L'interpretation des plus grandes uvres des grands compositeurs est desormais accessible grâce a une collection dans laquelle les pieces sont selectionnees, organisees selon des niveaux de difficulte progressifs et accompagnees de toute une serie de supports tels que des explications historiques et litteraires de chaque uvre, des indications techniques pour les pianistes, des doigtes, etc. Un excellent moyen de decouvrir le grand repertoire pour piano et un outil pedagogique utile. Ce premier recueil de la collection comprend des uvres de Tchaikovsky tirees de l'Album pour enfants, telles que La Poupee malade et La Marche des soldats de bois, particulierement adaptees aux eleves debutants. Elle est suivie d'une selection tiree des Saisons, qui comprend l'un des chefs-d' uvre de Tchaïkovski, la Barcarolle (Juin). Le volume se termine par une partie particulierement interessante pour piano a quatre mains. 1. The Sick Doll [Pjotr Iljitsj Tchaikovsky] 2. March of the Wooden Soldiers [Pjotr Iljitsj Tchaikovsky] 3. The New Doll [Pjotr Iljitsj Tchaikovsky] 4. Playing Hobby Horses [Pjotr Iljitsj Tchaikovsky] 5. April: Snowdrops [Pjotr Iljitsj Tchaikovsky] 6. October: Autumn Song [Pjotr Iljitsj Tchaikovsky] 7. May: Starlit Night [Pjotr Iljitsj Tchaikovsky] 8. June: Barcarolle [Pjotr Iljitsj Tchaikovsky] 9. December: Christmas [Pjotr Iljitsj Tchaikovsky] 10. The Pine-Tree Swings by the Gate [Pjotr Iljitsj Tchaikovsky] 11. Merry Katya [Pjotr Iljitsj Tchaikovsky] 12. Under the Green Apple Tree [Pjotr Iljitsj Tchaikovsky] 13. Song of the Volga Boatmen [Pjotr Iljitsj Tchaikovsky] 14. There Was No Wind [Pjotr Iljitsj Tchaikovsky] / Partitions classique / Piano - instruments à clavier / Piano / RICORDI
SKU: AP.36-A219801
UPC: 660355013270. English.
Captivated by the playing of famed Franz Liszt pupil Eugen d'Albert during the 1883-1884 concert season, Peter Ilyitch Tchaikovsky (1840-1893) began work on Concert Fantasia. After an arduous composition process, on which the composer himself remarked, I stopped playing around and came up with something... but it still sounded too poor and unoriginal... Tchaikovsky laid aside Concert Fantasia and began sketching out his Third Orchestral Suite. He eventually returned to and finished Concert Fantasia in June of 1884, with the surprising addition of the second movement Contrastes. Originally composed as the first movement of his Third Orchestral Suite but ultimately rejected, Tchaikovsky reservedly added it as a second movement to Concert Fantasia. While recognizing and wishing to use the movement for its own merits, he still harbored doubts and added an alternative solo cadenza to the end of the first movement in case Contrastes was to be omitted. The Russian Musical Society under the direction of Max Erdmannsdörfer premiered the work in 1855. In the two decades after its debut, Concert Fantasia received many performances but disappeared from the repertoire until it underwent a revival in the latter part of the 20th century. Instrumentation: 3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano].
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