Ralph Vaughan Williams: Five Variants On 'Dives And Lazarus': String Ensemble:

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vocal ScoreCantata for Baritone Solo SSAA chorus and orchestra Following the revelatory release of A London Symphony in its original version the publication of Willow-wood is another landmark in our deepening understanding of the music of Ralph Vaughan Williams.Last performed in 1909 the year of The Wasps and On Wenlock Edge this setting of four sonnets by the Victorian poet Dante Gabriel Rossetti has recently been reconstructed from the autograph score and orchestral material made available on hire from the publisher. Reflecting the veiled eroticism and sombre atmosphere of the texts the music is dark-hued andsensuous its wordless female choir looking forward to the Five Mystical Songs A Sea Symphony and Flos Campi. In this heightened atmosphere of Pre-Raphaelite passion the composer\'s richly chromatic harmonies sound an unfamiliar note and the piece which lasts about 14 minutes will not only fascinate specialists but also have a broad appeal to many lovers of English music for whom it will be a significant discovery. A recording of Willow-wood on the Naxos label is scheduled for release early in 2006.

Originally composed for and dedicated to Henry J. Wood on the occasion of his Jubilee in grateful recognition of his services to music by Vaughan Williams. This charming serenade is set to the words from Act five scene one of Shakespeare's The Merchant Of Venice. It may be sung with four soloists - SATB with Chorus or all the solo parts may be sung in chorus.

Par CATTLEY SARAH. Written for baritone Roderick Williams and pianist Susie Allan to celebrate the 150th anniversary of the birth of Ralph Vaughan Williams, the five Frances Cornford settings of A Square and Candle-Lighted Boat further enhance Sarah Cattley’s reputation as an exciting young composer acutely sensitive to the nuances of English poetry. In addition to familiar sources ranging from ‘anon’ to George Mackay Brown, she has found inspiration in the work of women writers including Charlotte Brontë, Fredegond Shove, Moyra Tourlamain and Ursula Vaughan Williams. The finely tuned voice of Cambridge poet Frances Cornford (1886–1960) appealed especially for the touching immediacy of its insights, its probing of emotions from a woman’s viewpoint, and its wide human sympathy. In creative antithesis to the Vaughan Williams Songs of Travel, for which it is intended as a companion piece, a love of home is the theme of the cycle, its domestic interiors and country views illuminated in the warm tones and vivid portrayals of Cattley’s music. Performances at Thaxted and Paxton preceded a London premiere on 12 October 2022, marking the occasion of Vaughan Williams’s birth 150 years ago to the day. / Date parution : 2023-03-11/ Répertoire / Baryton et Piano