Quartet for Violoncellos

SKU: BT.EMBZ14403

The third volume in the series contains Boccherini s two-movement Quartettino, an archaic-style Gavotte by Grieg, and Elegy by the outstanding 19th-century cellist Josef Werner. The first two pieces are published here for the first time in a version for four cellos.To give a clear overview, the score of each work is provided.

Inhoud:
1. Boccherini, Luigi: Quartettino
2. Grieg, Edvard: Gavotte in Old Style
3. Werner, Josef: Elegie

Inha lt:
1. Boccherini, Luigi: Quartettino
2. Grieg, Edvard: Gavotte in Old Style
3. Werner, Josef: Elegie

Somm aire:
1. Boccherini, Luigi: Quartettino
2. Grieg, Edvard: Gavotte in Old Style
3. Werner, Josef: Elegie

Cont ents:
1. Boccherini, Luigi: Quartettino
2. Grieg, Edvard: Gavotte in Old Style
3. Werner, Josef: Elegie

SKU: CA.3116315

ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: BT.EMBZ14694

Volume 10 in the series contains works by Haydn, Mozart, Beethoven, Dvo ák and Schubert, arranged for cello quartet. Beethoven's Largo appassionato and the Slavonic dance by Dvo ák demand a higher level of instrumental skill. The Minuetto alla Zingarese by Haydn, the two Mozart chorales (Zwei deutsche Kir-chenlieder) and the four-cello version of Schubert's Death and the Maiden are easier to play. The first part and occasionally the second require facility in the higher positions, the lower parts are just as important and do not merely accompany the melody.

Inhoud:
1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

Der zehnte Band der Serie beinhaltet für Cello-Quartett transkribierte Werke von Haydn, Mozart, Beethoven, Dvo ák und Schubert. Der Largo appassionato von Beethoven und der Slawische Tanz Dvo áks erfordern höhere technische Kenntnisse. Das Haydn-Werk Minuetto alla Zingarese, sowie die zwei Choräle von Mozart (Zwei deutsche Kirchenlieder) und die Version des Tod und das Mädchen für vier Celli sind alle leichter zu spielen. Die erste und an manchen Stellen auch die zweite Stimme verlangen die Beherrschung höherer Lagen, mit diesen werden aber auch die tieferen Stimmen gleichgestellt, welche nicht nur eine begleitende Funktion haben.

Sommaire:1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

Con tents:
1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

SKU: HL.49000710

ISBN 9783795701321. German.

Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.

SKU: CA.3116305

ISBN 9790007161965. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

SKU: CA.3116319

ISBN 9790007141219. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.

SKU: CA.3116349

ISBN 9790007209001. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: CA.3116314

ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: CA.3116312

ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: CA.3116307

ISBN 9790007141516. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

SKU: CA.3116311

ISBN 9790007208950. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: CA.3116303

ISBN 9790007141264. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

SKU: CA.3116313

ISBN 9790007208974. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SKU: CA.3116300

ISBN 9790007097615. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.

SKU: M7.DOHR-12675

ISBN 9790202026755.

Die beiden Slavischen Skizzen lassen sich in verschiedenen Besetzungsvarianten aufführen: zwei Violinen, Violoncello, Harmonium und Klavier: Originalfassung mit rekonstruierter Violoncellostimme zwei Violinen, Harmonium und Klavier (von Vieweg veröffentlichte Fassung) zwei Violinen, Violoncello und Klavier (die im Harmonium ausgeschriebene Musik findet sich im Wesentlichen auch im Klaviersatz wieder; der Rest wurde dem Violoncello anvertraut und kann zusätzlich vom Klavier verdoppelt werden) Violine, Viola, Violoncello und Klavier (Klavierquartett; die Stimme der zweiten Violine liegt auch im Altschlüssel bei) Ein ausführliches Nachwort in der Partitur informiert über Leben und Schaffen des Komponisten sowie die hier vorgelegten Stücke. Die Partitur dient zugleich als Klavierstimme. Das Stimmenset enthält Streicher- und Harmoniumstimmen und ermöglicht alle genannten Varianten.

SKU: M7.DOHR-12674

ISBN 9790202026748.

Die beiden Slavischen Skizzen lassen sich in verschiedenen Besetzungsvarianten aufführen: zwei Violinen, Violoncello, Harmonium und Klavier: Originalfassung mit rekonstruierter Violoncellostimme zwei Violinen, Harmonium und Klavier (von Vieweg veröffentlichte Fassung) zwei Violinen, Violoncello und Klavier (die im Harmonium ausgeschriebene Musik findet sich im Wesentlichen auch im Klaviersatz wieder; der Rest wurde dem Violoncello anvertraut und kann zusätzlich vom Klavier verdoppelt werden) Violine, Viola, Violoncello und Klavier (Klavierquartett; die Stimme der zweiten Violine liegt auch im Altschlüssel bei) Ein ausführliches Nachwort in der Partitur informiert über Leben und Schaffen des Komponisten sowie die hier vorgelegten Stücke. Die Partitur dient zugleich als Klavierstimme. Das Stimmenset enthält Streicher- und Harmoniumstimmen und ermöglicht alle genannten Varianten.