Matériel : Conducteur et Parties séparées
Voir toutes les partitions de Queen
SKU: HL.4005186
UPC: 888680698096. 9.0x12.0x0.036 inches.
The powerful music of rock band Queen remains as relevant and recognizable as ever. This exciting medley for flexible instrumentation includes the timeless hits We Will Rock You, Another One Bites the Dust, and We Are the Champions.
SKU: BT.DHP-1216355-010
English-German-French- Dutch.
Ava Max, Billie Eilish and Dua Lipa: altogether, they possess a great deal of girl power. That was all Peter Kleine Schaars needed to arrange this exciting, great-sounding and playable pop medley. With hits like â??Kings and Queensâ??,â??My Futureâ?? and â??Break My Heartâ??, these female artists from todayâ??s pop scene certainly gave the year 2020 an entertaining boost!Ava Max, Billie Eilish en Dua Lipa: samen zijn ze goed voor een flinke dosis girlpower. Meer was er voor Peter Kleine Schaars niet nodig om een spetterende, maar vooral goed klinkende en speelbare popmedley te arrangeren. Met hitsals â??Kings and Queensâ??, â??My Futureâ?? en â??Break My Heartâ?? wisten deze vrouwelijke artiesten uit de hedendaagse popmuziek het jaar 2020 toch nog behoorlijk wat schwung te geven!Ava Max, Billie Eilish und Dua Lipa sie alle stehen für extrem viel Girlpower. Mehr brauchte Peter Kleine Schaars nicht, um dieses spannende, groÃ?artig klingende und gut spielbare Pop-Medley zu arrangieren. Mit Hits wie Kings andQueensâ??, My Futureâ?? und Break My Heartâ?? haben die Künstlerinnen aus der heutigen Popszene dem Jahr 2020 einen unterhaltsamen Schub verliehen!Ava Max, Billie Eilish et Dua Lipa : ensemble, elles font preuve dâ??une puissance féminine extraordinaire. Il nâ??en fallait pas plus pour inciter Peter Kleine Schaars arranger ce dynamique medley pop aux sonorités fabuleuses. Avecdes tubes comme « Kings and Queens », « My Future» et « Break My Heart», ces chanteuses de la scène pop actuelle ont certainement égayé lâ??année 2020 !
SKU: BT.DHP-1216355-140
Ava Max, Billie Eilish and Dua Lipa: altogether, they possess a great deal of girl power. That was all Peter Kleine Schaars needed to arrange this exciting, great-sounding and playable pop medley. With hits like ‘Kings and Queens’,‘My Future’ and ‘Break My Heart’, these female artists from today’s pop scene certainly gave the year 2020 an entertaining boost!Ava Max, Billie Eilish en Dua Lipa: samen zijn ze goed voor een flinke dosis girlpower. Meer was er voor Peter Kleine Schaars niet nodig om een spetterende, maar vooral goed klinkende en speelbare popmedley te arrangeren. Met hitsals ‘Kings and Queens’, ‘My Future’ en ‘Break My Heart’ wisten deze vrouwelijke artiesten uit de hedendaagse popmuziek het jaar 2020 toch nog behoorlijk wat schwung te geven!Ava Max, Billie Eilish und Dua Lipa sie alle stehen für extrem viel Girlpower. Mehr brauchte Peter Kleine Schaars nicht, um dieses spannende, großartig klingende und gut spielbare Pop-Medley zu arrangieren. Mit Hits wie Kings andQueens“, My Future“ und Break My Heart“ haben die Künstlerinnen aus der heutigen Popszene dem Jahr 2020 einen unterhaltsamen Schub verliehen!Ava Max, Billie Eilish et Dua Lipa : ensemble, elles font preuve d’une puissance féminine extraordinaire. Il n’en fallait pas plus pour inciter Peter Kleine Schaars arranger ce dynamique medley pop aux sonorités fabuleuses. Avecdes tubes comme « Kings and Queens », « My Future» et « Break My Heart», ces chanteuses de la scène pop actuelle ont certainement égayé l’année 2020 !
SKU: HL.4006997
UPC: 840126949476.
SKU: HL.4006996
UPC: 840126949469. 9.0x12.0 inches.
SKU: BR.PB-4824
ISBN 9790004206256. 9 x 12 inches.
Duration: full eveningText by Emanuel SchikanederPlace: EgyptCharacters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet)Since only the German original version of this work is available, we have supplied only a German-language commentary.
SKU: BR.EB-208
ISBN 9790004160152. 7.5 x 10.5 inches.
Duration: full evening Text by Emanuel Schikaneder Place: Egypt Characters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet) Since only the German original version of this work is available, we have supplied only a German-language commentary.
SKU: HL.1218087
UPC: 196288141457. 9.0x12.0x0.327 inches.
Fall down the rabbit hole with Alice as she navigates the curious world of Wonderland on a journey of self-discovery. This 60-minute stage adaptation of the classic Disney animated film and the Lewis Carroll stories makes a triumphant return to the Broadway Junior® catalog, with an updated script and score made specifically for today's young performers. When young Alice finds herself in a strange world where everything seems upside down, she must find her way home...and find herself along the way. As she travels through Wonderland, she encounters all of the iconic characters that audiences have come to love: including the ever-tardy White Rabbit, the grinning Cheshire Cat, a cool Caterpillar, the wacky Mad Hatter, and the hot-tempered Queen of Hearts. Alice in Wonderland JR. features Disney favorites such as â??The Golden Afternoon,â? â??The Unbirthday Song,â? and â??Painting the Roses Redâ? along with brand-new songs, including music from the 2010 live-action film. Whether this is your first experience with Alice or your hundredth, you'll fall in love all over again with this timeless story of adventure, imagination, and pure fun!
SKU: AP.12-0571571441
ISBN 9780571571444. English.
Purcell composed six of his finest odes to honor the birthdays of Queen Mary in successive years from 1689. Come, Ye Sons of Art (1694) followed recent stage successes and contains some of the composer's most sparkling and memorable instrumental and vocal writing. This authoritative performing edition is prepared by the leading Purcell expert, Robert King.
SKU: AP.46826
ISBN 9781470639969. UPC: 038081536927. English.
Spring is just around the corner, but the flowers have yet to bloom. The children are waiting for nice weather, the weeds have popped out of the earth, but the flowers remain steadfastly hidden underground. It takes the clever Dandelion Queen to figure out why, and bring about the first blossoms of the season! This charming, easy-to-stage 15-minute musical is designed specifically for grades K--4. The unison songs, brief rhyming script, creative costume ideas, and simple staging suggestions will make your primary production blossom. Reproducible student pages, full performance and accompaniment recordings, plus full-color cover art are included on the enhanced CD.
SKU: BT.AMP-106-130
Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert. Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires. Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances.
SKU: BR.BES-3074
ISBN 9790004610008. 11.5 x 8.5 inches. Russian / French / German / English.
Duration: full eveningText by Modest Tchaikovsky after Alexander Puschkins NovelTranslation: German (W. Ebermann/M. Koerth and collaboration by H. Seeger); (R. Lauckner) Place and time: Petersburg, End of the 18th CenturyCharacters: Hermann (tenor) - Count Tomskij (baritone) - Prince Jeletzkij (baritone) -Czekalinskij (tenor) - Ssurin (bass) - Tschaplitzkij (tenor) - Narumoff (bass) - The Counts Wife (mezzo-soprano) - Lisa (soprano) - Pauline (alto) - Governess (mezzo-soprano) - Mascha (soprano) - A Steward (tenor) Characters of the intermezzo: ChloE (soprano) - Daphnis (Pauline) (alto) - Plutus (Count Tomskij) (baritone) By the time Tchaikovsky began writing Pique Dame, he had already composed eight operas and had very well developed ideas about the drama and aesthetics of the genre. Gustav Mahler, who judged Pique Dame to be Tchaikovskys most mature and artistically solid musical work, is certainly not alone with his opinion. A confession made by Tchaikovsky a few months before his death show to want extent the composer, after an initial period of hesitation, was possessed by his work on this opera: I composed it with uncommon passion and enthusiasm, suffered from everything that happens in it and related to it with every fibre in my body (it went so far that I even feared the apparition of the ghost for a while). Now I hope that all my enthusiasm, excitement and devotion will find an echo in the hearts of receptive listeners.
