Matériel : Conducteur et Parties séparées
SKU: AP.1-ADV9035
UPC: 805095090352. English.
Hear the composer perform his Preludes (Vol. 4) plus unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * L.v. Beethoven: Adagio Cantabile * C. Fischer: Ornithardy * C. Fischer: Igor * B. Evans: Comrade Conrad * Amazing Grace (Traditional).
SKU: AP.1-ADV9039
ISBN 9783892218197. UPC: 805095090390. English.
The final volume of this series concludes the set of 24 preludes, and further emphasizes some of the common ground between jazz, classical music, and the many fertile traditions of folk and art music. The range of influences is, perhaps, even broader than in the previous volumes. In addition to six preludes, the final volume of this series includes unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * Adagio Cantabile * Amazing Grace.
SKU: AP.1-ADV9034
UPC: 805095090345. English.
In addition to six preludes, the final volume of this series includes unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace. Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * Adagio Cantabile * Amazing Grace.
SKU: IS.G6761EM
ISBN 9790365067619.
This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.
SKU: CY.CC5010
ISBN 9790530111437. 8.5 x 11 in inches.
The mysterious Prelude and Fugue in B-flat minor BWV 867 is special in that its fugue has five voices, has a leap of a minor 9th, and concludes with a hyperstretto (remember the theory class you slept through), the overlapping of ALL five voices offset by only one note. This seven minute work of genius beautifully arranged by Jim Tranquilla of the iTromboni ensemble is appropriate for advanced performers.
SKU: BP.HB87
Arranged for 5 octave handbell choir. Level 3+. J. S. Bach.
