Pro Chord Changes - Volume 2

One of the foremost personalities in the world of Jazz Guitar Larry Coryell has played against the best and here presents an insight into his distinctive and fluid approach.From bebop heroes Sonny Rollins and CharlesMingus to fusion superstars Chick Corea and John McLaughlin Coryell's guitar playing has graced the recordings of the hottest stars in Jazz making him a guitarist of huge reputation and respect. In this three-part DVD seriesCoryell analyses his own Jazz perspective providing an empirical method of solo and chord improvisation.Volume one includes:Major scales all over the neckMinor diminished and whole-tonetonalitiesChromaticsAccents within picking patternsArpeggiosModes and intervalsBuilding an intellectual understanding between chords and scalesMovements between harmony and bassGoing beyond chord/scaleusageSingle-line improvising through changesChord substitutions

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Jazz Number of pages : 88 The Jazz Workbook (vol. 1) is a first of its kind book. Teaching single note instrumentalists (including guitarists) how to hear and play thru chord changes, this is the essential elements of jazz. The play along CD has no chord instrument included, thus the student can hear the sound of the chord on his or her own. This is a method book in which everything is written out for the student, so in turn, just playing thru the exercises in this book with or without a teacher will clear up many questions about harmony. Editions come in Bass, E-flat, B-flat and Concert.

With the Brad Davis' Flatpick Jam series you are never without a jamming partner! This two-hour DVD is packed with flatpicking jam session favorites (11 tunes on each DVD). Brad plays each tune at four different tempos (slow slow/medium medium/fast and fast) so that you can work on your tone timing note clarity and fluidity at the slower tempos and then work to develop your speed at the higher tempos. At each tempo Brad takes a solo then playsrhythm so you can take your solo. At the three higher tempos Brad swaps solos and rhythm with you twice. This gives you the opportunity to practice your solo and rhythm seven times on every tune! On each tune Brad plays a varietyof rhythmic and lead styles. A bass line and mandolin chop accompany every song at every tempo and chord changes are indicated on-screen (for the slow tempo). Songs include: Ragtime Annie Redwing Lonesome Road Blues Liberty Katy Hill Over The Waterfall Coo Coo's Nest Cherokee Shuffle Cattle In The Cane and Fisher's Hornpipe.

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

La méthode d'initiation aux instruments à cordes d'Egon Saßmannshaus publiée par Bärenreiter est réputée depuis longtemps dans les pays germanophones et anglophones et permet une initiation précoce solide tout en étant ludique.Un cahier supplémentaire en français reprenant les deux premiers volumes de la méthode ' Early Start on the Violin ' est désormais disponible afin de rendre l'accès aux francophones plus facile. Ce cahier peut être commandé séparément ou avec un des deux premiers volumes de la méthode pour violon, sans supplément de prix. Il peut également être téléchargé ci-dessous.Le premier volume de 'Early Start on the Violin' présente l'apprentissage la lecture des notes, leurs valeurs et les altérations de manière adaptée aux jeunes enfants. Différents coups d'archet ainsi que l'usage de la main gauche sont introduits en s'appuyant sur des chansons enfantines connues. L'utilisation de plusieurs structures de la main gauche est un des aspects les plus importants du second volume. Cette technique pose de manière convaincante les bases nécessaires à une virtuosité précoce. / Violon

Product Description: The Jazz Workbook, Volume 1 is the first book of its kind. It is essential that single-note jazz instrumentalists, including guitarists, learn to hear and play through chord changes. As the book's companion play-along CD does not include a chord instrument, the student can hear the sound of the chord on his or her own instrument. All of the exercises and melodic shapes in this book are completely written out for the student, so just playing through the exercises with or without a teacher will clear up many questions about harmony. The Jazz Workbook is available in bass clef, E-flat, B-flat and C-concert editions. Product Number: 20686BCD Format: Book/CD Set ISBN: 0786643927 UPC: 796279058308 Series: Non-Series Publisher: Mel Bay Publications, Inc

Jazz Piano Solos Series Volume 31-Backpacking is the third largest sport in America and this 6″ x 9″ spiral-bound book will be in the back country with the hikers. Contains lyrics and chord changes for more than 200 songs from the best of folk and songs from around the world to songs of the holidays. Also includes complete guitar and banjo chord charts for the backpacker and much more! A must even if you don't go backpacking! Compiled by Ron Middlebrook.

Volume 4 contains a fresh set of Intermediate-Advanced jazz etudes. This book and play-a-long CD set will take you through a variety of tempos that are designed to correspond to the flow of a live performance set. The Chord changes are based upon popular standards that will be easily recognizable. This set will further soldify your grasp of modern jazz vocabulary and help prepare you for real world situations.

Music Minus One Alto Saxophone Deluxe 2-CD Set-This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling Chicago-Style offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues - on this album you'll find such classics as Deed I Do Sugar The Darktown Strutters' Ball That's a Plenty and more. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing ofeach song plus a concert lead sheet giving the overall roadmap for each piece printed on high-quality ivory paper and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo a digital stereo version of each piece minus the soloist and a special -20% slow-tempo version of each accompaniment for practice purposes. Performed by Brian Ogilvie tenor saxophone Accompaniment: Evan Christopher clarinet and leader Jon-Erik Kellso trumpet Mike Pittsley trombone Jeff Barnhart piano Bill Huntington guitar Jim Singleton bass Hal Smith drums

Music Minus One Trombone Deluxe 2-CD Set-This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling Chicago-Style offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues - on this album you'll find such classics as Deed I Do Sugar The Darktown Strutters' Ball That's a Plenty and more. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing ofeach song plus a concert lead sheet giving the overall roadmap for each piece printed on high-quality ivory paper and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo a digital stereo version of each piece minus the soloist and a special -20% slow-tempo version of each accompaniment for practice purposes.

The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in groups of two. It is largely based on the first edition, published in the early 20th century, and on other sources from ?evcík's estate. The editor, Jaroslav Foltýn, is a professor of violin at the Prague Conservatory, as was ?evcík himself.- New edition of a tutor that generations of violinists have grown up with- Fundamental work by a leading violin educator- Three volumes in increasing order of difficulty: easy - moderate - difficult- Methodological notes by the editor (Cz/Eng/Ger) / Violon