Matériel : Partition
SKU: FZ.5805
ISBN 9790230658058. 24.00 x 33.00 cm inches.
This facsimile of an original by Isidore Bertheaume is part of our French classical music collection. Edition : Paris, l'Auteur, 1787. The orchestra is modest in size: strings, 2 oboes, 2 horns. The solo parts may be played by the orchestra,s section leaders. The second symphonie concertante adds to the two solo violins either a solo viola or solo horn. For this project, which led to a concert performance at th Abbaye aux Dames, a full score was prepared and has been added to the facsimile. Preface by the students of the formation superieure aux metiers de l'orchestre des musiques classiques et romantiques - Abbaye-aux-Dames-Saintes: biography of Bertheaume, the symphonies of Bertheaume at the Concert Spirituel, hints for performance. Separate parts: violino primo principale, violino secondo principale, alto viola principale, corno principale, violino primo, violino secondo, alto, basso, oboe primo, oboe secondo, corno primo, corno secondo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.2078
ISBN 9790230620789. 24.00 x 33.00 cm inches.
This facsimile of an original by Antonio Caldara is part of our Dominantes collection. Edition : Venise, G. Sala, 1699. Presentation by Brian W. Pritchard : Bibliographical notice Caldara's instrumental music - Performance (notation and conventions, modifications and additions) - critical commentary. The preface gives all the information necessary for performance, particulary where the continuo instruments concerned. Publication in separated part : Violino primo Violino secondo Tiorba o violone Basso continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Museo Bibliografico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BT.DHP-1084471-070
ISBN 9789043128773. 9x12 inches. English-German-French-Dut ch.
This great work for young, inexperienced string orchestras can be performed in various ways. The associated story even makes a staged performance possible. A wonderful journey through time enables the ensemble members to practice the notes of the G scale in an enjoyable way. All parts are for first position only and require first and second finger patterns. A third violin part can replace the violas if necessary, and a piano accompaniment is included for harmonic and rhythmic support. A fun way to learn! This set contains two first violin parts, two second violin parts, one viola part, one third violin part (viola), one cello part (double bass) and one score (piano accompaniment).Di t fraaie werk voor jonge, beginnende strijkersorkesten kan op verschillende manieren worden uitgevoerd. Het bijbehorende verhaal maakt zelfs een geënsceneerde toneelvoorstelling mogelijk. Een fantastische reis door de tijd geeftde leden van het ensemble of orkest de mogelijkheid om de noten van de toonladder van G (sol) op een prettige manier te oefenen. Voor alle partijen is alleen de eerste positie nodig, verder zijn de eerste en tweede vingerstand vereist.Een derdevioolpartij is bijgevoegd - voor het geval er geen altviolisten in het ensemble zitten. Ook is er een pianobegeleiding meegeleverd, die harmonische en ritmische ondersteuning biedt. Een leuke manier om te leren!Dieses großartige Werk für junge, noch unerfahrene Streichensembles kann auf verschiedene Weisen gespielt werden. Die damit verbundene Erzählung ergänzt den theoretischen Unterricht und erlaubt sogar eine Bühnenaufführung. Auf einer wunderbaren Zeitreise können die Ensemblemitglieder die Töne der G-Dur-Tonleiter auf heitere Weise üben. Alle Stimmen bewegen sich nur innerhalb der ersten Lage und erfordern die erste und zweite Griffart. Die zusätzliche Klavierbegleitung sorgt für die harmonische und rhythmische Stütze. So macht Lernen Spaß! Das Set umfasst zwei erste und zwei zweite Stimmen für Violine, eine Violastimme, eine dritte Violine (alt. Viola), eine Cello- oderKontrabassstimme und eine Partitur (Klavierbegleitung). Cette charmante composition en plusieurs tableaux s’adresse aux jeunes Ensembles Cordes inexpérimentés. La narration qui accompagne la pièce permet d’en faire une véritable œuvre scénique. Un délicieux voyage dans le temps permet aux jeunes instrumentistes de travailler les notes de la gamme de Sol, tout en se divertissant. Toutes les voix sont écrites en première position et ne nécessitent que l’utilisation des premier et deuxième schémas de doigts. La partie optionnelle pour violon 3 permet de remplacer la voix d’alto, si nécessaire. L’accompagnement de piano inclus offre un soutien harmonique et rythmique. Un moyen plaisant pour progresser dans l’apprentissage!In strumentation : 2 Violons 1 & 2, 1 Alto (ou Violon 3), 1 Violoncelle (ou Contrebasse), 1 partie de Piano. Questa piacevole composizione si rivolge a tutti gli ensemble d'archi senza esperienza. La narrazione che accompagna il brano permette di farne una vera opera scenica. Un delizioso viaggio nel tempo che consente ai giovani strumentisti di lavorare le note della scala di Sol divertendosi. Tutte le voci sono scritte in prima posizione e non necessitano l'utilizzo del primo e del secondo schema della dita. La parte opzionale del violino 3 permette di sostituire la parte della viola. L'accompagnamento del piano incluso offre un sostegno armonico e ritmico. Strumentazione: 2 violini 1 & 2, 1 viola (o violino 3), 1 violoncello (o contrabbasso), 1 parte del piano.
SKU: PR.14440398S
UPC: 680160030101.
Primo sch's String Quartet No. 3 sets out as a theme and variations, but a sudden Fantasia finds its way into the mix. Upon returning to another variation, we find elements of the Fantasia now appearing, leading to a viola cadenza and the ultimate unison re-statement of a slow variation. Composed for the Ying Quartet and commissioned by the Philadelphia Chamber Music Society, String Quartet No. 3 had its premiere in 1999. For advanced performers. Duration: 20'.
SKU: PR.144403980
UPC: 680160030088.
SKU: FZ.5012
ISBN 9790230650120. 24.00 x 33.00 cm inches.
This facsimile of an original and the manuscript by Antonio Vivaldi are part of our Dominantes collection. Sonata per oboe solo del Sr Vivaldi, RV 53. Trio sonata en G. B. oboe primo. Oboe secundo et basso del Singr Vivaldi, RV 81. Suonata a violino, oboe, et organo obligato. Di D. A. V, RV 779. Presentation by Michel Giboureau: hints about the score Details of performance - Restoration of the scores. Two unique old copies, and a signed manuscript. Library of Dresden and Lundo. This volume will be followed by two others collections of Vivaldi's chamber music with oboe. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Sachsische Landesbibliothek of Dresden (Germany). - Library of University of Lund (Sweden). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: UT.MS-62A
ISBN 9790215325302. 9 x 12 inches.
P erformance Material on Hire[S olo: SATB - Choir: SATB - 0.0.0.0 - 0.2.0.0 - Str - Org (Bc)]This edition of the Messa del Sig.re Niccolò Piccinni is based on the manuscript copies of the time (carried out by several copyists) of the separate parts – soprano, contralto, tenore, basso, tromba prima, tromba seconda, violino primo, violino secondo, violetta di ripieno and organ – all held in the Biblioteca Nacional de Portugal in Lisbona.
SKU: UT.MS-62R
ISBN 9790215325326. 7.7 x 10.6 inches.
SKU: BO.B.3338
English comments: I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival (in Sant Feliu de Guixols).This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles: Davallament, for soprano and piano; Quinteto de la sala de Levante, for clarinet and string quartet; Palau d'hivern, for soprano, clarinet and string quartet; and Concertino Geminis for solo violin and 15 string instruments.Having written large-scale works, I have now gone back to writing chamber music.
We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write.
In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption.It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi.
Comentarios del Espanol: Acabe de escribir el Doble Concierto de la Porta Ferrada a principios del ano 2004. Nace como un encargo del Festival Internacional de Musica de la Porta Ferrada (Sant Feliu de Guixols).Este doble concierto, para violin, violonchelo y un conjunto de camara, abre un periodo en el que las obras que trabajo son todas para pequenos conjuntos: Davallament, para soprano y piano; Quinteto de la sala de Levante, para clarinete y cuarteto de cuerda; Palau d'hivern, para soprano, clarinete y cuarteto de cuerda; Concertino Geminis para violin solista y 15 instrumentos de cuerda.Despues de haber escrito obras de gran formato, ahora vuelvo a la musica de camara.
Podemos ver como la forma concertante, a lo largo de toda mi produccion, es omnipresente en casi todas las epocas precedentes. No he encontrado una respuesta satisfactoria al porque de elegir tan a menudo el dialogo entre un solista y un grupo instrumental. Como aproximacion, diria que con un instrumento solista parece ser que mi musica tenga que fluir mas facilmente y que pueda trabajar con mas comodidad. El hecho de tener un personaje principal en el discurso de la partitura me ayuda mucho a desarrollar la idea que tengo sobre la obra que quiero escribir.
En este caso se trata de dos solistas de cuerda, el violin y el violonchelo, que, como es natural, toman un papel primordial sin que, sin embargo, lleguen a alcanzar una parte virtuosistica. La obra, formalmente, se basa en tres partes que se tocan sin interrupcion.
El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi.
SKU: PR.14440651S
UPC: 680160633760. 9 x 12 inches.
The Oboe Quartet was composed at the request of oboist Peggy Pearson and commissioned by Winsor Music. Tempted to write more for an oboe solo, Primosch consciously shares the spotlight here amongst all four equal performers.
SKU: PR.14140086S
UPC: 680160618392. 9 x 12 inches. Text: Rosemary Thomas. Rosemary Thomas. Text by Rosemary Thomas.
Composed in 2004 for baritone Wolfgang Holzmair, Leisner's A Timeless Procession was premiered in 2011 with Thomas Meglioranza and the ENSO String Quartet at Symphony Space (New York City). Of that premiere, Art Leonard writes, The centerpiece of the program was the world premiere of Mr. Leisner's composition for baritone and string quartet, A Timeless Procession, setting a lengthy narrative poem by Rosemary Thomas about the parade of elephants past Carngie Hall when the circus came to town. This provided a nice balance of drama and humor... Of the music, itself, Leisner says, [Rosemary Thomas'] poem, The Elephants Pass Carnegie Hall, begins with an image, maybe real, maybe surreal, of circus elephants parading by Carnegie Hall, and ends with a sharp, mystical left turn into the prehistoric times of their ancestors. My piece views the poem through the lens of time - beginning with a primordial awakening, progressing into real time (the parade of elephants), and then through slow motion, frozen time, a return to real time (but with a surreal overlay of baritone falsetto), and finally, in the canonic last section, time past. For advanced performers.
