SKU: GI.G-CD-343
These settings are almost all written for cantor(s), keyboard (with congregation on the refrain), and optional guitar. Instead of adopting a single style for the settings, the words here suggest the countour, pace, harmonies, and melody for the setting. This gives the liturgical planner the freedom to select music according to the prayerful shape of the liturgy. A welcome resource from none other than John Foley. .
SKU: GI.G-006270
UPC: 641151062709.
WLP is privileged and pleased to offer the new series Music from the Abbey of Gethsemani. This new series highlights the noteworthy music sung at the monastery, as composed/arranged by Father Chrysogonus Waddell, OCSO, and will bring to life his many years of diligent, masterful writing in the name of the church. These versatile musical offerings are ideal for singing by a cantor with accompaniment or by SATB choir. The first edition in the series, Psalms for the Advent Season, offers all of the responsorial psalms for the Advent Sundays of Years A, B, and C as well as for the feast of the Immaculate Conception. The contemplative style of these settings perfectly evokes the season of Advent and will be a welcome addition to your community‚ worship. Future editions in the series will include responsorial psalms for Lent, Easter, feasts and solemnities, and OT, eventually presenting settings for all of the responsorial psalms from the lectionary for the entire church year.
SKU: MN.80-406
UPC: 688670804069. Scripture: Psalms 16:8, 9-10, 11; Psalms 19:8-11; Psalms 30:2, 4, 5-6, 11, 12a, 13b; Psalms 31:2, 6, 12-13, 15-16, 17, 25; Psalms 33:4-5, 6-7, 12-13, 20, 22; Psalms 42:3, 5; Psalms 43:34; Psalms 51:12-15, 18-19; Psalms 104:1-2a, 5-6, 10, 12, 13-14, 24, 35.
This collection of responsorial psalms for Palm Sunday through the Easter Vigil is a welcome and worthy addition to the repertoire for this high point in the church year. Luke Mayernik has composed memorable settings infused with harmonic freshness and melodic appeal. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar.
SKU: GI.G-017294
UPC: 641151172941. English.
NEW! Here are more than 100 hymns based on the texts the Church wants us to sing during the Entrance Rite of the Mass, set to tunes your congregation already knows! The hymns are based on introit antiphons and psalms from the Roman Gradual for the Sundays and solemnities of the liturgical year. The beautiful, poetic hymn verses include psalm paraphrases from the finest English-language metrical psalters and new psalm paraphrase texts by Tietze. All are set in metrical form to familiar hymn tunes that have been sung during the last 40 years. Every hymn is presented in harmony, ideal for congregations or choirs who enjoy hymn singing in parts. This 8.5 x 11 hole-punched accompaniment packet fits easily into a WLP Ceremonial Binder. Introit Hymns for the Church Year was compiled and written by Christoph Tietze (St. Mary Cathedral, San Francisco) as part of his doctoral thesis at Oxford University. A priceless companion to any missal or hymnal you already use! 8.5 x 11 packet. Does not include binder.
SKU: GI.G-017291
UPC: 641151172910. English. Text by Christoph Tietze.
Here are more than 100 hymns based on the texts the Church wants us to sing during the Entrance Rite of the Mass, set to tunes your congregation already knows! The hymns are based on introit antiphons and psalms from the Roman Gradual for the Sundays and solemnities of the liturgical year. The beautiful, poetic hymn verses include psalm paraphrases from the finest English-language metrical psalters and new psalm paraphrase texts by Tietze. All are set in metrical form to familiar hymn tunes that have been sung during the last 40 years. Every hymn is presented in harmony, ideal for congregations or choirs who enjoy hymn singing in parts. The companion 8.5 x 11 hole-punched accompaniment packet fits easily into a WLP Ceremonial Binder. Introit Hymns for the Church Year was compiled and written by Christoph Tietze (St. Mary Cathedral, San Francisco) as part of his doctoral thesis at Oxford University. A priceless companion to any missal or hymnal you already use!
SKU: GI.G-CD-288
The musical styles in this collection include gospel, jazz, and soul. The rich musical heritage of the African-American church is showcased here, making this collection of psalms a standout in the GIA catalog. Â .
SKU: GI.G-CD-250
Rory Cooney and Gary Daigle have put together a very practical selection of psalms that includes a delightful mix of musical styles. In addition to an extensive index of Lectionary uses, which includes Sundays, rites, votive masses, and feast days, you'll also find weekday applications. Alternative inclusive language texts are listed and, of course, assembly reprint boxes are included for your convenience. Â .
These settings are almost all written for cantor(s), keyboard (with congregation on the refrain), and optional guitar. Instead of adopting a single style for the settings, the words here suggest the countour, pace, harmonies, and melody for the setting. This gives the liturgical planner the freedom to select music according to the prayerful shape of the liturgy. A welcome resource from none other than John Foley. Â .
SKU: GI.G-3746A
Text Source: Refrains: Lectionary for Mass, verses: Stewart, Roy James. Text by Roy James Stewart.
C Instrument, some trumpet. CONTENTS: PSALM 126: THE LORD HAS DONE GREAT THINGS • PSALM 96: TODAY IS BORN OUR SAVIOR • PSALM 128: HAPPY ARE THOSE WHO FEAR THE LORD • PSALM: 33 LORD, LET YOUR MERCY BE ON US • PSALM 116: I WILL WAKL IN THE PRESENCE OF THE LORD • PSALM 95: IF TODAY YOU HEAR HIS VOICE • PSALM 103: THE LORD IS KIND AND MERCIFUL • PSALM 137: LET MY TONGUE BE SILENCED • PSALM 118: THIS IS THE DAY • PSALM 32: I TURN TO YOU, LORD • PSALM 107: GIVE THANKS TO THE LORD • PSALM 63: MY SOUL IS THIRSTING FOR YOU, O LORD • PSALM 145: THE HAND O THE LORD • PSALM 78: THE LORD GAVE THEM BREAD • PSALM 138: LORD, YOUR LOVE IS ETERNAL • PSLAM 146: PRAISE THE LORD • PSALM 90: FILL US WITH YOUR LOVE, O LORD • PSALM 17: LORD WHEN YOUR GLORY APPEARS.
SKU: GI.G-3612A
UPC: 785147361206. Scripture: various.
11 more psalm settings for use on various Sundays, feasts, and rites. Lectionary listings provided. Reprintable refrains for assembly included. SATB (many), Guitar, Acc. CONTENTS: PSALM 32: I TURN TO YOU/FORGIVE THE WRONG I HAVE DONE • PSALM 30: I WILL PRAISE YOU LORD • PSALM 34: CRY OF THE POOR • PSALM 31: I PLACE MY LIFE • PSALM 8: HOW GLORIOUS IS YOUR NAME • PSALM 119: HAPPY ARE THOSE WHO FOLLOW • PSALM 95: HARDEN NOT YOUR HEARTS • PSALM 63: MY SOUL IS LONGING • PSALM 68: YOU HAVE MADE A HOME FOR THE POOR • PSALM 116: I WILLW ALK IN THE PRESENCE OF GOD • PSALM 146: PRAISE THE LORD, MY SOUL.
SKU: GI.G-006290
UPC: 641151062907.
Here is another installment in Chrysogonus Waddell‚ collection of psalm settings for the entire church year. Father Chrysogonus‚ works are always musical, lyrical, and logical, with the meaning of the text receiving the primary emphasis. The octavo includes responsorial psalms from the Lectionary for all the Sundays and feasts of the Christmas season for Years A, B, and C.
SKU: CA.9000700
ISBN 9790007108212.
SKU: GI.G-10314
ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.
Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.
