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FLUTE TRAVERSIERE
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Quartets for Flute, Violin, Viola and Violoncello
$18.95
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By Wolfgang Amadeus Mozart. Edited by Pohanka, Jaroslav. For Flute, Violin, Viola, Violoncello. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition. Published by Baerenreiter-Taschenpartituren (German import).
Instrumentation :
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle
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Barenreiter
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Quartets for Flute, Violin, Viola and Violoncello
$ 18.95
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3 Quartets K285, K298, K285B
24.21
3 Quartets K285, K298, K285B
Flöte, Violine, Viola, Cello
[Set de Parties séparées]
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Flute, Violin, Viola, Cello. Music Partner Play-along CD available, see MP 17a /...
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Flute, Violin, Viola, Cello. Music Partner Play-along CD available, see MP 17a / Flûte Traversière(S) Et Autres Instruments
24.21 EUR - vendu par LMI-partitions
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Georg Philipp Telemann: Paris Quartets Vol.1: Chamber Ensemble: Score and Parts
53.50
Georg Philipp Telemann: Paris Quartets Vol.1: Chamber Ensemble: Score and Parts
Flûte, Violon, Violoncelle et Piano
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Pariser Quartette-Nouveaux Quatuors en Six Suites I for Flute Violin Viola da ...
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Pariser Quartette-Nouveaux Quatuors en Six Suites I for Flute Violin Viola da Gamba or Violoncello and Basso Continuo 'Paris Quartets'.Volume 1:Quartets 1-3 (D major A minor G major) TWV 43: D3 a2 G4.Telemann’s chamber music is historically unique in its range of instrumental settings. From his huge output these new editions present the six quartets for Flute Violin Viola da Gamba or Violoncello and Basso Continuo that he wrote in Paris in the 1730s.Published with the title Nouveaux Quatuors en Six Suites by Le Clerc in Paris in 1738 these six pieces are suites with various sequences of movements each introduced by aprelude.Here Telemann shows himself committed to the French style. The works are of special interest not only for their high quality but also because of the variable scoring of the third part for Viola da Gamba or Violoncello.Our edition consists of a full score with preface (German/English) and separate instrumental parts including a Keyboard with figured bass.
53.50 GBP - vendu par Musicroom GB
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Georg Philipp Telemann: Paris Quartets Vol.2: Chamber Ensemble: Score and Parts
53.50
Georg Philipp Telemann: Paris Quartets Vol.2: Chamber Ensemble: Score and Parts
Flûte, Violon, Violoncelle et Piano
[Partition]
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Intermédiaire/avancé
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Pariser Quartette-Nouveaux Quatuors en Six Suites II for Flute Violin Viola da...
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Pariser Quartette-Nouveaux Quatuors en Six Suites II for Flute Violin Viola da Gamba or Violoncello and Basso Continuo 'Paris Quartets'.Volume 2:Quartets 4-6 (B minor A major E minor) TWV 43: h2 A3 e4.Telemann’s chamber music is historically unique in its range of instrumental settings. From his huge output these new editions present the six quartets for Flute Violin Viola da Gamba or Violoncello and Basso Continuo that he wrote in Paris in the 1730s.Published with the title Nouveaux Quatuors en Six Suites by Le Clerc in Paris in 1738 these six pieces are suites with various sequences of movements each introduced by aprelude.Here Telemann shows himself committed to the French style. The works are of special interest not only for their high quality but also because of the variable scoring of the third part for Viola da Gamba or Violoncello.Our edition consists of a full score with preface (German/English) and separate instrumental parts including a Keyboard with figured bass.
53.50 GBP - vendu par Musicroom GB
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Flûte Quartet (Score) (MAW NICHOLAS)
14.80
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Par MAW NICHOLAS. Nicholas Maw is one of Britain's most admired composers. He is...
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Par MAW NICHOLAS. Nicholas Maw is one of Britain's most admired composers. He is also an acknowledged master in whatever genre he expresses himself, and one whose musical language is instantly recognisable. This piece for Flute and String Trio was commissioned by the Nash Ensemble, and first performed at St. John's, Smith Square, London. / Niveau : Elémentaire / Répertoire / Ensemble Mixte
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Wolfgang Amadeus Mozart: Flute Quartets: Chamber Ensemble: Parts
19.00
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for Flute Violin Viola and Violoncello-Flute Quartets (4) (K.285 285a 285b ...
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57.00
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String Quartets Complete Vol.2 is an impressive collection of 17 of Mozart's S...
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Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle
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Holmboe's Quartet from Opus 90 is a wonderful work for Flute Violin Viola and ...
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The Full Score for Peter Maxwell Davies’ fourth in a series of ten string...
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The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace Oslo Norway as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004 with the intention of producing something lighter and much less fierce than itspredecessor an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.I returned to the well-known Brueghel picture of children's games (1560 now in Vienna) which had been the inspiration for my sixthStrathclyde Concerto for flute and orchestra. These illustrations liberated my musical imagination but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of thework. Suffice it to say that there is vigorous play - leap-frog bind the devil with a cord truss wrestling - alongside quieter pastimes - masks guess whom I shall choose courting odds and evens. The single movementjuxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture taking liberties which would never be presentin for instance Brunelleschi architectural drawings so here with a constant sequence of transformation processes I have distorted the neat precise implications of modal progression expressed in the unison opening phrase(from F to B through A sharp/B flat) so that the ear is led en route into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that Iwas reading into and behind the games adult motives and implications concerning aggression and war with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B
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Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
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Wolfgang Amadeus Mozart: Flute quartets for Flute, Violin, Viola and Violoncello
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle
[Partition]
G. Henle
For Flute, Violin, Viola and Violoncello. By Wolfgang Amadeus Mozart. Edited by ...
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For Flute, Violin, Viola and Violoncello. By Wolfgang Amadeus Mozart. Edited by H. Wiese. Chamber Music with Winds. Pages: Fl Part = XV and 17 * Vl Part = 17 * Va Part = 17 * Vc Part = 15. Urtext edition without fingering-paper bound. Published by G. Henle.
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24 hours - In Stock
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Quartet, Op. 19/6
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By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and...
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By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts
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By Franz Anton Hoffmeister. Edited by Jennifer Caesar. For Flute, violin, viola,...
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By Franz Anton Hoffmeister. Edited by Jennifer Caesar. For Flute, violin, viola, violoncello. Score and parts. Published by Edition HH (U.K. Import).
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Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle
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By Franz Anton Hoffmeister (1754-1812). Edited by Jennifer Caesar. For Flute, vi...
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By Franz Anton Hoffmeister (1754-1812). Edited by Jennifer Caesar. For Flute, violin, viola, violoncello. Score and parts. 74 pages
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By Franz Anton Hoffmeister (1754-1812). Edited by Jennifer Caesar. For Flute, violin, viola, violoncello. Score and parts. 72 pages
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Jaroslav Pohanka. Set...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Jaroslav Pohanka. Set of performance parts (parts only, score not included) for flute, violin, viola and cello. Urtext of the New Mozart Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006448029.
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