Pulsations

SKU: HL.4002866

UPC: 884088352998. 9.0x12.0x0.071 inches.

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds. Starting with a soloistic dialogue between flute and clarinet the work progresses to thicker sonorities and percussive effects including clapping and shouting. Definitely an enjoyable work that is off the beaten path! Dur: 2:35 (Grade 2-1/2).

SKU: RM.SL10162

ISBN 9790231091625.

SKU: LM.28136CD2

SKU: HL.48189352

UPC: 888680991098. 9x12 inches.

“Roma nian composer, Doina Rotaru (b. 1951) is best known for her orchestral and chamber works. Rotaru studied at the Bucharest Conservatoire and has won many prizes for her compositions. Legend is no exception to her success. Currently, Rotaru is professor at the Music Academy in Bucharest and a prominent composer, with her works being performed all over the world. Legend for Flute and Resonator is a highly modern work, as indicated by its instrumentation. The Flute solo line includes extended techniques, such as variations in use of vibrato, voice and notes played simultaneously, harmonics, pulsations and ornamentations, amongst other aspects. For all advanced flautists seeking modern, alternative repertoire, Rotaru's Legend provides an exciting work for both performers and audiences alike.&rdquo.

SKU: PR.14440517S

UPC: 680160667888. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. There are passages in Nostalgia that build using two layers, a louder foreground and a quieter background. Both of these layers are independent of specific instruments, in other words, the various instruments jump in to play a role in either layer, then jump to the other layer. It is as if the ensemble has doubled. The technical musical term for multiple instruments interweaving to produce a single thread or idea is called Klangfarbenmelodie (tone-color-melody). Because there are two layers (louder and softer), both using this technique, Nostalgia is a unique example of 'double Klangfarbenmelodie.' The piece ends with a series of intense rhythmic pulsations and several apocalyptic fanfares. (From the performance notes.).

SKU: LM.28136CD1

SKU: PR.11640154S

UPC: 680160624553.

Playi ng to the viola’s dark strengths, Amanda Harberg’s ELEGY is an arrestingly dramatic memorial whose slow pulsations appear to stop time beneath the solo viola’s declamatory chant. ELEGY may be played with either viola or cello as soloist, with orchestra or quartet or piano as the accompanying ensemble, or by orchestra alone.

SKU: HL.50579280

SKU: LM.26521

ISBN 9790230965217.

SKU: LM.28136L

SKU: PR.11640154L

UPC: 680160624560.

Playi ng to the viola’s dark strengths, Amanda Harberg’s ELEGY is an arrestingly dramatic memorial whose slow pulsations appear to stop time beneath the solo viola’s declamatory chant. ELEGY may be played with either viola or cello as soloist, with orchestra or quartet or piano as the accompanying ensemble, or by orchestra alone.

SKU: CA.967600

ISBN 9790007239732. Language: Latin.

The Ave verum directs our gaze towards Christ crucified on the cross for us in the form of a prayer of adoration. In this setting, a sound pulsates at first which can be described as gently shining. A syncopated motif introduces an interruption with the note c sharp which gradually allows the tension to increase. The phrase cujus latus perforatum [from whose pierced side] is penetrated by the cry of a solo soprano. The choir breaks off abruptly. The world holds its breath. Whilst the pulsating sonority has an increasingly inexorable character up to this point, from now onwards it appears in the light of an unending confidence and affectionate prayer of adoration. The concluding modal sequences of sounds intensify the impression of devotion and peace.

SKU: PR.11641142S

ISBN 9781491134030. UPC: 680160683772.

The Concerto for Flute and Orchestra, Op. 39 was completed in September of 1992. It was commissioned by James Galway, and is dedicated to him. The work is scored for an orchestra comprised of piccolo, flute, oboe, english horn, clarinet, bass clarinet, bassoon, contrabassoon, two horns, two trumpets, timpani, percussion, harp, piano and strings. The Concerto is in three movements. The first movement, Moderato, is an arc-like form, all of whose components are in fact variations on the harmonic progression of its principal theme. The central section of this movement is a set of explicit chaconne variations on a chorale-version of this progression. The second movement, Adagio molto, presents a lyrical melody which is spun out over a pulsating syncopated ostinato which persists through the entire length of the movement. The final movement, Presto, is a virtuoso work-out for the flutist in a rondo-like form which closes with a Prestissimo coda. The Concerto for Flute and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.
The Concerto for Flute and Orchestra, Op. 39 was completed in September of 1992. It was commissioned by James Galway, and is dedicated to him.The work is scored for an orchestra comprised of piccolo, flute, oboe, english horn, clarinet, bass clarinet, bassoon, contrabassoon, two horns, two trumpets, timpani, percussion, harp, piano and strings.The Concerto is in three movements. The first movement, Moderato, is an arc-like form, all of whose components are in fact variations on the harmonic progression of its principal theme. The central section of this movement is a set of explicit chaconne variations on a chorale-version of this progression.The second movement, Adagio molto, presents a lyrical melody which is spun out over a pulsating syncopated ostinato which persists through the entire length of the movement.The final movement, Presto, is a virtuoso work-out for the flutist in a rondo-like form which closes with a Prestissimo coda.The Concerto for Flute and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.

SKU: BT.DHP-1002341-020

There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called ‘slow march’. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant ‘pulse’ gives this majestic march a noble character

Orion ist zwar ein langsamer Marsch, sein getragenes Tempo wirkt aber keineswegs passiv oder schwerfällig, vielmehr strahlt er natürlichen Optimismus und Spontaneität aus. Die eher einfach gehaltene Komposition ist vielseitig einsetzbar und soinstrumentiert, dass sie auch von kleineren Formationen ohne nennenswerte Veränderung im Gesamtklang gespielt werden kann. Der fast durchgehend rhythmische Puls des Schlagzeugs verleiht dem majes­tätischen Marsch das gewisse Etwas.

Orion est une marche lente qui se distingue par son caractère optimiste et sa fraîcheur. Cette marche de concert, techniquement peu exigeante, est accessible un grand nombre de formations. Le choix de l’instrumentation permet également aux petits ensembles de l’interpréter avec un rendu tout aussi homogène. La pulsation rythmique presque continue de la percussion donne cette marche majestueuse un caractère noble.

SKU: LO.10-2964L

UPC: 000308067170.

This stately pulsating quarter notes in the accompaniment establish a solemn framework for this well crafted and memorable setting from John 1:Here is the Lamb, the Lamb of God who takes away the sins of the world. A consideration for Lent, it is also highly appropriate in celebrating the Baptism of our Lord, Pentecost, or any number of general service themes. A good balance of unison, 2-part and SATB writing will enhance the viability of this anthem for choirs large and small.