'enfants (For children n. 1 vol. 2) - DIABELLI : Bagatelle - GAYRHOS : Phantasiesluck - KADOSA : Chant populaire hongrois - TELEMANN : Danse galante - KELEMEN : Danse des brins d'herbe - PIEPER : Swing - TELEMANN : Gigue a l'anglaise - FARKAS : Danse magyar - MAYKAPAR : Prelude - BARTOK : En jouant (For children n. 1 vol. 1) - PURCELL : Menuet - MAYKAPAR : Vision Fugitive - MAYER : Andantino - BARTOK : For Children n. 17 vol. 2 - HAENDEL : Rigaudon - BORTKIEWICZ : A travers les steppes - MAYKAPAR : En automne - PAPP : Le Carrosse tire par six singes bleus - CLEMENTI : Valse - MAYKAPAR : Enfantine - MOZART : Menuet - GARDONYI : Chant populaire roumain - TELEMANN : Gavotte - GLINKA : Polka - BARTOK : For Children n. 28 vol. 2 - CIMAROSA : Sonate - HELLER : Chant d'automne - KELEMEN : Le Chat au soleil - PAPP : Valse pour trompette - KULLAK : Il etait une fois une princesse - JAELL : Petits lutins - HAYDN : Final - PAPP : La Nourrice et sa vilaine fille - ROSSIGNOL : Les Etoiles - VANHAL : Sonatine opus 41 n. 121 - SCHUBERT : Ecossaise - SZELENYI : Sur la pelouse - TURK : Gaiement - LEVY : Lied - KUHLAU : Sonatine (opus 55 n. 1) - GLOCKNER : Arlequin.

SKU: CL.012-4470-75

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

SKU: CL.012-2294-01

Opening with a broad flourish from the upper brass and woodwinds, this truly outstanding prelude will make a powerful opener for any concert. Written as a 3-part rondo, the alternating sections are contrasting in both style and orchestration. Not technically difficult.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-2294-00

Opening with a broad flourish from the upper brass and woodwinds, this truly outstanding prelude will make a powerful opener for any concert. Written as a 3-part rondo, the alternating sections are contrasting in both style and orchestration. Not technically difficult.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4470-01

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith