SKU: HL.645316
UPC: 008148041657. 8.75x11.0x0.163 inches.
SKU: HL.645328
UPC: 008148041770. 8.75x11.0x0.163 inches.
Size: 8-1/2 x 11 inches, to be folded in half to 5-1/2 x 8-1/2. Use with any copier or printer, inkjet or laser. Adds a professional touch to your recital! Each pack includes 25 certificates.
SKU: HL.645329
UPC: 008148041787. 11.0x8.5 inches.
Size: 8-1/2 x 11 inches, to be folded in half to 5-1/2 x 8-1/2. Use with any copier or printer, inkjet or laser. Adds a professional touch to your recital!
SKU: HL.645293
UPC: 008148041237. 8.75x11.0x0.198 inches.
Size: 8-1/2 x 11 inches, to be folded in half to 5-1/2 x 8-1/2. Use with any copier or printer, inkjet or laser. Adds a professional touch to your recital! Each pack includes 25 sheets.
SKU: HL.645325
UPC: 008148041749. 8.5x11.0x0.161 inches.
SKU: HL.645320
UPC: 008148041695. 8.75x11.0x0.082 inches.
SKU: HL.645314
UPC: 008148041633. 8.5x11.0x0.169 inches.
Festive design program templates for use in student recitals. Available in a variety of designs.
SKU: HL.645289
ISBN 9781495081453. UPC: 008148041176. 8.5x11.0x0.162 inches.
SKU: HL.645252
UPC: 008148040469. 8.5x11.0x0.167 inches.
SKU: BT.MUSM570361922
English.
The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deep reservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, often featuring elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing. There are several songs for voice and piano but some require other instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have a particular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed to be flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that many performers will find their tastes represented here. Compiled by David Blake and John Potter. Edited by Michael Hooper.
SKU: AP.1-ADV3115
ISBN 9783892218616. UPC: 805095031157. English.
The title of the piece speaks for itself. The composition Tango lends itself to being performed within the framework of young soloists' competitions and can, in general, also be used in exams. For professional musicians, it might be the ideal complement to the second set of their recital program. The arrangement at hand is suitable for many different instruments.
SKU: GI.G-317172
ISBN 9781574630855. UPC: 884088202095.
Five original solos with piano accompaniment by a multi-faceted composer/performer and historically significant mallet soloist. This set includes program notes and a composer biography. These five pieces - Mallets Ala Zurke · Rag Doll Rag · Temptation Revamp · Waltz in Ragtime · and Joplin on Wood - are fun to play, fun to listen to, and will surely add to any concert or recital program, as well as repertoire for solo performances of any nature. This product includes a link inside the front cover to download the recording of Harry Breuer playing each piece with piano accompaniment.
SKU: PR.114422750
ISBN 9781491135792. UPC: 680160687862.
This beautiful slow movement takes full advantage of the string quartet’s richly expressive potential. LORRAINE is a plaintive aria for violin with string trio accompaniment, balanced with contrasting textures from the “tutti†string ensemble. A remembrance for the composer’s sister, it is a perfect work to program on memorial concerts, and as a 6-minute selection on string quartet recital programs.
SKU: HL.645332
UPC: 008148041817. 8.5x11.0x0.168 inches.
Size: 8-1/2 x 11 inches to be folded in half to 5-1/2 x 8-1/2. Package of 25.
SKU: HL.645269
ISBN 9781495081439. UPC: 008148040780. 8.75x11.0x0.2 inches.
SKU: CY.CC3002
ISBN 9790530058220.
Symp hony No. 1 for Brass Quintetby C. P. E. Bach, arranged by Justin BlandC. P. E. Bach was an innovator as an early Classical era composer, helping to develop the sonata form that was refined by Haydn, Mozart and Beethoven. Like his father, Carl Phillip Emanuel was prolific and showed signs of true genius.Symphony No. 1, in three movements (fast-slow-fast), originally in D major, has been transposed down a step to C by arranger Justin Bland.This very fine arrangement (the entire work) of about 12 minutes in length is appropriate for advanced performers and can be the cornerstone of a recital program.Instrum entation: Trumpets (parts in C and B-flat), Horn in F, Trombone and Tuba.
SKU: GI.G-9891
UPC: 785147989165.
Euryd ice V. Osterman is new to the GIA catalog. Her compositions in this work for organ are majestic, festive, and registered for full organ. Any of the four hymn tune settings would work well for worship as a prelude or postlude and would bring gravitas to any recital program.
SKU: AP.1-ADV7025
UPC: 805095070255. English.
A collection of well-crafted original compositions with underlying jazz roots and a down-home bluesy feel. These duos would also work well on a recital program, alone or combined as a suite. Titles: Byard's Bounce * Wistful * Contuberance * That Dang Thang * Huntington Park * Birdseed * Spring Chicken Fever * The Follish Fool.
SKU: CY.CC2351
Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Brass Quintet by Keith Terrett. The most well known of the movements is Traumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty. The music is for advanced performers and the collection contains close to 20 minutes of some very sublime & poetic music. Any of these pieces can be inserted into a recital program. Trumpet parts are in B-flat.